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Wally Benton, "The Fox," master detective on radio, is about to go with his sweetheart to Niagara Falls in order to get married. Unknown to him, his valet has told a newspaper reporter that Benton is "Constant Reader," someone who has sent information to newspapers about murdered people and where to find their bodies, thus making the police look bad. The police are sure that "Constant Reader" is the murderer himself, since no one else could know all of the details. And so they begin a chase after Benton, a chase which leads to old abandoned warehouses and old abandoned mansions. Wally is being chased not only by the police but also by the real "Constant Reader." Can he save his girl, his assistant, and the reporter and solve the crime before either the villain or the police, who have been told to shoot on sight, kill them all?
Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.
Of course there's a lot of slapstick, juvenile jokes, and near pushing the envelope humor, but more than occasional real zinger routines made me actually laugh out loud, (a real rarity). In all the decades,(too many to tell) I've watched movies, I'd never seen a stunt as good as the one in the elevator shaft. Trick 1943 photography or fantastic stunt doubles, whatever, that was real nail biting entertainment. Rags Ragland had great lines. This must have been his best role. Great to see Ebbetts Field again, especially Abe Stark's sign in right field (Hit sign, win suit). I'm a reanimated Red Skelton fan!

Henceforth, I'm going to be on the lookout for any old Skelton movie.
Well 'screwball comedy' doesn't even begin to define the territory this picture covers, with Red Skelton heading the cast as a radio detective personality inadvertently tagged as a murderer by his chauffeur cum press agent (Rags Ragland). I always enjoyed watching Red's variety shows as a kid, but this is the first movie I've ever seen him in, and it was a pretty good introduction. His comic timing is perfect, and it was cool seeing him do a quick tryout for a character he brought to his TV series by name of Clem Kadiddlehopper. That would have been right after the suitcase stuffing scene when he transforms his hat and face into a goofy caricature of himself.

The film is so fast paced and frenetic that it's easy to forget where the whole thing started, but basically, Wally 'The Fox' Benton (Skelton) and his bride to be (Ann Rutherford) get sidetracked by a murder case involving a character who calls himself The Constant Reader. Chronicle newspaper reporter Jean Pringle (Jean Rogers) is hastily assigned to cover the case in progress, and instantly gets caught up in the shenanigans. Along with Rags Ragland, the quartet get involved in some fast paced hi-jinx, including an unbelievably staged elevator scene where the four of them form a human chain swinging for dear life. A little tense for a comedy but it works.

As if there wasn't enough going on, the action makes it's way to Ebbetts Field and home of the Brooklyn Dodgers, who make an appearance by way of the starting lineup up to bat against Skelton's guise as pitcher Gumbatz of the Battling Beavers. The players, if not the names are virtually unrecognizable today - Billy Herman, Arky Vaughn, Ducky Medwick and Dolph Camilli batting cleanup, while manager Leo Durocher also gets some screen time trading barbs with Skelton. The Beavers were reminiscent of the barnstorming House of David team, with players sporting chest length beards as their signature look.

It's almost anti-climactic that the cops finally get their man considering the mad-cap pace that winds up on a ship docked at a Brooklyn pier. The henchman with the high pressure hose on the boat looked an awful lot like Anthony Quinn, but a quick glance at the uncredited cast list reveals it was Mike Mazurki, former pro boxer and wrestler who got an awful lot of parts as a heavy in films during the era.

All in all, an entertaining romp that Red Skelton fans should certainly enjoy, with a cast that does a pretty good job of keeping up with the film's manic direction and slapstick timing. To use Red's own words, they all 'dood it' very well.

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September 2018