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Dynaudio Confidence C1 loudspeaker Specifications. Sidebar 1: Specifications. Description: Two-way, reflex-loaded, stand-mounted loudspeaker. Drive-units: 1.1" soft-dome tweeter, 6.6" plastic-cone woofer. Crossover frequency: 1800Hz, with first-order slopes. Frequency range: 44Hz–22kHz. Nominal impedance: 4 ohms.
Value, "How can a relatively small, stand-mounted speaker be value-competitive with a larger floorstanding multi-way speaker? If sonic performance acts as the primary guide, rather than sheer size and number of drivers, the Dynaudio Confidence C1s are worth every penny of their asking price."
Jim Austin wrote about the Dynaudio C1 in August 2008 (Vol.31 No.8): Love is a lot to expect from a new relationship, especially when it's with a partner made of wood and rubber. But, jokes about "big racks" and Elliot Spitzer aside, true love is what most of us are seeking when we lay down our money for something
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14 May 2007 "That's an impressive soundstage for a two-way monitor," I thought looking at the diminutive Confidence C1 loudspeaker, but hearing a wide, deep soundstage. Dynaudio's 25 lb pound, two-way ($7000/pair plus $450/pair for two) features a 7" woofer and the Danish company's acclaimed Esotar2, 28mm,
1 Nov 2007 Confidence C1, Stereophile 11/07. „The Confidence C1 delivers world-class performance in a real-world package. If you value openness and tonal clarity, the C1 is a contender. It will mate with small to midsize rooms in ways that larger speakers simply can't (yes, you can have too much loudspeaker), and
Sidebar 3: Measurements. The Dynaudio Confidence C1's sensitivity on its woofer axis, which is 37" from the floor, is both below the specification and below average, at an estimated 85dB(B)/2.83V/m. As Wes Phillips found in his auditioning, it will benefit from being driven by a powerful amplifier. As can be seen from fig.1,
10 Nov 2007 "No, the Dynaudio Confidence C1 isn't a small loudspeaker, but it is a stand-mounted two-way monitor." I was struggling to explain to Fred Kaplan what I was working on for this month's deadline. "So it would be good for people with smaller rooms?"
While auditioning the C1, I received a copy of Twin Falls, by Deidre Rodman and Steve Swallow (CD, Sunnyside SSC-1149). Duets of fretless electric bass and piano can be a hard row to hoe, but Swallow is endlessly inventive, and Rodman has a Debussyan flair for melody and dynamics. The C1 seemed particularly
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