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Tuesday 18 September 2018 photo 4/7
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Death Race 2000 Full Movie Download
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DOWNLOAD: http://urllio.com/r0i8x
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In the near future the ultimate sporting event is the deathrace. Contestants get score points for running people down as they speed across the country. The sport has crazed fans who sacrifice themselves to the drivers. An overt agency is trying to bring an end to the immoral deathrace and has infiltrated one of their followers in to the race as a navigator. In the end of the race the lives of the competitors, the President and the deathrace itself are in peril.
A champion of a brutal cross-country car race of the future where pedestrians are run down for points has a change of heart while being hounded by rivals and a conspiracy seeking to stop the race.
When Roger Corman and his crew set out to make a movie, you weren't always guaranteed a good time. However, with DEATH RACE 2000, you'll be happily rewarded. Here is, perhaps, the best "death match" movie ever made! In the not-too-distant future, a cross-country auto race is held once a year. Participating drivers are given the opportunity to run over unwitting citizens. And score points based upon their age, race, social status, and so forth. In this year's current race, there's the ever-popular Frankenstein (David Carradine), Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Matilda the Hun (Roberta Collins), and Nero the Hero (Martin Kove). Who will win? Who will die? Watch and enjoy! And flatten all the remakes along the way!!!
Roger Corman had one of his handful of real legitimate artistic achievements with Death Race 2000. This is not to say that it's Oscar worthy material or should get a whole lot of prestige, but it is definitely a cut above a lot of the intentional schlock that Corman and company put out over the years. Part of that is the intensity and panache of the film-making, of Paul Bartel and crew's filming action with the kind of automotive verve that Miller would have later in the Mad Max movies but put to a wilder edge by whatever means were available in the (low) budget (it's also a major credit to Corman, usually the penny-pincher, that this looks like a movie budgeted far beyond its actual means). Even today it contains a punch that, honestly, continues to out-do stuff like, well, the Paul Anderson remake.
The other part is the writing, with a script that skewers what could be some sour material and creates this crazy landscape of degenerates, outlaws, crooked politicians (redundant, sure), madcap TV personalities, and the occasional bad-ass. The most occasional one is the star, Frankenstein, in one of his great parts by David Carradine, who is one of many drivers who in the Death Race go across the country (apparently, it would seem, in one day, since you know they have cars like that in the year 2000) racking up points by running over as many people as possible, with children and the elderly garnering the most points. How some of the logistical problems actually come off- why wouldn't people just stay indoors if it's the most highly anticipated "event" of the year to save their lives- is left up in the air, but by the time the story is really moving its hard to even care.
This is, in essence, a near perfect exploitation flick, something grungy and rude and crude and featuring loud and crazily designed death-mobiles, plenty of naked women popping up, fights, explosions, goofy bits like Frankenstein's hand with a near-permanent grenade stuck to it, and characters with lots of meaty and fun dialog to work with (Stallone, in one of his first big performances, hams it up wonderfully and is actually not too hard to understand with his speaking voice). I also loved the totally tasteless political satire bits, like the mention of France as an evil super-power or just the nature of the President and the resistance movement to stop the Death Race by any means necessary.
Watch it friends, grab a few brews, and be prepared to actually have a really fun time with exemplary film-making on a shoestring (yes, a shoestring); its attitude and action remain fresh, which is really hard to accomplish when usually looking at the Corman body of producing work which is varied and often full of total crap. Every so often there's a ruby in the midst of it all, and this is one of them.
Superior drive-in exploitation fare.
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