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Star Trek II: The Wrath Of Khan In Hindi Download Free In Torrent
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It is the 23rd century. The Federation starship USS Enterprise is on routine training maneuvers, and Admiral James T. Kirk seems resigned to the fact that this may well be the last space mission of his career. But Khan Noonien Singh is back. Aided by his exiled band of genetic supermen, Khan--infamous conqueror from late 20th century Earth--has raided Space Station Regula One, stolen a top secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk... with the threat of a universal Armageddon!
It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.
Years ago there was a US Sitcom called 'Nurses' which had a joke in which one of the orderlies told the receptionist that the patients were watching "some old Star Trek movie". "Now who..." he asked, "Would want to see some old movie with Ricardo Montablan?" to which the receptionist replied "Richardo Montablan!!" and vaulted over the desk, running down the corridor to join the patients. Not a bad joke and not a bad way to sum-up part of this second Trek's enduring appeal. This is one of the all time sci-fi greats. As a Trek movie it was the one that ensured the series had a future after the slow and ponderous original, introducing the wit and well drawn character dynamics of the original series.
That it balances action, good humour and tragedy so well is due in no small measure to Nicolas Meyer and Harve Bennett who along with writer Jack B.Sowards produced a fable that ties the characters personal journeys into wider themes of life and death. Its clever to, 'killing' off Spock in the terrific 'Kobashi Maru' opener, that fooled audiences at the time into thinking that rumours of the character's death had been exaggerated. When it subsequently occurs at the films climax its an absolute sucker punch as a result and manages to be both touching and memorable. If there is a better death scene in any film i've yet to see it.
You could dish out praise all over the place but if you had to be ruthless you'd want to single out James Horner for an excellent score, in the days before he was over-egging the cake in fare like Titanic, the cast who deliver uniformly excellent performances, especially Montablan who eats up the screen like an Atkins dieter at a steakhouse, Sowards for a great script which manages to introduce a few interesting new characters who by the end feel like they've been there all the time and the Genesis plot which is both the films thematic double and the founding metaphor for the subsequent trilogy and finally Meyer, who turns in a pacey, well balanced film that manages to make most other entries in the series so ordinary.
It may not be perfect, after all Chekov knowing Khan is a continuity error and its a shame that the budget necessitated the reuse of footage from the first film, but this provides the much needed link to the TV Series as well as cementing its cinematic credentials. Unfortunate then, that the Next Generation would undo all the good work with 4 lame instalments, kinda like tearing down Buckingham Palace and building a council estate on the foundations. If only there was a spare Genesis Torpedo they could fire at this series now to bring it back to life- still we'll always have Khan, or should I say Khhaaaaaaaaaaaaaaaaaaannnnnnnnnnnnnnnnnnnnnnnnn!!!!!!!!!!!!!!!!!!.
6 out of 10
When I was young 'un (back when I was about 8 or so), The Wrath of Khan was actually my least favorite Star Trek film to date. Having seen it again on TNN recently, I'm not sure why I disliked it so much, and while I won't call it the best Star Trek film (that honor lies with First Contact), it's an entertaining adventure highlighted by good performances, memorable special effects, and two tense space battles.
The Wrath of Khan is a sequel to the episode, "Space Seed", where evil genius Khan and his gang were exiled on a planet. Khan and his group escape, hijack a starship, and plans vengeance upon Kirk. Then there's the genesis device, a machine capable of creating new life, but also has the potential to destroy those the living. It all leads to a tense showdown between the two biggest egos in the universe.
There are a lot of things about The Wrath of Khan that still bug me. For one, how the hell does Khan recognize Chekhov (stating how he never forgets a face), considering Space Seed was a season one episode, and Walter Koenig didn't become a member of the cast until season two. Then there's Khan and his gang of marauders themselves, who look more like rejects from a He-man audition than genuinely menacing villains. And is it just me, or does Ricardo Montalban's chest look, well, fake? Bibi Besch and Meritt Buttrick make very small impressions, and this movie's also got Kirsty Alley, the most annoying actress who's not Rosie O'Donnell to ever grace the screen. I also didn't much care for James Horner's score, which aims to be rousing, but comes off as occasionally grating, and certainly can't hold a candle to Jerry Goldsmith's famed Trek score.
With those criticisms out of the way, there was a lot I enjoyed about the film. William Shatner and Ricardo Montalban make for an effective protagonist/antagonist duo, with the former delivering a genuinely good performance and the latter chewing the scenery with aplomb. Leonard Nimoy is excellent as Spock, as always. The most acclaimed aspect of the movie has always been its space battles, and while they don't really hold a candle to the opening sequence of First Contact, these two setpieces nicely emphasize strategy over visual spectacle (which it still has) to up the suspense factor.
The most memorable scene of the whole film is the emotional climax, which features the death of a major character. This represented the first time that Star Trek could not only engage the mind and rattle the nerves, but also touch the heart (and put a lump in your throat). The Wrath of Khan appears to be the series fan-favorite, and I can see why, but too much of it doesn't click with me. Still, recommended to those looking for a space opera with the occasional dose of action and pathos.
The Wrath of Khan is a top-notch, fast-paced adventure that can be enjoyed equally by fans of the series and those who have never seen an episode.
The Director's Edition contains numerous additional scenes as well as extended and alternative shots deepening the character's relationships. Violence was not extended. Surak was a Vulcan philosopher who largely invented Vulcan culture and is considered the greatest individual of their history. More info can be read here. The writers probably included Surak as a nod to longtime Star Trek fans who would recognize the name, unlike the more non-Trekkie people who saw the film when it was first released. David meant that Kirk had never faced the death of someone truly close to him. It's a running theme throughout the movie that Kirk has never had to watch a friend like Spock die in his presence and so Kirk has never had to deal with the extreme sadness and depression that others around him have experienced. a5c7b9f00b
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