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Kill Bill: Vol. 2 Song Free Download
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DOWNLOAD: http://urllio.com/r2v65
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The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.
Beatrix Kiddo a.k.a The Bride is a female assassin, a trained killer who was betrayed by the Deadly Viper Assassination Squad, led by her former boss Bill who gunned her down on her wedding day leaving her for dead. The Bride awoke four years later and set out to get her vengeance on Bill and the Deadly Viper Assassination Squad who betrayed her. Helped by one of Bill's former tutors, retired sword maker Hattori Hanzo, The Bride begun her quest for vengeance and she killed Vernita Green and O'Ren Ishii. Continuing her quest for vengeance, The Bride sets out to get her vengeance on Bill's younger brother Budd who is now a bouncer at a strip club and Elle Driver, The Bride's one-eyed nemesis and Bill himself, unaware Bill has her daughter B.B in his custody, who she thought died while she was in her coma. Will The Bride succeed and get her vengeance and will she kill Bill?
The Bride woke up after a long coma. The baby that she carried before the coma was gone. The only thing on her mind was to get revenge on the assassination team that betrayed her - a team she was once part of. With two of the people on her Death List taken care of, she must pursue Budd, Elle Driver and of course Bill himself. Uma Thurman is very nice actress to me i really like her.Tarantino is great director in nowadays.Volume 2 opens with "The Massacre at Two Pines," taking place a few minutes before the events that open the first volume.but still very much violence.very stylish movie. i was a little bit disgusting when the bride hit a eye off from her enemy.
Spoilers
There the heroine is, scene after scene, bloodied, covered in clots and forming scabs, blotched with lesions, bulging with contusions, all lathered in sweat, shaking and panting in agony and exhaustion. (In flashbacks to her time with Pei Mai, bloodless and character-rounding for the most part, she is tormented by him with an arm lock that has her screaming and begging, snot and saliva dripping in a long strand to the ground as she writhes miserably in close up.) She is buried alive and left for dead, apparently past all hope, and we have a ringside seat for the whole ghastly misogynistic thing, complete with blithe and bonny crosscutting to every stray event taking place within a 5000 mile or 10 year radius. Read that: Her suffering is ridiculously, obscenely studied, protracted and severe.
Is it significant, I wonder, that both 'volumes' of this film begin with a close up of the main female character's swollen and gashed face, her bloodied head being shot point blank with a large caliber handgun as she begs for life? --As if once wasn't enough.
What's that all about? What does it say that this stuff goes down so well with the audience? For sure, it goes light years beyond just establishing firm character motivation. It seems clear that somebody thrills at the sight of this pretty lady being put into a world of hurt. --And in this, the audience is every bit as implicated as the artist.
Hide behind claims that it is parody or comedy, if you will, or just a hip exercise in pastiche style. But what is lacking in this film is humanity, nothing less than decency. It is truly pornographic. Many people have charged the same of The Passion for indulging with reverence and horror in the same kind of over-elaborated physical suffering this film does apparently for kicks.
I concede that my failure to stomach this film in the spirit in which it is supposed to be offered can be construed as totally not hip and not tough. Well, guilty as charged. Some people will claim that life, with its careening, out-of-control random violence, has escalated from horror to absurdity to comedy in the last several decades. There is only one problem with that point of view: Comedy or no, none of us has the room to laugh. --And that's exactly what Kill Bill 1 and 2 encourages us to do.
Zero stars. Bill 2 is a technically competent film. But as nearly all major films these days can make the same claim, that is not a recommendation for it. In the all-important areas outside the merely technical-- namely the moral and thematic -- Bill 2 is 1) reprehensible and 2) a mess. It's nothing more than cool (that's debatable) and conscienceless trash.
The film succeeds by expertly melding the two stages of Tarantino's career. The rambling Tarantino of "Jackie Brown" and "Pulp Fiction" is evident in every lovingly crafted and delivered monologue, each leisurely paced scene and long take. The more action-oriented, fight-intensive Tarantino reappears in the viscerally exciting bursts of ultra-violence that punctuate the stretches of dialogue.
After Elle and The Bride's fight; Elle unsheathes a Hanzo sword, only to find that The Bride also has one; it is revealed that Elle killed Pai Mei; they charge; ends when The Bride plucks Elle's eye out.
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