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Download Full Movie Breakdown In Hindi
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DOWNLOAD: http://urllio.com/rb6wg
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Jeff and Amy Taylor are moving to California and must drive across the country. When they find themselves stranded in the middle of a desert with hardly anyone or anything around, their trip comes to a sudden halt. Amy had taken a ride with a friendly trucker to a small diner to call for help, but after a long time, Jeff becomes worried. He finds that no one in the diner has seen or heard from his wife. When he finds the trucker who gave Amy the ride, the trucker swears he has never seen her. Now Jeff must attempt to find his wife, who has been kidnapped and is being held for ransom. But who can he trust?
A man searches for his missing wife after his car breaks down in the middle of the desert.
***SLIGHT SPOILERS*** Wow, my 200th review. Used to laugh when people would commemorate this stuff around here. But then it hits ya. 200 is a pretty big number for hobby film reviews. I was saving this film especially because....
Now THIS is filmmaking! 1990-1992 produced some fairly decent films. Leftovers from 80s movie-making teams I suppose. But once the 90s got into full swing around '93, I swear to you (and movie buffs keep track of these things), I liked a total of THREE movies the rest of the decade. Three. "Naked Gun 3", "Con-Air", and this. Nothing compared to the 80s for me. Still don't. But somehow this little thriller worked it's way into the mind of someone who knows how to make movies. I'm going to spend more time on who makes up the film more than what it's about. Because it basically comes down to this: Russell and his wife are crossing the country to start new jobs. He has one of those scary bully confrontations that you always wonder "what would I do?". When their truck craps out on a lonely highway, the wife takes a ride with a trucker as Russell doesn't want to leave the vehicle alone. After fishing around the engine, he discovers a couple of cables unhooked, clicks 'em in place, and is on his way. The big problem: no one has seen his wife or the trucker, which begins an oddessy of useless police reports and violent kidnappers. For me, the key to any film is pacing and ideas, and this thing just moves and moves rapid-fire. The only time it slows is during the bank sequence, which appears, fortunately, to have been cut short (it ends rather abruptly). The ending of the film, oh my. When I saw those three trucks surround Russell and his wife, I actually thought for once the bad guys were going to win in a movie. They were just so relentless. Earlier, when Rusell kicks a guy down some stairs, for the first maybe ever, I actually rose from my couch cheering!! I was SO into this. And for those who critisize the ending as being "mean" or "overkill", I found it totally neccessary. Especially for the character who puts it in motion. After the hell the characters go through, I think they deserved the give the bad dude a real splatter. Ok, performances. Russell, a little grunty at times, is as solid as ever; Gainey, an effective southern meanie; Noseworthy isn't given much to do, though he does fool us early on; there's a big, bearded guy who has one line of dialogue on camera, who's otherwise "just there" and dubbed at times; Quinlan is attractive and has a comic charm in her early scenes; but when you look at the big picture, JT Walsh just walks off with this thing. Understated, suave, confident, the guy was a brilliant actor. This was the first time I really saw him as it was the meatiest role of his career. So many times he played minor characters in good movies. Here he gets to really show us his great skill. I was extremely saddened to find out he died shortly after the film's completion. Really looked forward to more of his work. As for the film as a whole, it does have its inperfections. Basil Poledouris score is mostly great (the opening credits have a cool tone), but goes a little melodramatic near the end. There's the afformentioned bank scene, Russell's useless climb all over a semi, and the laughable dubbing of Quinlan's screams at the end ("Oh, my leg!" as her boobs swing around, phhttt). But those only take up about a minute of this whole thing, a tense, active drama that keeps descending into many layers. Way better than "Duel", which got repetitive with only two characters, but barely below "The Hitcher", which had a more constant pace, in the much too small road/psychodrama genre.
I just saw this movie again for the first time since it was released in '97 and it was just as scary now as ever before. I love the open road and enjoy long drives but after recently watching this movie again I may have to re think my love of the open highway! Yikes!! Kurt Russell is great in this film as the hapless husband who tries to rescue his wife from the group of crazies who are holding her for ransom. But without spoiling the plot, this movie does remind me of one of the other really scary rod trip movie Wolf Creek. Both movie have slightly similar overtones of nutty backwoods (or back roads) people who kidnap innocent passerbys. This movie held me to the edge of my seat due to the suspenseful plot. Check it out but be sure to lock your car doors and check the rear view mirror!
Bucking the lava tide of computer special effects gushing out of Hollywood this season, the makers of Breakdown use old-fashioned ingenuity -- plus a compelling star, a fast- paced mystery and a deadpan villain -- to come up with a sizzler.
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