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Wednesday 19 September 2018 photo 2/3
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Download Hindi Movie Key Largo
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DOWNLOAD: http://urllio.com/r40br
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A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.
A few years after the end of World War II, Frank McCloud travels to the Florida Keys to visit the family of one of the men he commanded. The dead soldier's father, James Temple, runs a hotel in Key Largo with the help of his now widowed daughter-in-law Nora. He arrives in the heat of summer to find the hotel closed for the season but occupied by a group of shady characters. McCloud and the Temples take an instant liking to each other. The hotel has been rented for a week by none other than mobster Johnny Rocco who was deported from the US some 8 years before but has returned via Cuba to complete a business transaction with his old partners in crime. As a hurricane descends on Key Largo, tempers flare leading McCloud to protect the Temples from the threat that Rocco and his hoods pose.
Key Largo is a film of which enough good can not be said. The camera movement, directed by Huston, is breathtaking. Bogart and Bacall have never been better. The plot is entertaining. And finally, in a manner in which only the greatest directors of this era in American movies were capable, Huston -with the assistance of a great script- weaves a profound moral of man´s responsibility for man. All told, this is one of a very rare breed: a timeless and flawless film, to be admired without reservation. So, if you´re looking for a film to challenge, entertain, and charm you -watch Key Largo. Its incredible!
While KEY LARGO is certainly no masterpiece, it IS highly entertaining, thanks largely to two larger than life performances from EDWARD G. ROBINSON (at his mightiest) and CLAIRE TREVOR (who manages to steal every scene she is in as a lush past her prime as a torch singer).
But it's not quite the sort of thing Bogart and Bacall fans were used to. Lauren is much more demure than usual, very low-key but earnest in her performance and she does well in a part that is not quite as sultry as her other roles of this period. Bogart too is low-key in a rather colorless role (for him anyway), as a soldier who drops in on Bacall and her father (Lionel Barrymore) at a hotel in the Florida keys to give them information about her soldier husband.
The oncoming storm is nothing compared to the histrionics of EDWARD G. ROBINSON who chews up all the scenery in sight as a gangster almost as black-hearted as his Wolf Larsen in THE SEA WOLF, even though most of the scenery is confined to a couple of hotel settings. Surprisingly, for a film directed by John Huston, he has allowed the storm aspect to be the least realistic part of the setting. It all seems to take place on a Warner sound stage with banging shutters and loose pictures on the wall, but not much of a storm to be concerned about except when miniatures are shown of a very strong tide and a hotel battered by winds and rain.
But these are minor squabbles when all the performances are edgy and wonderful, particularly Thomas Gomez, Dan Seymour and Marc Lawrence. But it's CLAIRE TREVOR and EDW. G. ROBINSON that have the most powerful roles and they play them with every bit of professionalism they can muster--and that's plenty. Trevor has never been more effective and richly deserved her Supporting Role Oscar.
Some of the film drags, burdened by too much of Maxwell Anderson's stage dialog which tends to give a static look to some of the scenes, but the last half-hour is full of vigorous movement as the story reaches a satisfying climax.
If you're looking for a typical Bogart/Bacall film, this is not it. But it is good, solid entertainment.
"Key Largo is a borderland, an island acting as a bridge for escape from or return to mainstream America. In Noir Anxiety, Kelly Oliver and Benigno Trigo argue that the free-floating anxiety of noir reflects a more primal angst related to borders and boundaries. We want to be sure of our footing, to know who and where we are. But labels are arbitrary, identities and cultures are fluid and changing, and war escalates worry over the present and future of a nation. Film noir reflects such concerns, more often than not challenging the viewers sense of ease and security. Duplicity is everywhere. From personal integrity to race, class, and nation, film noir emphasizes a world of ambiguity. And this makes the island setting of Key Largo ideal for its tensions and central conflict."Read more here. 497e39180f
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