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Tuesday 18 September 2018 photo 2/7
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Sonny And Jed Full Movie Hd 720p Free Download
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DOWNLOAD: http://urllio.com/qyd6l
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A determined sheriff pursues a robber and his girlfriend, and lets nothing stop in his way of catching them.
This movie is definitely not your average spaghetti western, and it's uniqueness is part of what makes it great.
There are really two separate stories being told in the film, and they are both given equal weight. One of them is the chasing of Jed by a revenge seeking lawman played by Telly Savalas, and the other is the dysfunctional love story of Sonny and Jed.
Franciscus, the character played by Savalas, seems out of place in a spaghetti western, wearing a long fur coat and basically being Kojak, accent and all. He even talks more like he belongs in a 1970's cop movie than a western. In one part he even calls Jed a "punk." I'm not sure, but I don't think I've ever heard that word in a spaghetti western before this one. I love when spaghetti westerns have these offbeat characters that don't belong in a western. It always makes for a cool and interesting movie. In the middle of the film, after Franciscus becomes disabled, Savalas gets to portray him as a totally different character, as his personality changes and his style of clothing becomes even more bizarre. He is truly great in this role.
Tomas Milian plays the part of Jed, a character similar to the one he portrayed in Companeros, but a bit cruder. He is fantastic as usual. He plays this type of character perfectly. His antics are a lot of fun to watch. He even eats spaghetti in this movie! I've always wanted to see that in a spaghetti western. Susan George is good for the role of Sonny. There is one part where she uses 1960's slang when she speaks. You've just gotta love these Italian westerns!
Ennio Morricone's score is brilliant, and one of his more memorable. It is not the typical spaghetti western score, but it fits, and has that haunting Euro-movie style.
Definitely a must see for Euro-western fans
It's surprising to see how fast Sergio Corbucci's career declined. Only two years earlier he was making COMPANEROS, one of the high-points of the mid spaghetti western period. For SONNY AND JED he united his 'muse' Tomas Milian with Susan George fresh from Peckinpah's STRAW DOGS the previous year and Tellys Savalas who was at the time enjoying a prolonged vacation in the Mediterranean by making Italian b-movies. Despite of the cast however, the movie is a dim shadow of COMPANEROS. Certainly a let-down by Corbucci's usual standards, which he would go on to follow with another two poor westerns, essentially ending his career in the western as ingloriously it began (MASSACRE AT RED CANYON).
SONNY AND JED in its way reflects the ongoing the decline of the genre that Corbucci both helped shape and found his niche in by making the transition from the peplum he used to make under alias Stanley Corbett in his earlier days and with cheesy titles like Goliath and the Island of Vampires. It's a gritty, crass, vulgar tale of two unpleasant people, scruffy bandit Jed and feisty tomboy Sonny, hitching up together in a nameless patch of Roman countryside substituting for a nameless part of the West and going on a robbing spree while a monomaniac sheriff dressed in a fur (!) and his posse gun after them. The couple-of-criminals-on-the-loose idea seems to be a loan from BONNY AND CLYDE and Milian and Susan George have enough chemistry to see it through even when their constant bickering crosses the line from amusing to annoying. Milian's Jed is cut from that mould of distinctly latino temperament, the kind of uncomplicated picaresque irreverence Italians loved to introduce in their characters because it borough the western back home in a way, which owes a big debt to Tuco from Leone's GBU (as do all the characters of that lineage).
In the end the movie doesn't amount to much and the questionable choice of undermining Tellys Savalas' suave menace by turning him from a cruel, methodic badass into a staggering blind does a good job of cutting the legs from the movie's climax, but it's still peppered with memorable moments that save the day. Great examples of spaghetti western visual irony involving coffins and barns, snappy one-liners, hilarious bits like the scene when Jed enters a photographer's shop and demands to know why his photo is missing from the "Wanted" posters he's printing, a general sense of comic-book irreverence that is at once violent and funny, Sonny and Jed, although far from a rousing success, still has enough of these little moments to recommend it to genre fans.
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