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Thunderbirds Are Go In Tamil Pdf Download
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DOWNLOAD: http://urllio.com/qxaxh
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In the future, the Tracy family run a private mechanized emergency response service.
Remake of the hit 1960's "Supermarionation" television show. In the 21st century, Jeff Tracy, a former astronaut, amasses a colossal fortune and decides that he must use it to benefit others. His answer to this desire is to create International Rescue, a unique private emergency response service equipped with customized designed vehicles and equipment that enable the organization to react to any crisis whether it be in sea, air, land, or space. Jeff's five sons volunteer to operate as the pilots and field agents, as well as "Brains" (real name unknown) who acts as the teams' technical developer and engineer. In addition, Jeff's friend, Kyrano and his daughter Tanusha aka Kayo (based on the original series Tin-Tin character) agree to be the support staff. In addition to the field team, IR also maintains an intelligence network with Lady Penelope Creighton-Ward and her ex-con chauffeur, Parker as the chief agents in this arm. The series depicts this team as they answer various calls for help around and beyond the world while they prevent enemies like the Hood, Uncle to Kayo, from learning and exploiting their secrets. We join the story when Jeff (and probably Kyrano) is missing - presumed dead - and his family are having to continue with his legacy still hoping he might be found safe. Kayo is now head of security and Grandma (who is a poor cook) is in charge of mealtimes!
As somebody who grew up with the 1960s incarnation of 'Thunderbirds', which still holds up as a classic and iconic, was expecting a disaster and knew that it was going to be difficult coming close to its quality.
Giving it a fair chance, it doesn't reach the standard of the 1960s show but it is nowhere near the disaster that the 2004 live-action film was. It does have its major faults but doesn't disgrace the original in the way that it could have done and actually makes a real effort to try and respect it while trying to appeal to younger and modern audiences (which apparently was not an easy task for them).
There are several good things. The animation is mostly very good, smooth, very detailed and colourful and with the notable exception of a rather plastic and too young-looking Lady Penelope the characters are mostly still recognisable. There are some tense and also humorous moments ("EOS" being one of the show's better episodes with particularly good effects), Parker is often very funny, and there is evidence of 'Thunderbirds Are Go' trying to respect and pay homage to the original 'Thunderbirds' show. The launch sequences in particular are very well done, the models do look good, and also really appreciated that there was more prominence on Number 5.
Love the brotherly bond often between the brothers, and they do have likable moments, if also some bland ones. Was mixed on the voice acting. David Graham comes off best, he is very good and entertaining, and provides some of the show's funniest and most lively moments. Virgil and Scott also come off well. But as much as I really like Rosamund Pike, despite having a beautiful speaking voice her voice acting doesn't really fit Lady Penelope, although the character looks young Pike sounds a little too mature as well as even in tense situations voices her with more-of-the-same expression which gave the sense that her heart wasn't in it (the more sophisticated and aristocratic Penelope is missed). Alan has his likable moments but often he sounds bland.
Where 'Thunderbirds Are Go' mostly falls down is the length and pacing agreed. The episodes are too short, and in an effort to try and cram in as much as possible many of the stories feel rushed and hyper-active (both in comparison to the original and on its own terms). The action is also mixed, sometimes exciting and fun but too many others veer on the cartoonish. There are also changes here, especially the immediately noted and deeply felt absence of Jeff and a more diverse depiction of Brains which struck a strange chord with me and many others and the feeling has not worn off yet.
Another major problem is the music, there are attempts to use the iconic themes but mostly they are lost within the more brash and over-bearingly bombastic style adopted here and very rarely stops. The villain is not particularly menacing as a villain and seems to be there for the sake of it, and while the script has its good moments there is some awkwardness.
Overall, could have been a disgrace but wasn't, while also not being completely successful. Good try though. 6/10 Bethany Cox
First, let's make something clear: this show is not available from my cable TV provider at this time and at my location (Montreal, Quebec, Canada). So I had to look for it on "scene" sites that some view as a slightly shady portion of the web. I was initially pleased to see the first episodes appear very quickly after their UK broadcast.
Second, I will be turning 60 in late spring. That brands me clearly as someone who was in his pre-teens when the original series aired, and I watched it religiously and delighted in each and every episode. At the time, this was the Canadian broadcast of the French-dubbed episodes, under the title "Les Sentinelles de l'air".
I watched with disappointment the 2004 live-action movie, although it made me discover the existence of the two long episodes packaged as DVD movies. I promptly sought and purchased the two DVD box set of "Thunderbirds Are Go" and "Thunderbird 6" and found them quite pleasant as trips down memory lane.
Watching the double episode that launched this new version, I found it well thought as a modern day evolution of the original, dispensing with the impossible secrecy of "International Rescue" in a world even more advanced than our current one in terms of satellites, radars and GPS devices everywhere. I could say a lot more about how I readily accept or even prefer some character changes (especially replacing/upgrading the token "Tin-Tin" with a substantial "Kayo" chief of security), but that would repeat stuff already mentioned in other reviews.
Here is where I my suspension of disbelief was completely destroyed: Alan flies out of TB3 on his rocket-powered hoverboard and performs what appears to be mind-controlled flying (including rolls and banks) over to the Hood's satellite, then hovers in front of a control panel while his board's apparently decorative only rockets keep blasting from the back while he floats in place. People, this is Saturday morning cartoon physics right out of the 60s, i.e. nothing like the mostly realistic physics the original puppeteers worked pretty hard to present.
All week afterwards, I was telling myself that I can endure this one ridiculous, uber-childish bit of show-off cartoon physics if the rest of the show keeps giving us what we saw in episodes 1 and 2. Then what do we get in episode 3? A complete episode of Alan flying TB3 with rockets fully on while he approaches bits of space debris he is about to grab, then more (LOTS more!) of him flying his hoverboard in impossible ways with his light-show rockets blasting backwards all the time, no matter whether he is holding still or moving in any direction. Oh please! None of this can possibly work (even discounting the silly rockets on that board) unless humanity in the 2060s has mastered artificial gravity, something which is not hinted at anywhere...
I am now just about to give up on this ridiculous show. Having seen an outline of episode 4, I know it's mostly about Scott and TB1, so I may give it a chance. But the next bit of silly cartoon physics that I see in there, in association with any character or vehicle, is the moment I give up on this travesty.
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