August
Thursday 20 September 2018 photo 3/5
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The Boss Movie Download Hd
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A bomb attack in a cinema in Palermo kills all the fellows of Attardi's clan a part from Cocchi. He immediately understands that the author of the bomb attack is Daniello from Don Corrasco's clan. Cocchi is determined to revenge. His actions, including the Corrasco's daughter kidnap, in a Palermo in which also the police is corrupted, will soon destroy the old equilibrium giving the way to an escalation of violence that won't save anyone. If Cocchi will survive to the mafia war he will be the new boss for sure.
In 1970s Palermo, a hit-man finds himself embroiled in the middle of a Mafia war between the Sicilians and the Calabrians.
I see from almost all the other previous user comments that this Fernando Di Leo movie is held in high esteem. But to be honest, it failed to move me. Now, I'll admit that it's not without merit. Luis Enriquez Bacalov contributes a pleasing musical score. Imported star Henry Silva does well as a ruthless hit man, being cold yet captivating. And the movie starts off with a literal bang. Unfortunately, after that memorable opening, the movie quickly slows down and keeps that slow pace for most of the remaining ninety or so minutes. There's hardly any more action, and the little there is for the most part isn't that memorable. Most of the movie is talk, talk, and more talk. Maybe the intent was to portray the mafia in a more realistic manner, and I would have been open to that angle had I had a good sense of a swiftly moving twisty plot and memorable characters. However, that is not what is provided. The movie is very slow and drab instead. I've liked other Di Leo movies before, but this one is tough to sit through. Thank goodness that the sequel promised at the end of the movie never got made.
Another blazing mafia movie from Fernando di Leo, the ace who brought us CALIBRE 9 and MANHUNT, THE BOSS is a cold and violent film that purports to "show it how it is", ie. depict the everyday life of members of a small-town mafia without glossing over any of the hard facts or making it a sentimental family movie. Indeed the characters are unapproachable and unlikable, the film doesn't offer us one sympathetic person in the whole film. Instead we are asked to identify with Henry Silva's stone-faced leading character, a ruthless killer who doesn't think twice of bumping off the father figure who adopted him fifteen years previously for "the family" and who spends his time massacring people or beating women.
Silva is great in the lead, by the way. You definitely would not mess with this guy if you saw him in the street. He's one of the hardest characters I've yet to see in a movie. What can you say when the opening set-up shows him offing a bunch of rivals at a porn cinema by using a grenade launcher to literally blow them into bloody ribbons? Di Leo's knack of blending engaging edge-of-your-seat action with gripping plot twists and plentiful betrayals keeps the film full of energy and the body count keeps rising and rising after the opening massacre. I'd say at least three dozen guys get killed during the course of this movie. The film itself is very drab-looking, with lots of dark greys and browns making up the sets and there isn't a lot of happiness in the movie. Instead THE BOSS focuses on themes of loyalty, friendship, loss, and the human determination to survive.
Richard Conte takes the role of the aged Don Corasco and is great in the significant role, as you would expect from a pro. There are also standouts from the supporting cast – Gianni Garko's slimy cop is really loathsome for instance, and Antonia Santilli makes an impact as the daughter of the Don, typically getting abused and used by the bad guys (Di Leo must really hate women judging by his movies). There are lots of great turns from stalwart supports like Howard Ross and Andrea Aureli who keep their scenes lively, and maximum amounts of suspense and tension are thrown in at keys points to give the movie a knife-edge atmosphere. The action scenes are dynamic and extremely violent. Cars and buildings explode, there are shoot-outs, flick knives in mouths, loads more hard-hitting footage. These elements make the film great addition to the Italo crime genre.
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