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The November Man Full Movie Hindi Download
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An ex-C.I.A. operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level C.I.A. officials and the Russian President-elect.
In Lausanne, Switzerland, the retired CIA agent Peter Devereaux is visited by his former chief John Hanley that convinces him to extract the agent Natalia Ulanova from Russia. Natalia is the assistant of the Russian candidate for President Arkady Federov and has collected evidences of war crimes committed by the candidate during the Chechen War and requested Peter to help her. However, during the operation, CIA chief Perry Weinstein believes that Natalie has been captured by the Russians and orders agent David Mason to kill her. Natalie gives photos and the name Mira Filipova to Peter before dying and the agent informs Hanley. Peter kills the CIA agents, but when he sees Mason, he spares the agent that was trained by him. When Mason meets Weinstein, he learns that Peter and Natalie had a love affair in the past and the agent is assigned to kill him. Peter heads to Belgrade where he saves the social worker Alice Fournier that might know where Mira is from Federov's assassin Alexa and from Mason. Soon Peter learns dirty secrets about Arkady Federov and the CIA and has to flee with Alice to save their lives and expose the crimes to the world.
... the year was 1974 and a hard-bitten journalist named Bill Granger decided to follow the trend and write yet another spy novel about a hard-bitten secret agent caught in a web of deceit. This was after all the peak of the cold war and spy themes dominated fiction, film, TV, even cartoons.
As it turned it, the November Man was well received and a number were written in the series before it finally fizzled. Critics of the day felt all were considerably above average. Granger had a knack for hard prose because of his background.
Flash forward about a quarter-century and you will find an ex-Bond lead with money in his pocket looking for projects he can continue working in, even if the process involves spending some of his own money to catch the plum roles. Which he accomplishes by buying the rights to one of the later books in the Granger Series and re-naming the project after the very first book in the series .. see? And so kind reader here we are in 2014 with a project written in the late 20th century, upgraded on a shoestring, mis-named, and spawned with the sole intention of giving its greying star a payday.
What can possibly go wrong? Just about everything. I will point out, for the record, and for skeptics, that it is possible to make something new and wonderful out of something old and dusty -- look at the Bourne Trilogy. (Which I have seen about six times, each).
But that is not what is happening here. Bereft of talent, we have a weak script that constantly stumbles over the material it is adapting, direction so lacklustre that even the action scenes appear to be in slow-motion, and a star who might just as well have phoned it in.
Brosnan never, not once, connects with his character. At best, you have an ageing Bondish character who appears to have landed in the wrong movie. And, if the central character cannot find motivation ... how can the audience?
A Spy Thriller that's got a Bit of a Bite. A Modestly Budgeted B-Movie of Sorts that doesn't try to be an Epic SFX Extravaganza like the Bond/Bourne Series. It is rather Short and Trimmed for Maximum Efficiency and Hardly Resembles the Aforementioned Franchises.
But its Roots, no doubt, lie in the Pierce Brosnan as Bond Films and without even trying its Links are Apparent. The Bond Films are so Ingrained in Movie Audiences that No Reference or Embellishment is Needed for Viewers to Immediately Identify Brosnan's Mr. Devereaux as a Retired Bond with Another Name.
So no matter how Many Times the Name Deveraux is Mentioned, it is an Aging, Paunchy, Bitter Mr. Bond that the Audience is Following around this Routine, but Effective Flash Forward. The Villains are Nasty and the "Good Guys" are Exposed for what They are and get the required Comeuppance.
The Bond Girl, eh sorry. the Girl in this one is the Alluring Olga Kurylenko, and She Helps the Film along, not only as Eye Candy but is Integral to the Story and Engages Excitedly. Overall, an Above Average Entertainment with a Hard-Boiled Edge and is Satisfying, if not on the Level of the Bond/Bourne/John Le Carre Stuff that Frequents Filmland.
Even in the lazy days of late August, this movie is hardly worth the price of popcorn.
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