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RoboCop Movie In Hindi Hd Free Download-----------------------------------------DOWNLOAD: http://urllio.com/qz26x -----------------------------------------In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.After Omni Consumer Products (OCP) announces that it bought out the Detroit police department, the department decides to go on strike. Alex Murphy gets transferred from Metro South to the West. He and new partner Anne Lewis track down a group of criminals led by Clarence Boddicker. Unfortunately, Murphy is mutilated and killed by Clarence's gang. Bob Morton, one of OCP's employees, transforms Murphy's barely cold corpse into RoboCop (to compete with fellow employee Dick Jones' ED-209 robot). RoboCop's tests are successful. Unfortunately, RoboCop rediscovers his memories (when he was Alex Murphy) and now knows he has to find and arrest Clarence Boddicker. When he realizes that Clarence is working for Bob Morton's company rival Dick Jones, RoboCop must stop both Clarence and Dick Jones.i don't know how i came to like robocop so much but i think it's part of my love for campy sci-fi and bleak futures.
this movie is what i consider to be the greatest interpretation of he near future than any other movie. this is beating out a clockwork orange, blade runner and judge dredd. wait, scratch the last one, which sucked.
back in 88 it some parts seemed too unreal, but now, those same parts aren't even funny anymore, because they're too real!
the robotic heart- now exists. street police with body armor- now exists. the over aggressive businessmen- now exist. and i believe that if there ever was a cyborg cop, he wouldn't be all kool and like the matrix with wires everywhere and all high-tech and dark looking, he would look like robocop, and probably be called something similar if not exactly the same.
this movie is smarter and more emotional than would be expected from a movie of it's title, is the classic man vs machine storyline with the twist that it takes place inside one person. as for the sequels, i love the second one. i think it has everything a sequel should, though not as good as the first, gives you a taste of robocop kicking ass. as for the third. ummmm. it might have been good had they gotten peter Weller. if they just put his voice in this movie it would make it twice as good, though suck it does.
robocop rules. the main argument against it being "it's too corny" to which i say "yeah, well that's what's real". or is it? yes it is. isn't it?
yes.
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.Paul Verhoven, who originally turned this project down, must have known what a big joke this film was going to be if made right. But exactly right is how he's made it, as it's the kind of joke that one wants to get told by someone who knows how to tell it, so that one can remember how it goes to tell the next guy. It lays in its satire in sharp stabs that are wickedly dead-on, as far as consumerism and living in a state of decay by the media and complete omniscient (and sinister in playing both sides) corporate control goes, with commercials for 'Nukem', a variation on battleship, and a dinosaur-attacking-a-city movie coming soon, which comes at the strangest of time in the story. In fact, RoboCop in a big way can be seen as the older cousin of Starship Troopers, and to a smaller extent Total Recall, Verhoven's other futuristic sci-fi ventures: the society itself, which is encompassed with authorities, the corporate interests, the criminals, the cops with their low morale and high body count (cops deaths, not criminals), lends itself to being led on to get dominated by technology. What RoboCop brilliantly posits is that when the human element is suppressed in a society driven head-on by mindless and lethal technology, it's bound to come out somehow in some form. Just so happens Murphy (Peter Weller) is that form.
The simple lowdown: Murphy and his female cop partner are out chasing some bad guys, they track them down to a warehouse where Murphy is captured, shot repeatedly (his hand gets shot off first, then past the bullet proof vest), and killed...Or so it seems, as he's not totally dead, and is brought back to life, though not really. In a series of first-person perspectives- a real inventive way to show passage of time as well as a level of cynical manipulation in the guise of wild progress in making a human-robot- we see Murphy turned into Robocop, his arms replaced, a gridding and shooting system loaded in, and finally taking his first steps. Like any superhero, RoboCop is a kick-ass force to be reckoned with, and completely objective: he's there to serve and protect, and make the occasional PA for kids, "Stay out of trouble." The same thugs from before however are still lurking around, and a run-in with one stirs memories, if not exactly feelings, of Murphy's demise, as well as the loss he feels for his wife and child. Little by little, a routine investigation/crackdown by Robocop turns into a sort of vendetta. This, unfortunately, stirs up wrath in the head of the OCP, who is, as luck would have it, also the boss of the big-hoodlums Robocop is after in Detroit's glummest of slums.
It's worth to point out some of these story points, as Verhoven and the writers are actually very strong on pushing forward the story, but in a level that makes material that should be in a 25 cent pulpy comic book from the 50s into something more tangible. Like the Terminator, Verhoven keeps the adrenaline going forward as far as directing the action set-pieces, from small scenes with liquor store robberies, to a big crackdown of Clarence's drug operation, and to a scene involving many, many, many guns firing on Robocop in one fell swoop. But there's often an attitude to action, specifically the "excessive violence" (as the MPAA put it when it gave the film an X at first sight), that reminds the audience that it's bigger than life, like a movie should be like this, and at the same time graphic enough to point out the very chaotic nature of gang warfare. It's a thin line that Verhoven and his collaborators walk on and pull off tremendously, in making scenes that should be horribly horrific, like when the big walker-gun-machine is introduced and kills one of the board members, hilarious in the darkest possible way in how they unfold, and at the same time keep excitement to it, of the kind of danger one saw in Death Wish (and, like that film, Detroit's crime scene is probably not far from the one depicted here).
