Tuesday 18 September 2018 photo 3/5
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TRON: Legacy Movie Free Download Hd-----------------------------------------DOWNLOAD: http://urllio.com/r2cc8 -----------------------------------------The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father's disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 20 years. Along with Kevin's loyal confidant Quorra, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous. Meanwhile, the malevolent program CLU, who dominates the digital world, plans to invade the real world and will stop at nothing to prevent their escape.First thing I want to say is that I was very annoyed that they only showed it in 3D at the theater. It was a waste of extra money: I kept my glasses off during the intro and when they were in the digital world I didn't really notice when it was 3D.
The story wasn't interesting. It was annoying that it hinted at the Holocaust and Hitler (or any other fascist leader, doesn't matter): "genocide" of the ISO's, one person leading the rest to "perfection". I didn't see why Clu would bother entering the real world. If he can send a page to someone in the real world, he might as well just hit the systems of countries or banks, whatever -- what Master Computer wanted to do in the original.
The characters were cliché and flat. It almost seems like movie makers take the same characters but put them in another jacket and story every time. There wasn't much dialogue and it still sucked. They used stupid one-liners you might've heard before. (Maybe not the exact same words, but the reaction to a certain situation, the way and the tone in which it is said is the same in a lot of movies.) Tron, or Rinzler didn't make sense to me. OK so, first he was a good program who believed in the users, then a while later in the New System CLU turns against Flynn/users and turned Tron into Rinzler. Rinzler's hunting down Sam, but then, in their...aerial pursuit.. he changes, goes "...I fight for the users!!" and crashes into Clu. Maybe I missed something, but I thought that was very random. (And why does his head whir?) The digital world itself was pretty wrong. You got that computer-feeling in the original Tron, but in Tron:Legacy it felt more like being on another planet. Dust blowing up, wind, curves, spilling blood (that drop), ... it all seemed wrong to me, because I always imagine a computer world to be more straight lines, 010101,pixel, etc.
I had the impression they were advertising in the movie as well. Ipad, Nokia, mascara, ... I wouldn't normally care, but it was obvious when one of those girls were staring at the camera for a second too long.
The only good thing about Tron: Legacy was the film score. Daft Punk did a great job! It really fit the idea and gave the right feeling. I still feel thrilled when I recall the intro of the movie. I almost wish they had just made the movie themselves, they would've done a better job.
I'm not surprised that Tron wasn't a good movie. It's obvious that it's just another dump Disney made purely for the money. The Disney from my childhood is pretty much dead now.
Anyway, if you haven't seen Tron: I wouldn't bother. Especially not if it's only in 3D; it's not worth the extra money. Unless you like Daft Punk and want to listen the music while eating eye candy.Very rarely a movie comes along which leaves you with a refreshing feeling that it really delivered on its promise.
Tron Legacy is such a movie.
The visual effects. As you would expect with a piece of cinema costing 200 million USD, the visual effects are nothing short of breathtaking. However, rather than as seems to be the case with so many films these days, the team didn't simply say "we have a huge budget, so let's spend a vast chunk of that on the visual effects and if we have anything left over, then we'll think about a story". The effects are woven into the movie like an expert tailor crafting a bespoke suit, rather than patched on just "because we can".
The highly technical visual effects create the Tron universe in a way that feels paradoxically understated "because this is what it looks like" rather than "because we can".
Nothing short of perfect.
The main characters Olivia Wilde - Quorra. When I saw the trailers, I thought that Olivia Wilde's character, Quorra, was only going to have a small part. I wasn't expecting her to have such a significant role in the movie and for her to play it so well. For me, she was a very strong female lead and I would say a larger and more important part of the movie than the character of Sam Flynn. Anyone could have come in and done what Sam Flynn did, it could just as easily have been the son of Alan Bradley (Bruce Boxleitner) who re-entered the system 20 years later, but no one but Quorra could have driven the plot along, and I don't think anyone except Olivia Wilde could have played the part so well.
Wilde manages to pull off the characterisation of a program who is adept, yet unsure. Simultaneously wise yet naive and it is a fantastic performance brilliantly executed.
Jeff Bridges – Kevin Flynn / Clu. Given that the majority of the target audience will not even have been born when the original was released, this is an important role not only as a central character to the story but also as the bridge between the two movies and Jeff Bridges plays his part(s) to perfection. As Kevin Flynn he is immersed in the role. He delivers a thoroughly convincing performance, explaining some of the back story in a concise manner for those not familiar with the Tron concept as well as demonstrating how he has developed as a person in the intervening years for those fans curious to know more - yet managing not to patronise older fans whilst not confusing viewers new to the concept. There is no one else who could play this role other than Jeff Bridges.
