Tuesday 18 September 2018 photo 9/9
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Free Fire Malayalam Movie Download
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DOWNLOAD: http://urllio.com/r2v66
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Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.
SO they tried, blowing each other's heads-off in a series of absolute chaotic VIOLENCE and cynical HUMOUR, instead!
It's difficult to say which is sharper in Ben Wheatley's latest film, Free Fire: the bullets being fired by the nefarious characters found within or the witty jabs those characters tend to fling at one another between the continual barrage of deadly gun-play.
One may kill you, but the other may actually hurt your feelings. As with his previous films, Wheatley presents Free Fire with a gleefully dark sense of humour, the ridiculousness of events playing out made all the more senseless when you take into account where everyone's mindset is at. That sense of humour – not to mention the abhorrently comical characters – washes the onslaught of violence down all the easier, though, and, with Free Fire, Wheatley once again proves to be a unique voice in the filmmaking world.
A British film set in America, deals about a gun deal in 1970's Boston gone wrong, Free Fire's director moves his characters into play with stealth and precision. Nor does there appear to be a wasted opportunity when it comes to the cast. Each character is allowed their own sense of levity, some laying on the ham a little stinger than others, but it all suits the character at hand. Larson gives a strong performance as the seemingly most rational person in the room as she screams for everyone to "calm the f*ck down" to no avail. Copley, on the other end of the spectrum, is a delight of silliness, something the actor tends to lean towards in most of his performances, but it suits his Free Fire character just fine. He seems to be the least self-aware person in this room of violence, but that allows him the more juvenile moments of humour here.
The remainder of the cast is weighed down by solid performances, as well. Hammer and Murphy play equal parts cool but with a slight tinge of macho-headed fatuity. Smiley, a longtime performer under Wheatley's direction, is always a sight for sore eyes. Riley and Reynor play similar levels of character on either side of the bullet barrage: slimy and completely lizard-brained but not without a modicum of adorable oafishness. Theirs are probably the funniest to watch amongst all the chaos through and through.
All of this comes together in a wonderfully dark but unnervingly funny action ride courtesy of one of the best filmmakers working today. The attention to detail Ben Wheatley and his crew show makes its presence felt in all aspects of Free Fire, some of them with that added bonus of piecing the film's subtext together after the credits have rolled and the energy exuded has begun to die down.
There is much being said in Free Fire about the ridiculousness of violence and the inevitable results from such ridiculousness, but, apart from this, the film is still an absolute joy of chaotic violence and cynical humour. A little bit disco, a little bit punk rock, just a dash of John Denver, but loaded with undeniably funky '70s cool, Free Fire is another sampling of Ben Wheatley as a filmmaker playing a unique beat on his own drum, and the results of his talent are endlessly rewarding.
Free Fire is a profane, dark comedy that begs to be something interesting. But from the first twenty-minute mark to the end, it is clear that director Ben Wheatly is trying to capitalize on the elements of Quentin Tarantino's 'Reservoir Dogs', and the inspiration is quite evident. A group of people each with a criminal record meet in one place to make a dirty deal, and everything goes wrong when the exchange turns into verbal sparring, and verbal sparring turns into a bloodbath. Wheatly, following his tracks from 'The Kill List' and the marginally successful 'High-Rise', tries to keep things interesting with character spewing vulgar rants at each other and unloading their guns in a heated dispute. This probably would have been more pleasing if it had even a glimpse of originality flowing through its DNA. Unfortunately, it only amounts to an hour and a half of repetitive gunplay and morally depraved individuals burning the air with more than enough four- letter words to make Quentin Tarantino aroused. Haha! Nice Try! Set in 1978 Boston, this movie follows loose-end criminals Stevo (played by Sam Riley) and Bernie (played by Enzo Cilenti) who meet up with Irish Army Veterans Chris (played by Cillian Murphy) and Frank (played by Michael Smiley) to make an illegal arms deal. Joining along for the ride is Justine (played by Brie Larson), Vernon (played by Sharlto Copley), Harry (played by Jack Reynor), Martin (played by Babou Ceesay), Ord (played by Armie Hammer), and Gordon (played by Noah Taylor). The two groups meet up in an abandoned warehouse to finalize their deal. But when tensions suddenly arise, the deal escalates into a deadly shootout.
What made Reservoir Dogs a cinematic spectacle was that Tarantino made the characters interesting, injecting them audacious, yet arousing dialogue and dark humor, while driving the story with a substance-fueled script. Ben Wheatley fails to accomplish any of these here. It is all twenty minutes of mediocre exposition before jumping into a long series of bloody gunfights that last for the remainder of the picture. What could have made this redundant fiasco more interesting is if Wheatley dedicated some time to construct the characters and polish them suitably dark humor. Sadly, each of them are left as simplistic figures with nothing to distinguish other than their foreign accents. From the moment tensions rise between these characters, the story gains its momentum by the characters engaging in firing their guns at each other and taking cover behind various objects in the warehouse. These following sequences are at least fun for a little while, but grow exhausting before the hour mark. And it definitely does no justice when these are choppily edited, spiraling into a guessing game of who's shooting at who. It is all just 90 minutes of guns shouting POW! POW! POW! POW! without an ounce of substance, buildup, or coherent storytelling. The performances by the cast, of course, are the redeeming qualities of the picture. Sharlto Copley, sporting a trippy 70s hairstyle, has a few nice lands at profane humor, but there isn't much to say about everyone else other than they are did the best they can with the small packages they are given to work with. Poor Brie Larson! An actress who just won on Oscar for Best Actress in her role in the critically adored 'Room' deserves something a little better than this.
Free Fire is a disappointing dark comedic feed lack of originality, profitable characters, and a coherent plot to latch onto. While the film may earn the love and respect of moviegoers not thirsty for anything beyond redundant action sequences to push the adrenaline buttons, it is sadly a forgettable picture and fails to achieve the level of interest and wittiness it aims for.
Free Fire might be a trifle of a quippy, feature-length shootout, but it’s the best damned trifle of a quippy, feature-length shootout you’ll ever see.
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