Friday 21 September 2018 photo 1/1
When a young country footballer, Mat comes to the big smoke to stay with his cousin, all he wants is a quiet night. After a twelve hour odyssey of cops, crazies, harlots and heavies, all he wants is a new cousin.
Innocent country footballer MAT plans to spend one uneventful night in the city before his important AFL trial game. The same night his stuff-up cousin GEORGE is embroiled in a drugs delivery for ruthless loan shark TINY. In eight hair-raising hours of twisting fortune on the run from the law and lawless, Mat will become a man and George will become a hero. When the odds are against you, all you can do is roll the dice, roll with the punches and stick with family.
ROLL is a wonderful little film. Toby Malone plays an 18 year old kid (very well acted, by the way) who is into soccer. Malone's cousin takes him out the night before his big game on an adventure with many twists and turns involving two gym bags, a drug lord, some tough bikers, some cops, and some prostitutes ... and the movie keeps us guessing as to which characters are on which side of the law, what the contents of either gym bag is, and even what gender a key biker is. Parts of it reminded me of LOCK STOCK AND TWO SMOKING Barrels.
For me, ROLL reinforced three opinions that I already held before seeing ROLL. Those opinions are: 1. I really want to visit Australia one day. The country and cities are beautiful and it looks like such a cool place for a vacation.
2. Some of the best filmmakers in the are Australian. The cinematography in ROLL was especially impressive. I loved the stylized colors and lighting in many of the scenes.
3. Australian women are HOT!
i think the best thing about the film was the performance of paul, tiny veneto's driver, played by suave Scottish actor, michael mccall. in a style not dissimilar to harrison ford's silent sojourn in the seminal piece, airforce one, mccall makes good with no lines to convey the deeper levels of a character on the edge of a precipice staring evil down and at the same time being caught up in a whirlwind of tyrannical envy. the main thing that strikes you in this performance is mccall's ability to create an essence statement with the roll of an eye or a toss of the head. and who could forget his despair at a life wasted when caught by the heroes at the end of the film. i look forward to seeing this man again in the near future in a role that befits him. well done to the producers for casting him. inspirational.
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