Watching him as Clu is unexpectedly, yet pleasantly, eerie. What is surprising is that he plays two different characters rather than two versions of the same character. What is brilliant is the way he plays the older, wiser, Kevin and the younger Clu who is built from youthful ideas. At times Clu seems to behave like a confused child, doing what the parent asked yet at a loss to understand why the parent is not supportive. Bridges just balances this so well it is a joy to watch.
There is a feeling with this movie that Bridges didn't just turn up, get handed his lines and go to work. Somehow it feels as if each of his characters wrote the lines and I can imagine Bridges worked very hard behind the scenes with the writers to attempt to deliver the best performance possible. Bridges, in tandem with the excellent story and characterisation teams of Kitsis, Horowitz, Klugman, Sternthal, Lisberger and MacBird succeeded 100%
Garrett Hedlund – Sam Flynn. I expected this character to be stronger, with more of a purpose, yet was left feeling that Sam Flynn was little more than a third wheel spinning quickly but not really going anywhere. Whereas Kevin Flynn has learnt and developed over the years, and Quorra has been given the chance to live up to her destiny and develop from a simple program to a philosopher and selfless heroine, Sam Flynn doesn't seem to gain anything from his experiences in either world and seems stagnant by comparison.
Hedlund plays the role well, and it really isn't his fault, but I think there could have been more scope in the writing for some much needed character development. For example, how did his real world experiences apply to the Tron universe? Apart from the physical attributes of being able to drive a motorcycle and jump off buildings, I'm not sure they did. I would have liked a little more depth to the character, a little more philosophy, a little more soul.
In a high concept movie you would probably get away with such a shallow character, but set against the characters of Kevin Flynn and Quorra, the shortcomings of Sam Flynn are made all the more evident.
The soundtrack. Derezzed fits the mood of the film so well, and with such a strong sonic tool I was afraid it would be overused. However it is deployed to excellent effect, like a rare spice in a recipe, sprinkled sparingly to fully demonstrate that less is sometimes more.
The rest of the soundtrack fits the Tron landscape with such precision you barely know it is there, meant in the best possible way. The sound is somehow the atmosphere to the landscape of the film, supporting the visual imagery and storyline without attempting to steal any of the glory from the scenes it compliments. Much like the visual effects mentioned earlier, it seems Daft Punk knew how this world would sound and re-wrote their own rules to fit the Tron universe rather than hammering their own style into the movie in an overbearing way. What they have achieved is truly brilliant.Given the movie's graphic pizzazz, the best hippie wisdom Bridges might offer the viewer is: Turn off your mind, relax, and float downstream.Tron is a security program created by Alan Bradley in the first Tron film. He has the appearance of his creator and user, Alan Bradley. It is a sequel that takes place in present time about 27 years from the first film and will continue the story of Kevin Flynn but takes place in a new Grid developed by Flynn in the late 1980s. Not crucial for understanding or enjoying Legacy, but recommended. The original TRON answers a few questions such as how Flynn gained control of Encom, more backstory on himself, Alan Bradley and by extension Tron too; why Flynn was motivated to create such a world. It also explains why there just happens to be a laser pointed right at the chair that sends Sam into the digital world of TRON. It's called "Derezzed" by Daft Punk. The original Tron was an experimental production back in 1982, involving large amounts of work and created at great financial expense, but its box office success was considered to be moderate. However, over the next decade, the movie started to gather a cult following that did not go unnoticed. Disney had been floating a sequel around since the 1990s but it really started to solidify in 2008 when a teaser trailer, directed by Joseph Kosinski was screened to the audience at the San Diego ComicCon, where it was a huge hit. The trailer featured Jeff Bridges playing Flynn aged in real time and featured a light cycle race with the Clu program as a rider resembling a young Jeff Bridges. After the teaser was shown, Disney decided to go ahead with an official sequel to Tron. Kevin Flynn (played by Jeff Bridges) had a software engineer for Encom computers in Tron before he was fired and ended up running his own video arcade called Flynn's. At the end of the original Tron, he became the CEO of Encom. Yes. The scenes involving him in the 1980s with his son Sam—and scenes of his computer counterpart Clu in the present day world of Tron—show Bridges as his younger self via the magic of computer manipulation. The same technique (sometimes referred to as "digital