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Tuesday 18 September 2018   photo 1/7

Mile 22 Movie Download Hd
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DOWNLOAD: http://urllio.com/qxa9v
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An elite American intelligence officer, aided by a top-secret tactical command unit, tries to smuggle a mysterious police officer with sensitive information out of the country.
In a visceral modern thriller from the director of Lone Survivor, Mark Wahlberg stars as James Silva, an operative of the CIA's most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.
So for me, and likely many others, the initial draw was Iko Uwais, because I'm a big fan of the movies hes in like The Raid movies and Headshot. And don't get me wrong, I greatly enjoyed a couple of the action scenes, but for the most part it was not what I expected, I felt like I was given a false impression of the movie from the trailer. The trailer gave me the impression it would be a non-stop The Raid-style film, but it wasn't. And while, like I said, I liked a couple of sequences, much of it was generic shooting back and forth. First off, I did like some action sequences, mostly the hand to hand kung-fu and whats known as gun-fu involving Iko Uwais, which clearly had Asian influences, but the other gun play left something to be desired, mostly generic shooting back and forth, interspersed with random interruptions that kill some of the action. So all in all I'd say the action was half and half, some I liked, some not so much.
The story was very textbook, and while parts of the "twist" ending were predictable, some of it wasn't if you don't read a lot of espionage novels. My brother was much more impressed with the ending than I was. I expected some of it. Also, the framing device used is also hit and miss, sometimes there was good writing and good one-liners, but some of it was admittedly stupid, and killed my action buzz a few times.I also did like Lauren Cohan's character, who was more engaging and bad ass than Marky Mark. To avoid spoilers I won't drop names, but the seemingly premature and unnecessarily early death of a character kind of pissed my off a bit because I liked him/her. Most of the cinematography was also pretty textbook blockbuster action flick, not too much that special, not to mention the "drone vision" shots looked very unauthentic.
If you want a generic action flick sprinkled with some very cool moments, go see it.
I had high hopes for this movie, but I was very distracted by the short duration of the clips. Just like in Amadeus, where Mozart's music is criticized for having "too many notes", my criticism of this movie is too many clips. I'd really like to see a count of how many clips there are, but I will not take out the daunting task of doing that myself. This must have been a huge task on the part of the editors. I estimate that the average clip length is something like 1 1/2 seconds, which means there are nearly 4000 clips making up the movie. It's tiring to watch.
So, while I was distracted with this, I wasn't really following the incoherent plot, and I found the acting to be pretty poor as well.
The adrenaline never stops pumping in Mile 22, a superficially kinetic thriller that simultaneously attempts to be politically savvy and an ultra-macho shoot-‘em-up. That juggling act proves too sophisticated for director Peter Berg who, in his fourth collaboration w


Mile 22 Movie Download Hd

-----------------------------------------

DOWNLOAD: http://urllio.com/qxa9v

-----------------------------------------









































An elite American intelligence officer, aided by a top-secret tactical command unit, tries to smuggle a mysterious police officer with sensitive information out of the country.
In a visceral modern thriller from the director of Lone Survivor, Mark Wahlberg stars as James Silva, an operative of the CIA's most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.
So for me, and likely many others, the initial draw was Iko Uwais, because I'm a big fan of the movies hes in like The Raid movies and Headshot. And don't get me wrong, I greatly enjoyed a couple of the action scenes, but for the most part it was not what I expected, I felt like I was given a false impression of the movie from the trailer. The trailer gave me the impression it would be a non-stop The Raid-style film, but it wasn't. And while, like I said, I liked a couple of sequences, much of it was generic shooting back and forth. First off, I did like some action sequences, mostly the hand to hand kung-fu and whats known as gun-fu involving Iko Uwais, which clearly had Asian influences, but the other gun play left something to be desired, mostly generic shooting back and forth, interspersed with random interruptions that kill some of the action. So all in all I'd say the action was half and half, some I liked, some not so much.

The story was very textbook, and while parts of the "twist" ending were predictable, some of it wasn't if you don't read a lot of espionage novels. My brother was much more impressed with the ending than I was. I expected some of it. Also, the framing device used is also hit and miss, sometimes there was good writing and good one-liners, but some of it was admittedly stupid, and killed my action buzz a few times.I also did like Lauren Cohan's character, who was more engaging and bad ass than Marky Mark. To avoid spoilers I won't drop names, but the seemingly premature and unnecessarily early death of a character kind of pissed my off a bit because I liked him/her. Most of the cinematography was also pretty textbook blockbuster action flick, not too much that special, not to mention the "drone vision" shots looked very unauthentic.

If you want a generic action flick sprinkled with some very cool moments, go see it.
I had high hopes for this movie, but I was very distracted by the short duration of the clips. Just like in Amadeus, where Mozart's music is criticized for having "too many notes", my criticism of this movie is too many clips. I'd really like to see a count of how many clips there are, but I will not take out the daunting task of doing that myself. This must have been a huge task on the part of the editors. I estimate that the average clip length is something like 1 1/2 seconds, which means there are nearly 4000 clips making up the movie. It's tiring to watch.

So, while I was distracted with this, I wasn't really following the incoherent plot, and I found the acting to be pretty poor as well.
The adrenaline never stops pumping in Mile 22, a superficially kinetic thriller that simultaneously attempts to be politically savvy and an ultra-macho shoot-‘em-up. That juggling act proves too sophisticated for director Peter Berg who, in his fourth collaboration with Mark Wahlberg, again demonstrates his sufficient skill at crafting dynamic suspense sequences.
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