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The Magic Mountain (German: Der Zauberberg) is a novel by Thomas Mann, first published in German in November 1924. It is widely considered to be one of the most influential works of 20th century German literature. Mann started writing what was to become The Magic Mountain in 1912. It began as a much shorter
The Magic Mountain (German: Der Zauberberg) is a novel by Thomas Mann, first published in November 1924. It is widely considered to be one of the most influential works of 20th century German literature. Mann started writing what was to become The Magic Mountain in 1912. It began as a much shorter narrative which
LIBRETTO music: Pawel Mykietyn libretto: Malgorzata Sikorska-Miszczuk after an idea by : Malgorzata Sikorska-Miszczuk and Andrzej Chyra. THE MAGIC. MOUNTAIN. MYKIETYN. CHYRA. BALKA. SIKORSKA-MISZCZUK based on the novel by Thomas Mann
dc.format.mimetype: application/pdf dc.language.iso: English dc.publisher.digitalrepublisher: Digital Library Of India dc.publisher: Secker And Warburg, London dc.rights: S. Fischer Verlag, Berlin dc.source.library: Dyal Singh Public Library dc.subject.classification: The Arts dc.title: Thomas Mann The Magic Mountain.
With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize in Literature
dc.format.mimetype: application/pdf dc.language.iso: English dc.publisher.digitalrepublisher: Digital Library Of India dc.publisher: Secker And Warburg, London dc.subject.keywords: Krokowski dc.subject.keywords: Photography dc.title: The Magic Mountain. Identifier in.ernet.dli.2015.148258. Identifier-ark ark:/13960/
The Magic Mountain by Thomas Mann (1875?1955) is one of the premier works of fiction of the twentieth century. Although the novel is set in a specific time-period (1907–1914), it is far more than merely a novel about the seven years preceding the First World War. The setting—a tuber- culosis sanatorium in the Swiss
But of the author of The Magic Mountain it can be said in a special sense that he has looked into the seeds of Time. It was in- dispensable that we should read his book; intolerable that English readers should be barred from a work whose spirit, whatever its vehicle, is universal. It seemed better that an English version should
The Magic Mountain (1924) Thomas Mann. The myth is the foundation of life; it is the timeless schema, the pious formula into which life flows when it reproduces its traits out of the unconscious. Certainly when a writer has acquired the habit of regarding life as mythical and typical there comes a curious heightening of his
“All the characters in Thomas Mann's masterpiece come considerably closer to speaking English in John E. Woods's version . . . Woods captures perfectly the irony and humor." –New York Times Book Review “[Woods's translation] succeeds in capturing the beautiful cadence of [Mann's] ironically elegant prose.
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