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Vice Tamil Pdf Download
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Bruce Willis stars in this Sci-Fi thriller about ultimate resort: VICE, where customers can play out their wildest fantasies with artificial inhabitants who look like humans.
Julian Michaels (Bruce Willis) has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans. When an artificial (Ambyr Childers) becomes self-aware and escapes, she finds herself caught in the crossfire between Julian's mercenaries and a cop (Thomas Jane) who is hell-bent on shutting down Vice, and stopping the violence once and for all.
The people who made "Vice" must have watched movies like: "Blade Runner," "Westworld," "Universal Soldier," "Groundhog Day," "The Matrix," and "Dark City." "Prince" director Brian Miller and "San Andreas" scenarists Jeremy Passmore of & Andre Fabrizio have cobbled together these epics to create a provocative premise. A sleazy entrepreneur has designed an enclosed complex with cyborgs where humans can live out their wicked dreams. You can rob a bank with impunity. You can rape and murder with impunity. There is no limit to what you can do to live out your mad fantasies. Julian Michaels (Bruce Willis of "Surrogates") markets this asylum of decadence, while a disheveled detective, Metro Police Detective Roy Tedeschi (Thomas Jane of "The Punisher"), wants to shut him down. During their first conversation together, Michaels and Tedeschi explore an interesting theory. Michaels operates the place so people can exorcise their depravity, but Tedeschi argues that it serves only to enable them carry it on out into the real world. The controversy over media violence, whether in movies or videogames, fuels the plot of this interesting but lackluster thriller that threatens to hoist itself on its own petard. Naturally, since this slick sci-fi fantasy takes place in a futuristic society, "Vice" is appropriately dystopian in nature. Kelly (Ambyr Childers of "Gangster Squad") is an android in Michaels' fantasy land. Basically, what Michaels has conjured up is like "Westworld." Kelly is a bar tender who wakes up every morning and lives the same day all over like the people in "Groundhog Day." She is tending bar for the last day before she goes out and experiences the life outside. Before she can start anew, she is strangled by a customer who is enacting a fantasy that involves rape and murder. After each encounter, these androids are reprogrammed for the next day to perform the same routine. While the technician is reprogramming Kelly, something goes awry and he discovers that she has managed to retain memories like the soldiers in "Universal Soldiers." Remember, in "Universal Soldiers," the elite combat team consisted of dead Vietnam G.I.s who were reanimated and revamped, but the Jean Claude Van Damme soldier keep some of his human memories. Detective Tedeschi is on the trail of Kelly after she escapes from the Vice facility, but he doesn't have a clue what he has gotten himself into because he does know that Kelly is a reborn version of an actual world. The engineer who created her, James (Bryan Greenberg of "Bride Wars"), helps her escape, but Tedeschi tracks them down. As it turns out, Kelly is changing herself with each new experience. At one point, Evan explains, "The human experience—it's really the only thing that separates us from machine." Predictably, every move that Tedeschi makes is monitored by the sinister Julian and his machine-gun wielding minions.
"Vice" is a polished potboiler at best with above-average production values that Miller invests in all his films. The cast is good and they aren't required to do much heavy lifting. Thomas Jane differentiates himself from everybody else with his scruffy coiffure. He is an iconoclastic "Dirty Harry" clone. Ambyr Childers is easy on the eyes. Altogether, "Vice" is a painless experience, except for Michael's henchman who couldn't hit the side of a barn with their fully automatic weapons if they were inside the barn!
No, "Vice" is not the worst movie of all time, as some would have you believe. On the other hand, those who gave it ten stars need to see more movies. But while covering very little new ground, it did manage to plod along, and do an average job of it.
HERE THERE BE SPOILERS... The biggest touchstone for this film would have to be "Blade Runner;" like that film, "Vice" also explored the concept of the humanity of those who are not quite human. The "artificials" (as they are called in this story) have been placed in an adult amusement park (called "Vice," hence the title) in a concept similar to "Westworld," except that this film's budget apparently would not cover sets that were anything more elaborate than everyday urban. The minds and emotions of these "residents" are quite real, but each day their memories are erased, so that they will not recall the criminal traumas inflicted on them by human visitors; they have no idea that they are living in a fake world, and have been placed in the "Vice" amusement park to be assaulted or murdered by paying guests. Of course, if they were to start RETAINING those memories...
A police detective (Thomas Jane as the inevitable "loose cannon" cop) believes that, rather than getting evil intent out of their systems, raping and murdering the residents of Vice only inflames the passions of criminals, who then come back into his city and commit crimes against real humans. He therefore repeatedly ignores the orders of his cliché-ridden captain to stay away from the park, their city's biggest source of revenue.
Of course, he teams up with one of the original inventors, played by Bryan Greenberg, whose incredibly wooden performance marks a low point in a movie filled with poor acting. A runaway resident, played by the lovely Ambyr Childers, also takes part in the scheme to take down Vice's founder (Bruce Willis) but finds that her programming will not allow her to shoot him (a minor plot point brazenly stolen directly from "Robocop.") Too bad, because aside from being the stereotypical "corporate bad guy," Willis has almost no role, phoning in a one-dimensional performance that consists almost entirely of frowning at computer monitors and issuing orders; I suspect his "starring" role took up no more than a single day of his schedule.
Though not entirely original, the combination of the familiar stories is somewhat intriguing, if marred by mediocre and unimaginative execution: the producers would have done better to explore the philosophical and moral points of the story rather than engaging in an endless parade of chase scenes and disposable security officers. But for what it is, an obvious direct-to-DVD make-work project, "Vice" is a decent enough effort. It could have been better, but it could also have been worse.
Bad doesn’t have to mean boring. Case in point: Vice, a bargain-bin high-concept sci-fi thriller full of Joel Schumacher-esque canted Steadicam moves, leaden expository dialogue, and cheap fluorescents-glued-to-the-wall sets.
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