skin graft") had already been employed by the same studio or others, e.g. upon Patrick Stewart and Ian McKellen for X-Men: The Last Stand (2006), and Brad Pitt for The Curios Case of Benjamin Button (2008). Thereafter or more recently it was used upon Iain Glen for Resident Evil: The Final Chapter (2016). There are many examples. A related technique is that of digitally over-imposing a well-photographed version of an actor's face onto another performer, as was the case for Arnold Schwarzenegger in Terminator Salvation (2009) and Terminator Genisys (2015), and for others: Hugo Weaving in The Matrix Reloaded (2003), Ian McDiarmid (only for a split second) in Revenge of the Sith (2005), Paul Walker (for unfinished scenes) in Furious 7 (2015), Robert Downey Jr. in Captain America: Civil War (2016), and the long-deceased Peter Cushing in Rogue One (2016). Either of the techniques and most likely the former was used for Kyle MacLachan in Agents of S.H.I.E.L.D. episode "The Things We Bury" (2014). Clu 2 is a program based on Kevin Flynn's original Clu program from the first movie. Clu, in the first Tron was a program Kevin used to hack into programs. Clu resembled his user Kevin but spoke in a different voice. The original Clu was derezzed by the Master Control Program (MCP) in the original film. This film's new Clu is actually the program now running Flynn's own created world, called The Grid, and is the film's main antagonist. He was initially created by Flynn as a control program for the new version of the digital world, but turned on his creator. He is playing his human character of Alan Bradley. Although Tron appears unmasked only briefly in flashback and is hidden for most of the film by his helmet, they have used the same computer de-aging techniques to make Bruce look younger as they have for Jeff Bridges' character of Clu 2. There is also a short flashback to 1989 showing a young computer de-aged Alan getting out of a car. Boxleitner also provides the voice for Tron. No, Cindy Morgan is not in the film and neither are the characters of Lora and Yori. She appeared as Lora Baines Bradley in an ARG (alternate reality game) Disney event at Wondercon 2010 in San Francisco and the character has been married to Alan Bradley/Tron in the TRON universe for over 20 years. Morgan performed a voiceover for the MA3A character in the TRON: 2.0 (2003) video game but she was not asked to be a part of Tron: Legacy, the new Tron: Evolution (2010) videogame or the animated TRON: Uprising (2012-2013) television series. Yes and they are updated. The light cycles are basically the same and are used in gladiatorial games like in the original Tron but they are now also used for transportation. The light stream that is ejected from the back of the bike is no longer limited to 90 degree angles it can know make arcs. The light cycles are activated around a program/user via a wand like device. A car version with two seats and four wheels called the Light Runner also makes an appearance, in addition to a jet. A light cycle based on the original design from the old Tron world can be found at Flynn's apartment, and is briefly used by his son. Interestingly enough, the retro light cycle in Tron: Legacy is not computer-generated and is a physical mock-up unlike the animated version in the original Tron. Yes. The Recognizers, vehicles originally created by Kevin Flynn for his game, "Space Paranoids", indeed are in the new movie with updated looks and advances just like the light cycles. It is short for de-resolution (and thus possibly spelled "de-res"), the cyber-world equivalent of death. When a program in Tron de-rezes, it ceases to exist. In Tron: Legacy, there is no MCP; at least not as a character or personification. The original MCP was destroyed in Tron. Although there is no "Master Control Program" in the film, the character of Clu 2 was originally built for a similar purpose and plays the same role in the film. On a side note, an actual master control program is an operating system or its kernel, without which no regular programs can run. It may be that an MCP in the Tron universe is overwritten with replacement software that takes over its responsibilities and powers rather than actually destroyed. A new MCP takes over (with or without personification), in other words. Otherwise the term is a character-specific moniker. Yes. Flynn had the original Tron security program transferred to the new grid that he created. Because this is a new world not the one from the original movie but a different one created by Kevin Flynn in the late 1980s. This new TRON world is called the Grid, and has been running on a server hidden in Flynn's arcade, disconnected from the internet, gradually evolving over the course of 20 years. The basics still seem to be there such as the light cycles, recognizers and solar sails. According to Joe Kosinski, The idea is that the Grid was created in the 1980s and evolved independent of the outside world. Syd Mead and Moebius' designs for the original Tron very much had an early 80s aesthetic, and it was fun to take these 1980s influences and evolve it forward