And when it comes down to it too, RoboCop/Murphy is the kind of big-screen hero that audiences can get behind, if after a slight adjustment to the whole goof that comes in just picturing a Robocop before it comes on screen. There's tragedy inherent to Murphy's original demise, hence the sort of bitter edge of the first-person creation scenes, especially because Robocop's creators didn't work out making it a figure that is entirely robot. Programming stays the same, but the past ends up informing the character, and brings what is otherwise a walking bill-of-rights machine with a big (bleeping) gun to being human again, in its black-and-white manner. In his own kind of twisted way, this is for Verhoven what Brazil is for Terry Gilliam; a near-future plausible not for the advances in technology (or lack thereof), but because of human beings not being able to know how to function society, and what a consciousness in technology brings to the situation. This as well as each director's obsessions, in this case Verhoven's knack at shameless artifice, bigger than life bad guys, twists in the plot, and a lot of bombastic violence. And all the same, it's an rip-roaring adult popcorn movie, one of the best of 1987.There's a brooding, agonized quality to the violence that almost seems subversive, as if Verhoeven were both appalled and fascinated by his complicity in the toxic action rot.When Old Detroit police officer Alex Murphy (Peter Weller) is brutally murdered by a group of criminals led by crime boss Clarence Boddicker (Kurtwood Smith), Omni Consumer Products (OCP) employee Bob Morton (Miguel Ferrer) uses Murphy's body to create a powerful cyborg—part man, part robot—that they name RoboCop. With the help of RoboCop/Murphy's ex-partner, Officer Anne Lewis (Nancy Allen), RoboCop begins to get back his memories of his previous life and decides to find and arrest Boddicker as well as corrupt OCP President Dick Jones (Ronny Cox). RoboCop was filmed from a screenplay written by American screenwriters Edward Neumeier and Michael Miner. According to Neumeier, he got the idea for RoboCop when he asked his friend about another movie,(1982), and the friend replied, "It's about a cop hunting robots," leading him to think about a robot cop. The character of RoboCop was inspired by British comic book hero Judge Dredd as well as the Marvel Comics superhero Rom. The success of RoboCop inspired two sequels, RoboCop 2 (1990) (1990) and RoboCop 3 (1993) (1993); and two TV series, RoboCop (1994) (1994-1995) and RoboCop: Prime Directives (2001) (2000). RoboCop was novelized in 1987 by American sci-fi writer Ed Naha.The series was rebooted with the release of RoboCop (2014) (2014). Yes, as second in command of OCP (as well as a resourceful individual), Dick could have easily saw to it that it was included. In fact, he admits as much when RoboCop attempts to arrest him him for aiding and abetting a known felon. "Directive 4: Any attempt to arrest an officer of OCP results in shut down" which Dick says to RoboCop, "my little contribution to your psychological profile." Since Directive 4 protects OCP executives like both Dick and Bob from arrest by RoboCop, Bob probably wouldn't have objected too heavily to it being included, if he even knew, which is doubtful. When Morton asks RoboCop, "What are your prime directives?", RoboCop reads off the first three: (1) "Serve the public trust", (2) "Protect the innocent", and (3) "Uphold the law". When Morton turns to gloat to his colleagues, an additional directive is flashed on the screen, simply reading, "Classified" within square brackets. Morton does not seem to notice it, so it goes unchallenged, suggesting to the viewer that Morton was unaware of its inclusion in the program. (The textual presentations of all the directives are in all capital letters, each prefaced as "{Numeral}: {Imperative phrase}" or "Directive {Numeral}: [{Adjective}]"; for fake example, "0: Conform to subsequent directives" or "Directive 0: [Undefined]". The three prime directives have the former form whereas the fourth has the latter form.) It's a simple editing mistake that probably resulted from a misplanning of the scene. The costume department or the director and producers probably couldn't come up with an easy way for the chin plate to be removed at the time. When RoboCop takes off his helmet, it's meant to be a very dramatic moment in the film; the audience sees Murphy's face for the first time after he becomes a cyborg. Any extra time devoted to a more detailed removal of the helmet and chin protector might have lessened the dramatic impact. The chin plate removal was addressed in one of the TV series where RoboCop's helmet appears to be attached to it and they come off in one piece. The drug gang at the factory probably numbered no more than about 20 and they were all using small arms as weapons. Lt. Hedgecock leads a SWAT force against RoboCop at OCP HQ that numbers at least twice at many people as the drug factory gang. In the drug factory, all the men shooting at RoboCop are using what appear to be smaller caliber weapons (Uzis, shotguns, pistols, a few larger rifles) and all take up firing positions a good distance away. The lieutenant's force is larger and they have more firepower, more powerful weapons and they move in right on top of RoboCop. (Note: There's a reason why "SWAT" stands for special weapons and tactics, and the situation at hand lives