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Thursday 20 September 2018   photo 1/4

Wheelman Sub Download
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DOWNLOAD: http://urllio.com/r6flu
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After three years in prison, the driver known as Wheelman has to work for mobsters to pay for a debt. When he is assigned to drive a getaway car for a bank heist, he is not able to contact his liaison and a stranger call him giving orders to deliver the stolen money to him. Soon he learns that he has been betrayed by his contact and spends the night trying to save his thirteen year-old Katie and his ex-wife Jessica from a gang that wants the money robbed from the bank. But who can be trusted?
A getaway driver for a bank robbery realizes he has been double crossed and races to find out who betrayed him.
Think of the opening scene of 'Drive' (the one you wanted more of) and the intrigue and simplicity of 'Locke' (that you wanted less of) and you've got this fantastic movie. None stop suspense, slick cold action, a story with genuine curiosity and beautifully, deliberately and seamlessly shot, paying tribute to greats like 'Mad Max', 'The Driver' and 'Bullitt' but with the precision and effortless float the likes of which I've not seen since 'Children of Men'. Don't get me wrong, there's no epic 12 minute long choreographed masterpiece tracking shots, just a very solid confidence and execution in the way we watch this film. Everything is just right.
Upon finishing this film and coming up with an instant score of 8 but teetering on a (will I watch this again) 7, I wondered what it lacked? Story - check, brilliant car chases - check, awesome action and stunts - check, amazing cinematography - check, mobsters - check, great acting - check, and I realised that the reason it feels different to most films isn't just the simplicity, or the B- movie feel, it's that (aside from one small exchange) we don't follow our hero from his perspective, If we did it'd just be another Jack Reacher type affair, an excuse for a car/action movie, but instead we voyeuristically view the events from the cars perspective! When the wheelman switches vehicles, we now watch the action unfold from that car no matter who's driving. Instead of 'lacking' in anything, this was actually it's most unique and stylish factor. The car is the hero, taking us from a none descript (marked) car to a vintage white shining Porsche to save the day, nicely representing the contrast between the wheelmans life as an ex con in debt, to a man taking care of his family.
Frank Grillo was great, Jeremy Rush is definitely one to watch out for, as is the cinematographer Juan Miguel Azpiroz.
I never write reviews, but this one deserved it. 8/10
OK it's not the greatest thriller of all time but it still kept me on edge from time to time. It's the story of a man out of jail who accepts to be the driver in a bank robbery to pay back a part of what he owed a local gang. the robbery goes sideways and he finds himself in a situation where he doesn't know who to trust. That's the most i can tell you without giving any spoilers. But you can imagine how this can lead to several interesting situations. The only thing that bothered me is that the story doesn't go deep enough in the characters background and sometimes you don't feel how dangerous a character can be to the Wheelman. So i'd say that if you're looking for a good thriller to spend time without having to blow your mind, this Netflix movie will do the trick.
I love this sub-genre of crime pictures, and while this isn’t on a par with the true classics of the type, it’s in the conversation. A little of


Wheelman Sub Download

-----------------------------------------

DOWNLOAD: http://urllio.com/r6flu

-----------------------------------------






























After three years in prison, the driver known as Wheelman has to work for mobsters to pay for a debt. When he is assigned to drive a getaway car for a bank heist, he is not able to contact his liaison and a stranger call him giving orders to deliver the stolen money to him. Soon he learns that he has been betrayed by his contact and spends the night trying to save his thirteen year-old Katie and his ex-wife Jessica from a gang that wants the money robbed from the bank. But who can be trusted?
A getaway driver for a bank robbery realizes he has been double crossed and races to find out who betrayed him.
Think of the opening scene of 'Drive' (the one you wanted more of) and the intrigue and simplicity of 'Locke' (that you wanted less of) and you've got this fantastic movie. None stop suspense, slick cold action, a story with genuine curiosity and beautifully, deliberately and seamlessly shot, paying tribute to greats like 'Mad Max', 'The Driver' and 'Bullitt' but with the precision and effortless float the likes of which I've not seen since 'Children of Men'. Don't get me wrong, there's no epic 12 minute long choreographed masterpiece tracking shots, just a very solid confidence and execution in the way we watch this film. Everything is just right.

Upon finishing this film and coming up with an instant score of 8 but teetering on a (will I watch this again) 7, I wondered what it lacked? Story - check, brilliant car chases - check, awesome action and stunts - check, amazing cinematography - check, mobsters - check, great acting - check, and I realised that the reason it feels different to most films isn't just the simplicity, or the B- movie feel, it's that (aside from one small exchange) we don't follow our hero from his perspective, If we did it'd just be another Jack Reacher type affair, an excuse for a car/action movie, but instead we voyeuristically view the events from the cars perspective! When the wheelman switches vehicles, we now watch the action unfold from that car no matter who's driving. Instead of 'lacking' in anything, this was actually it's most unique and stylish factor. The car is the hero, taking us from a none descript (marked) car to a vintage white shining Porsche to save the day, nicely representing the contrast between the wheelmans life as an ex con in debt, to a man taking care of his family.

Frank Grillo was great, Jeremy Rush is definitely one to watch out for, as is the cinematographer Juan Miguel Azpiroz.

I never write reviews, but this one deserved it. 8/10
OK it's not the greatest thriller of all time but it still kept me on edge from time to time. It's the story of a man out of jail who accepts to be the driver in a bank robbery to pay back a part of what he owed a local gang. the robbery goes sideways and he finds himself in a situation where he doesn't know who to trust. That's the most i can tell you without giving any spoilers. But you can imagine how this can lead to several interesting situations. The only thing that bothered me is that the story doesn't go deep enough in the characters background and sometimes you don't feel how dangerous a character can be to the Wheelman. So i'd say that if you're looking for a good thriller to spend time without having to blow your mind, this Netflix movie will do the trick.
I love this sub-genre of crime pictures, and while this isn’t on a par with the true classics of the type, it’s in the conversation. A little of Tom Hardy’s cellphone in the car myopia “Locke," a little of Gosling’s “Drive," and a lot of Grillo goes a long way.
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