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September 2018

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Wednesday 19 September 2018   photo 2/2

Kitten With A Whip Download Movie Free ----------------------------------------- DOWNLOAD: http://urllio.com/r4b5h ----------------------------------------- A rising political star faces scandal and blackmail when the young woman he tries to help turns out to be a juvenile delinquent. Jody, a juvenile delinquent, escapes from reform school by stabbing a matron and attempting to burn down the building and then takes refuge in a house owned by an ambitious politician David Patton. Despite the hellcat's ample charms, the would-be officeholder wants nothing to do with her and tries to drive her away. She responds by shortly returning to his house accompanied by a gang of delinquent pals and taking him hostage. A sudden act of violence causes more trouble, leading Jody and her gang to hijack David and force him to drive a getaway car to Mexico. Look, I know what the guidelines say, but when someone comes in trashing MST3K, I just gotta react. After all, even the most hardcore MST3K fans will tell you that this was kind of a sub-par episode, recommended for regular viewers only, and if someone's going to use this episode as a yardstick for the whole series, well, we can't have that, won't we? OK, maybe it had kind of an intriguing plot, but the movie could have been over with in about half an hour if not for the leaden pacing and relentless subplots. And if we're going to talk 'witless and worthless,' then look no farther than the acting in this film. The wooden performance of John Forsythe; the shrill, pointy overacting of Ann-Margret; the irritating, repetitive pseudo-funny philosophical observations of Ron (which became like Chinese water torture after awhile); the unappealing, unacting Midge; the lunkheaded, fiercely underacted Peter Graves look-alike Buck; I'm sorry, what's "witless and worthless?" And it doesn't end there. Someone explain to me how a woman notices from across the room a light lit up on a phone and then comes to the conclusion that there's someone else in the house! (Mike: "David, there's some DNA samples and carpet fibres under your fingernails!") Also, why does a man who's faced a couple days of moral and psychological hell stay back at a motel to comfort his captor (let alone accept a kiss from her)? And where did Ron and Buck get the other car? And what was the significance of the final shot of the wedding ring? And what was the one thing? And what about Scarecrow's brain? Bottom line: Douglas Heyes was good on the Twilight Zone because it was a half-hour long; a 90-minute film needs more action and more plot development than a show one-third the length can possible encompass. "I hate to mention this, but... I'm dyin' in a rush!" 4/10. The whole plot of this film seems to be this: "Let's put a guy in a preposterous situation, and then try to make it as convoluted, dumb and idiotic as possible." So Jody ends up sleeping in the bed of a well-respected congressman who's up for reelection. Ann-Margaret's acting was much better in Viva Las Vegas, Bye Bye Birdie and State Fair (all of which date from around the same time.) It's hard to play the sexy psycho; pretty much everyone botches it up. John Forsythe, fresh off of the series Bachelor Father, acts more like Blake Carrington here. Personally, I would have cut my losses in the beginning and called the police rather than go through this whole mess. There's not much to endear you to his character except the preposterous situation


Kitten With A Whip Download Movie Free

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DOWNLOAD: http://urllio.com/r4b5h

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A rising political star faces scandal and blackmail when the young woman he tries to help turns out to be a juvenile delinquent.
Jody, a juvenile delinquent, escapes from reform school by stabbing a matron and attempting to burn down the building and then takes refuge in a house owned by an ambitious politician David Patton. Despite the hellcat's ample charms, the would-be officeholder wants nothing to do with her and tries to drive her away. She responds by shortly returning to his house accompanied by a gang of delinquent pals and taking him hostage. A sudden act of violence causes more trouble, leading Jody and her gang to hijack David and force him to drive a getaway car to Mexico.
Look, I know what the guidelines say, but when someone comes in trashing MST3K, I just gotta react. After all, even the most hardcore MST3K fans will tell you that this was kind of a sub-par episode, recommended for regular viewers only, and if someone's going to use this episode as a yardstick for the whole series, well, we can't have that, won't we?

OK, maybe it had kind of an intriguing plot, but the movie could have been over with in about half an hour if not for the leaden pacing and relentless subplots. And if we're going to talk 'witless and worthless,' then look no farther than the acting in this film. The wooden performance of John Forsythe; the shrill, pointy overacting of Ann-Margret; the irritating, repetitive pseudo-funny philosophical observations of Ron (which became like Chinese water torture after awhile); the unappealing, unacting Midge; the lunkheaded, fiercely underacted Peter Graves look-alike Buck; I'm sorry, what's "witless and worthless?"

And it doesn't end there. Someone explain to me how a woman notices from across the room a light lit up on a phone and then comes to the conclusion that there's someone else in the house! (Mike: "David, there's some DNA samples and carpet fibres under your fingernails!") Also, why does a man who's faced a couple days of moral and psychological hell stay back at a motel to comfort his captor (let alone accept a kiss from her)? And where did Ron and Buck get the other car? And what was the significance of the final shot of the wedding ring? And what was the one thing? And what about Scarecrow's brain? Bottom line: Douglas Heyes was good on the Twilight Zone because it was a half-hour long; a 90-minute film needs more action and more plot development than a show one-third the length can possible encompass.

"I hate to mention this, but... I'm dyin' in a rush!"

4/10.
The whole plot of this film seems to be this: "Let's put a guy in a preposterous situation, and then try to make it as convoluted, dumb and idiotic as possible." So Jody ends up sleeping in the bed of a well-respected congressman who's up for reelection. Ann-Margaret's acting was much better in Viva Las Vegas, Bye Bye Birdie and State Fair (all of which date from around the same time.) It's hard to play the sexy psycho; pretty much everyone botches it up. John Forsythe, fresh off of the series Bachelor Father, acts more like Blake Carrington here. Personally, I would have cut my losses in the beginning and called the police rather than go through this whole mess. There's not much to endear you to his character except the preposterous situation he's been put into. I ended up not caring about him and when the others threatened his life, I was hoping they'd slash his throat.

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