up to it and perhaps beyond, given OCP's militarization theme.) With more concentrated firepower and the shorter distance and the increased number of weapons involved, the damage to the hero is greater. Plus, RoboCop was already pretty banged up from his encounter with ED-209, as in having all sorts of punctures in his armor leaving some circuitry and hydraulics vulnerable, the latter (or something else) leaking a bit. Assuring the wounded Lewis that OCP can fix her ("They fix everything"), RoboCop returns to OCP headquarters where the board members are conducting a meeting. RoboCop easily takes out the ED-209 guarding the building and confronts Dick Jones in the board room, accusing him of murder and providing proof in the form of a video he had recorded in which Jones admits that he had to kill Bob Morton "because he made a mistake." Jones grabs a handgun and holds it to the Old Man (Dan O'Herlihy)'s head, vowing to kill him unless a helicopter is provided for his escape. Unable to take action against Jones because of Directive 4, RoboCop is pleased when the Old Man summarily fires Jones, voiding the directive and allowing him to fire several times on Jones, who falls out a window to his death. In the final scene, the Old Man compliments RoboCop on his shooting and asks him, "What's your name?" After a brief pause, RoboCop responds, "Murphy." Director Paul Verhoeven had to remove a few violent shots to avoid an X rating from the Motion Picture Association of America (MPAA). The unrated version restores this footage to the film. There are no additional scenes or plotlines added to the unrated cut of the film. Bobby: greatly angers Clarence after a bank robbery. Bobby had blown the safe and wound up burning most of the money, making the score worthless. Bobby gets shot in the leg by Murphy, so Clarence orders the group to throw him out of their van and into the windshield of Murphy and Lewis' cruiser, killing him.
Dougy: is watching TV with Emil, when Murphy gets the drop on them. Dougy reaches for his gun and Murphy shoots him twice in the chest.
Steve Minh: Opens fire on Robocop in the cocaine factory, instigating the shootout. After Robocop guns down everyone else in the factory, he turns his attention to Clarence, Steve and Joe. He shoots Steve in the chest, as he falls, he hits Joe in the face with his shotgun, knocking him off the walkway.
Joe P. Cox: While searching for Robocop in the sewage plant, Murphy throws a can and distracts the group, while they are distracted, Murphy shoots Joe three times in the torso from an elevated position. Joe dies from his wounds shortly after.
Emil M. Antonowski: Chasing down Murphy in his van, Emil attempts to ram him. Murphy leaps out of the way at the last possible second, causing Emil to crash into a vat of toxic chemicals, which horribly disfigure him and cause the flesh to melt off his bones. While attempting to find help, he walks out in front of Clarence's car. Clarence didn't see him, as he was distracted by Lewis chasing him. He hits Emil, causing his body to completely burst apart over the windshield, which leads to Clarence crashing his car.
Leon C. Nash: Leon saves Clarence from Murphy executing him by dropping a few tons of scrap metal onto him. A wounded Lewis grabs one of the gang's Cobra Assault Cannons and blows up the crane that Nash was in, killing him.
Clarence J. Boddicker: Enraged at the death of Nash, Clarence picks up a steel spike and begins beating Murphy with it, even piecing his chest armor. He leans in to taunt Murphy, just close enough that Murphy was able to stab him in the throat with his computer terminal spike. Not directly, one certainly could point the finger at Bob Morton who intentionally sent "prime candidates" into high crime areas in the hope that they would get killed. Since the police officers signed a release form he would then be legally allowed to use their bodies for the Robocop prototype. Even though this is highly unethical, immoral and shows a complete disregard for human life (which was a theme of the movie) Morton didn't actually do anything illegal as there is no indication that he had any kind of connection with Boddicker and his gang. In the case of Dick Jones it has been theorized that he hired Boddicker to kill a bunch of police officers so that the Old Man would approve his ED-209 project but this also does not seem to be the case. Boddicker's primary business appears to be drugs and robbing banks, and he simply does not have any problem murdering police officers who stand in his way. As far as the film indicates Jones and Boddicker occasionally do business with each other (such as a hit job on Bob Morton) as Jones is heavily involved in all kinds of illegal activities. a5c7b9f00b http://lydlabs.ning.com/profiles/blogs/hindi-trouble-is-my-business http://apps.roiproyectos.com/dolphin/m/feedback/view/Baraka-Download https://www.causes.com/posts/4923340 http://jumbslicalesmo.wapka.mobi/forum2_theme_112967845.xhtml?tema=175 http://emps.guildwork.com/forum/threads/5ba0895b002aa82e0f4de44a-the-3-ninjas-full-movie-in-hindi-free-download-hd https://diigo.com/0d6blp http://plutimgideed.rf.gd/the_True_Lies_full_movie_in_hindi_free_download.pdf http://womenontheverge.net/m/feedback/view/Red-State-Hd-Full-Movie-Download http://dayviews.com/meodrycku/526813359/ http://stepagmana.epizy.com/Killjoys_download.pdf
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