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Broken Dubbed Hindi Movie Free Download Torrent
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DOWNLOAD: http://urllio.com/qyq2b
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A gun blast, a flash of light, and a young woman awakens to the comfort of her own bed. Bonnie Clayton has it all, a great relationship, a challenging career, and the burden of a dream that grows more vivid and disturbing with each passing night. But when Bonnie is abducted by a sadistic stranger and his colorful entourage, she discovers that the key to her survival lies within the familiar realms of her recurring dream.
I eagerly awaiting the DVD availability of Broken after viewing the trailer. The trailer was awesome and the editor made the most of the high production value of the film. However, I was someone disappointed with the "other" aspects of the film. The acting was decent on all sides as was the direction, but the story itself was lacking, too conventional and sometimes longwinded. N one can deny the high production value of the short. The filmmakers undoubtedly spent a lot of time, energy and effort to take the production value out of the low altitude budget range low budget film-making and into the stratosphere. they succeeded on all levels. And with the inclusion of over three hours of behind the scenes, how they did it footage, the DVD is worth a buy.
Director Alex Ferrari and producer Jorge Rodriguez, a film-making duo that hails straight from Hollywood - Hollywood, Fla., that is - recently joined the wave of ultra-low-budget proto- Spielbergs with their short film Broken, an action/sci-fi piece complete with explosions, automatic weapons, and a stylish, neo-noir look that isn't all that far removed from its main stylistic inspiration, the Matrix trilogy. The pair sent a copy our way, and we were so impressed we had to chat with them about how their dark little tale came to light.
Pre-production
Broken began as a story concept that Ferrari developed as a college student (these days, he runs a post-production facility called The Enigma Factory), which he pulled out of the drawer and brought to his partner Rodriguez in the hopes of collaborating on a complete short script.
Ferrari says the project was sparked by a viewing of famously cost-conscious action filmmaker Robert Rodriguez's Once Upon a Time in Mexico - "He's one of my main inspirations, and when I saw what he did with that film - a fairly low-budget action movie that looked as good as one much more expensive - and I said, 'I could do that.'" As the pair began to further develop Broken, they tailored it specifically to allow for the best-looking special effects they could design and afford. "Through the entire process I was already thinking about the visual effects," Ferrari says, "I was writing around visual effects that I knew we could do."
One early coup for the filmmakers was finding a location that not only suited the story Ferrari and Rodriguez already had, but also allowed them to develop some cool-looking scenes they hadn't originally envisioned. Broken was shot at the A.G. Holley Hospital in Lantana, Fla., the oldest continually-operating sanitarium in the country (it now serves as a tuberculosis hospital), where the film's crew was granted unlimited access to the expansive abandoned sections - a maze of frightening industrial corridors and open spaces perfectly suited for a sci-fi thriller. "We had free run of the place," Ferrari says of the hospital, which he discovered while scouting locations for an earlier project.
Production
Knowing they'd have limited time and resources to get the film done, the production team did extensive storyboarding and conceptual design, so they'd know exactly what was needed visually when shooting actually began.
But, according to Rodriguez, not quite everything went according to plan. "The week before we were scheduled to shoot, we were hit by a series of hurricanes, and one of them went all the way up where we were shooting ... it was an old building to begin with, and the hurricane just tore the place up." And by the time they did finally win their prized location back, FEMA had set up shop there to provide aid for thousands of hurricane victims, and many of the areas they'd planned on shooting in were severely damaged - so they again made changes to the script to incorporate Mother Nature's impromptu "set design."
Fortunately, when shooting finally got underway, things went much more smoothly. With Rodriguez handling the day-to-day minutia that are the producer's stock in trade, Ferrari says he and cinematographer Angel Barroeta were able to shoot a rocket-quick 125 to 130 camera setups per day for the 3.5-day shoot.
And while many of the film's extensive visual effects shots were created in post-production, there were still quite a few practical effects that had to be done on-set.
Post-production and beyond
Once shooting wrapped, the film was rushed into post-production, in the hopes that Ferrari and Rodriguez would be able to shop it around at the upcoming Sundance festival - though they'd missed the entry date, the filmmakers hoped to show their short to as many festival goers and vacationing Hollywood players on the fly as they could.
As Ferrari put his post-production skills to the test editing and color-correcting his footage, visual effects supervisor Sean Falcon set about creating the film's plethora of digital effects. Ferrari and Rodriguez agree on what they think is Falcon's most impressive work - an outdoor shot in which a clear sky was digitally replaced with turbulent, explosive nightmare weather, with an indistinguishable digital tree composited in the foreground.
Another complex digital effect was the film's realistic firearm muzzle flashes - although there's a copious amount of gunfire in the film, Ferrari says not a single shot was fired on- set. Instead, Falcon digitally animated each frame in which a weapon appeared to be firing - "I think what Sean did with the muzzle flashes was revolutionary," Ferrari says, "He created muzzle flashes that change in every single frame - he did it all dynamically."
"Jorge is an amazing networker," Ferrari says, "We actually ended up on VIP lists... I was hanging out next to Paris Hilton and Elijah Wood. We carried a laptop around and showed the film to whoever wanted to watch it."
He laughs, "We're just a couple regular guys who went out there and maxed out our credit cards. I had Alex as a good friend and a business partner, and we were just able to motivate each other enough to do this."
Broken, the short, touches on that question and many others, and the mysterious, foreboding vibe it oozes throughout makes for a pretty captivating viewing experience - it packs a visual punch that really ups its value, too.
Viewers won't feel cheated by its great-looking action shots and its fairly intriguing narrative development, but there are definitely a lot of questions about Broken's world and its characters that we'd really like to see answered... luckily, now that Ferrari and Rodriguez have a crack at spinning it into a feature, the film's fans will get to see exactly what the short's tantalizing 20 minutes are setting up.
Nick R. Scalia - PLAY Magazine
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