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Inception Tamil Dubbed Movie Download
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A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.
Dominic Cobb is the foremost practitioner of the artistic science of extraction - inserting oneself into a subject's dreams to obtain hidden information without the subject knowing - a concept taught to him by his professor father-in-law, Dr. Stephen Miles. Dom's associates are Miles' former students, who Dom requires as he himself has given up being the dream architect for reasons he won't disclose. Dom's primary associate, Arthur, believes it has something to do with Dom's deceased wife, Mal, who often figures prominently and violently in those dreams, or Dom's want to "go home" i.e. get back to his own reality, which includes two young children. Dom's work is generally in corporate espionage. As the subjects don't want the information to get into the wrong hands, the clients have zero tolerance for failure. Dom is also a wanted man as many of his past subjects have learned what Dom has done to them. One of those subjects, Mr. Saito, offers Dom a job he can't refuse: to take the concept one step further into inception, namely planting thoughts into the subject's dreams without them knowing. Inception can fundamentally alter that person as a being. Saito's target is Robert Michael Fischer, the heir to an energy business empire, which has the potential to rule the world if continued on the current trajectory. Beyond the complex logistics of the dream architecture of the case and some unknowns concerning Fischer himself, the biggest obstacles in success for the team become worrying about one aspect of inception which Cobb fails to disclose to the other team members prior to the job, and Cobb's newest associate Ariadne's belief that Cobb's own subconscious, especially as it relates to Mal, may be taking over what happens in the dreams.
Writer and director Christopher Nolan pulls together an all-star cast for Inception, a mind- altering thriller. The film stars Leonard DiCaprio as Cobb, the leader of a team of thieves who understand the inner workings of dreams. Given the puzzling nature of the film, it's best just to say that the plot involves Cobb and his men implanting an idea into the mind of a businessman's rival in exchange for freedom to see his children.
The rules of dreams in Inception are staggeringly complicated. There is talk about kicks and drops that early on fall of deaf ears but in practice become very cool. The visuals are outstanding. Seeing a Paris street fold over itself is about as realistic as one could expect. The signature scene may be a zero gravity fight in a hotel that would make astronauts jealous.
It's almost painful how little the actors in Inception have to do. Joseph Gordon-Levitt's Arthur gets to have the most fun handed to him since he partakes in the aforementioned gravity defying sequence. Other than that I can't describe his character. The same goes for Ellen Page's Ariadne who logically has no business being in this film. Her casting is something of an exercise in testing the audience. Is it acceptable to have Velma from Scooby-Doo accompany the Oceans' Eleven crew? These are talents in search of characters. If anything their casting will have you disappointed that they don't make heel turns and betray Cobb over some cash, as that in the least would make Arthur and Ariadne dynamic.
Although Inception offers up heaps of originality, I have to say that it was better the first time I saw it—when it was called The Matrix. The two are very different plot wise and the obvious analogy is in visual effects, but for me it has to do with how the elements of the Matrix or dreams come to be revealed. In The Matrix much of the early end of the movie is jarring. Neo, the protagonist, is then led into believing that the world he knows is a lie. This approach attacks two problems with one stone; it aligns the audience with Neo, and it gives the characters in the know a reason to explain their world. The Neo of Inception is Ariadne. Unfortunately her involvement with the movie is trite, especially when you consider that Cobb's team starts the film with an architect. She is far from being the lead and her only contribution is as a figure to ask questions on behalf of the audience. The result is a bombardment of confusion. Characters are trying to pull off a heist, but they constantly have to explain what's happening to Ariadne (the audience). A good heist film shouldn't rely on spoken word to communicate actions.
Much can be said about the ending; it's obviously left open for interpretation. An earlier Nolan film by the title of Memento had an ending that didn't quite resolve every inquiry, but it was done in a way tasteful enough that the audience knew what happened during the movie. In Inception the audience is left with too many questions but has to make an assumption about what happened just after the film cuts to black. Maybe this is a new way to avoid criticism—if you can't write a good ending, just end the movie and let the audience do your work for you. That's why they call this approach cheap.
Inception is a smart man's movie repackaged for the commoner. The concept and craftsmanship of filming techniques are strong enough to award it favorably, but a cheapening ending and confusing approach toward exposition dim the lights.
Alright. I know that this movie is getting rave reviews, but after seeing it last night I am wondering why!? I saw a preview for this about 2 months ago and had been wanting to see it ever since. Geez, what a letdown once I finally saw it. Unfortunately, I can not think of one good thing to say about this movie. I was lost as to what was going on only after 5 minutes into this and it kept getting more complicated. I was expecting this movie to be on the weird side, but it made no sense to me whatsoever. I don't think I have ever wanted to walk out of a movie so much in my life. The only thing that kept me staying was the hope that this movie would pick up. It's 2 1/2 hours long and trust me, it feels like that and more! It's just rather dull. Nothing really going on, the effects are just OK...nothing to really save the movie. It didn't hold my interest, didn't keep me on the edge of my seat wondering what would happen next, there was no wow factor, nothing. Huge disappointment.
In this wildly ingenious chess game, grandmaster Nolan plants ideas in our heads that disturb and dazzle. The result is a knockout. But be warned: Inception dreams big. How cool is that?
[It does wobble and lose momentum, strong signs, but it sounded not like it toppled but that the sound for the top cut out.] [See the FAQ entry concerning totems. Mal's top adds another layer of unreliability to determining whether the end is reality or dream, since everyone knows the nature of Mal's spinning top; not to mention it does not take any special knowledge to cause a spinning top to fall over in your dream—that's what tops do.]
4. It is showed at the end that Cobb and Mal did grow old together for 50 years in Limbo with them walking the streets as old man and woman, two old hands hold together on the train tracks.
5. The rules, technical aspects of performing the Extraction and Inception in the film.
6. Cobb remembers exactly how he got to where he is, which he wouldn't know if he was dreaming. [But where was the car ride from the airport to home? Did he even think to try to remember? These aren't explicitly revealed.]
7. The emotional depth of the film. If the ending is real, it shows that Cobb does go on an emotional journey, to take a "leap of faith" to believe that Saito will honor their agreement so he could go home and see his kids and finally get over with his wife's death and guilt. The scene where Cobb talks with old Saito is significant as it shows they've grown and become friends, as Cobb had said to him: "Come back and let's be young men together." He's "transformed" because of his leap of faith and he's rewarded by finally reuniting with his kids. a5c7b9f00b
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