Tuesday 18 September 2018 photo 5/7
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Thursday Full Movie In Hindi Download
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The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover Dallas (Paulina Porizkova) and fellow hitman Billy Hill (James LeGros) are getting impatient and tell him to hurry up. Conflicts between Nick and the cashier (Luck Hari) ensue, resulting in Dallas shooting the cashier dead. Though the three attempt to cover up the crime, they are forced to also shoot a police officer (Bari K. Willerford) when he discovers blood on the ground.
A former L.A. drug dealer has moved to Houston to make a new life for himself as a married architect. Everything falls apart when he is suddenly visited by one of his former cohorts who comes carrying heroin. Discovering the dope, the architect flushes it down the drain. This sets up a series of tough customers seeking the dope including a Rasta hit-man, an ex-lover Dallas who ties him up and rapes him, a criminal called Billy with a penchant for torture, and a rogue cop.
I'm always amused at the plethora of films inspired by and that pay homage to anything Tarantino. Most of them suck, just because the movies that inspired them are so good. Thursday is one of the better ones, not because its necessarily a great movie, but it's interesting and well done, plus the performances are solid. I was disappointed with the last fifteen minutes of the movie. Things were wrapped up with such lightning speed I found myself wondering if the producers had run out of budget. Besides, the ending is way too lame compared to the first hour of the movie. Thursday deserved a better finale.
Want a film that's hip, loaded with attitude, funny and shocking at once, packed to the rafters with wild lowlifes? Skip Woods has delivered one, but about five years too late. We've seen everything in THURSDAY before, so you'd best enjoy this film without the baggage of seeing PULP FICTION - and that's a tall ask.
Compared to FICTION or RESERVOIR DOGS , THURSDAY is as flawed as you'd expect. Spontaneous raps about Star Trek, the sadistically amusing torture of a helpless, bound man, and drug-dealer flashbacks all ring a bell. It's derivative, but it's still fun.
Against the leagues of Tarantino ripoff's on the market, you could do much worse than THURSDAY. The day-in-a-life saga, and flexible pace are sometimes a blast. The violence makes you squirm and laugh, so at least it hits the mark, even when it aims low. And the havoc sown on the picturesque picket fence suburb is cruelly effective.
Going out of his way to shock, Woods' film goes wrong because for all his youthful arrogance, THURSDAY isn't half as original as he no doubt thinks. And be warned, the ending is a travesty. It's abysmal and uninspired enough to make you reassess the merits of the picture before the credits have even begun.
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