within this particular world. (Source.) Except for Tron, we are never told the fate of the original world and its inhabitants, but if Encom kept some of their old servers, the original world might still exist. No, it is not, but that is due to the filmmaker's wishes. The "real world" footage is presented in 2D, and the "electronic world" footage is presented in 3D, as per the filmmaker's intentions. A disclaimer clarifies this before the opening credits in the 3D versions of the film and advises that the audience put on their 3D glasses right then and there due to the Disney logo and the opening credits being presented in 3D. No to both. He's called Zuse, after computer pioneer Konrad Zuse. The exact way isn't fully explained but Quorra had Kevin Flynn's disk when she went through the portal, the very same disk that Clu was after the entire film. Clu wanted Flynn's disk to bring an army of programs to the real world. It is possible that the code on a user's disk is able, with the digitizer laser, to make a program into a flesh and blood human being just as the digitizer makes a human into a digital being. Also consider that Quorra is shown to have DNA (or a similar structure) and that Kevin Flynn believes the ISOs will have immense positive impact on humanity outside of the computer. Quorra is obviously not just a program but has human or humanoid characteristics that allowed her to be transported into the real world along with Sam. They were both within the beam after Sam releases his father's disk to transport himself back to the real world. Sam obviously is able to return; it is implied that Quorra is human enough to do so as well. Kevin created C.L.U. in order to help him make "the perfect world". When he reveals to C.L.U that the perfect world can't be created, C.L.U. no longer has a purpose. For C.L.U., a "perfect world" represents a world where everything has a goal, a purpose. If the perfect world cannot be created, C.L.U. becomes a useless program and therefore has no purpose. It may also be that C.L.U. feels that Flynn lied to him or betrayed him by giving him a directive that could never be fulfilled. Flynn, Sam and Quorra head towards the portal they are cut off by CLU. CLU then attacks Flynn and so Sam attempts to fight CLU but Quorra comes between them. Flynn tells CLU to remember what he came for (Flynn's user disk) and so CLU turns his attention back to Flynn, allowing Quorra and Sam to head for the portal. CLU takes Flynn's user disk and finds that Flynn switched his with Quorra's. CLU tries one last-ditch effort to enter the portal but Flynn pulls him back and then Flynn destroys CLU, CLU's war ship and army along with it and presumably himself. On the outside world, Sam takes a flash drive out of the machine and put it on a chain around his neck. It wasn't exactly clear what this was but we can assume he had backed up the system on this drive. As he goes to leave the arcade. Alan Bradley is waiting for him. Sam tells Alan that he is making Alan CEO of Encom and that Sam is taking control of the company. Lastly, Sam walks outside where Quorra is waiting for him. Sam says he wants to show her something, so he takes her for a ride to the city as she takes in the world before her eyes. It's possible but not very likely. He sacrifices himself to save Kevin, Sam and Quorra, crashes into the ocean, and is seen sinking to the depths. The last we see is his red suit become the blueish white of the users. Because we never see him de-rez, he most likely has survived. Since these movies are called Tron, it's likely the title character will be around for the third outing. Since he was in the computer world when he supposedly died, it is really not known. The movies have never explored what would happen if a digitized human died in the computer. If Jeff Bridges decides to come back for the sequel, they will most likely think of a creative way to bring him back or explain that he was never dead to begin with. It's also entirely possible that Kevin Flynn will come back in another form in the computer totally unrelated to his digitized form. The "Discs of TRON" arcade cabinet is indeed in the film, seen when Sam kneels down to pick up his quarter after it drops out of the coin return of the TRON game in Flynn's arcade. However, if one looks carefully at the "Discs of TRON" cabinet in the film, they can spot the logo of Bally / Midway, the actual makers of the game, instead of the ENCOM logo, the in-film makers of the TRON game. a5c7b9f00b http://knowhdoorftelhe.guildwork.com/forum/threads/5ba100a9002aa82e1a2bec6b-superhero-movie-online-free https://www.causes.com/posts/4959222 https://www.causes.com/posts/4959223 http://www.nookl.com/article/334449/hit-or-miss-movie-in-tamil-dubbed-download http://www.naminukai.org/en/news/view/id/282265 http://time.guildwork.com/forum/threads/5ba100ab002aa82e0f4e2036-free-download-beyond-skyline http://www.miestokate.lt/en/news/view/id/282278 https://www.causes.com/posts/4959225 https://www.causes.com/posts/4959221 http://www.miestokate.lt/en/news/view/id/282269
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