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Man On Fire Movie Free Download In Hindi
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DOWNLOAD: http://urllio.com/qzs1x
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Hard drinking, burnt out ex CIA operative John Creasy has given up on life until he's hired as a bodyguard to protect nine year old Pita Ramos. Bit by bit, Creasy begins to reclaim some of his soul, but when pita is kidnapped, Creasy's fiery rage is finally released and he will stop at nothing to save her as he sets out on a dangerous, revenge fuelled rescue mission.
A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.
First, you have to be ready to experience the revenge theme genre. I would not have watched the film cast with Bruce Willis (oh, maybe) or Stallone or Van Deisel or Van Damme or the California Governor. Denzel Washington can carry the hopelessness and despair of Creasy much better than those others. Also, the absence of a back story did not plague me. It seemed enough to know something of his history to understand the depths of his suicidal despair. Was it trite?...I suppose..the down and out pure professional...."First Blood" carries this idea of the authorities taking on much more than they are prepared for.....and Denzel would have done better in that film, too...Plot techniques (the unexpended cartridge; the patron of lost souls medal; Creasy bear, the firing of the starter pistol, etc.) all worked well. These did not feel too contrived. And when the revenge came it was swift...much of the investigative detritus was swept away.....yes, it was violent....revenge films often are I think...yes it was extreme...and the story demanded it....OK, would the father have calmly taken the bullet and put it through his temple...possibly...but most important...just what the professional critics deplored, the jump cuts, the transition from slow motion to regular speed, the carousel with the camera during the kidnapping...this all made me feel (even on a small screen) as though I were being twirled around by events and I liked that...the sound score was great as well....good revenge flick. After all we all get some juice from them, do we not...
Man on Fire is an action thriller that is based on A. J. Quinnell's 1980 novel of the same title.It stars Denzel Washington as John Creasy, a despondent former CIA operative/Force Recon Marine officer turned bodyguard, who goes on a revenge rampage after his charge, nine-year-old Pita Ramos is abducted in Mexico. Among the supporting cast includes Christopher Walken, Giancarlo Giannini and Mickey Rourke.This adaptation was directed by Tony Scott, from a screenplay written by Brian Helgeland.
John Creasy, a burned-out former CIA operative and assassin, is slowly killing himself with the bottle. Still, when another fellow retired spook recruits him for a bodyguard job, he reluctantly accepts. A Mexican industrialist, Samuel Ramos and his wife Lisa are parents of Creasy's 9-year-old charge, Pita.When Creasy arrives on the scene, people are in a panic in Mexico City, where 24 abductions have occurred in just one six-day period, 70 percent of them resulting in the murder of the victim.Ramos is going through a financial crisis, and can't afford regular bodyguards. So he hires Creasy at a discount, because despite his impressive resume, it's clear that the man is a drunk.
The first part is all about redemption. In it,we see Creasy is the typical world-weary cynic who wants no complications in life. He just wants to do his job and be left alone.Then slowly, bit by bit, he's won over by the sparkly, bright-eyed optimism of his charming young charge as their friendship starts. One has probably seen this type of movie before especially made by child stars.
The second is extremely violent and it's all about revenge. It all becomes tedious after a while because you know the little girl is going to be kidnapped, you just don't know when. Now the film turns into a violent action film as revenge becomes the central character. Creasy nearly dies during the kidnapping, but when he recovers he hooks up with a Mexico City newspaper reporter and a former head of Interpol, who give him the inside information he needs to track down the organized gang behind the kidnappings.Basically what they're doing is helping a vigilante who can kill at will and not have to worry about the niceties of Mexican law.This part is characterized by flashy camera moves and the style and pace that director Tony Scott is known for in his movies like Spy Game,Enemy Of The State and Top Gun as he pull out all the stops using multiple hand-held cameras, different film stocks, slash edits, and even a hand-cranked camera at times to slow down or speed up the movement.It's also got all the Scott touches as he fills the screen with lots of blood 'n' guts action accompanied by gigantic explosions which are all wonderfully photographed.
Obviously,Denzel Washington delivers in terms of quality acting as we are absorbed by his character and we are left to believe that the relationship he slowly develops with the young Mexico City girl he's hired to protect. But then the strong opening levels out into a long series of action scenes, and the double-reverse ending works more like a gimmick than a resolution. In summary,both parts stand up well on their own, but a person who wants to see one kind of movie may not like the other feeling Man Of Fire is two different movies that is suited for two types of audiences.
A schizophrenic outing from habitually hysterical director Tony Scott (True Romance, The Fan), Man on Fire is a movie of two unreconcilable halves.
Some viewers complain that this is a plot hole, but there is a likely explanation that is implied in the movie, though not outright stated. 'The Voice' said "I'm a business man. A dead girl is worth nothing. She is alive.". This means he lead the family to believe she was dead so they wouldn't try to get her back. As The Voice's nephew was killed in the ambushed exchange, it's likely he wanted a form of revenge. He considers himself a businessman, so killing Pita wouldn't gain him any profit. So The Voice likely would have sold Pita. Either as slave labour or in to child trafficking.
The dvd special features with commentary by Lucas Foster, Brian Helgeland, and Dakota Fanning this issue comes up in discussion and they state that the original idea was to increase the ransom amount but it never made it into the film due to time. Creasy needed Aurelio as insurance to Pita's safety. It is made clear at the beginning of the film that 75% of the victims do not survive, and those that do will likely have body parts mutilated even if the ransoms are paid (the victim shown during the opening titles had his ear cut off before La Hermandad released him). So the circumstances for the final trade were: (1) Creasy in exchange for Pita, and (2) Aurelio in exchange for Pita being returned unharmed and all in one piece.
La Hermandad could not harm Pita in retribution for Creasy buckshooting Aurelio's hand off because Creasy had already done so before The Voice revealed to him that Pita was still alive. If The Voice did proceed to harm Pita, then Creasy would've done even more to Aurelio as well, and it would've been a lose-lose situtation for both men.
Creasy is willing, in the end, to sacrifice himself for the sake of Pita. Creasy undergoes a transformation early in the film; in the beginning he was an alcoholic loner who even attempts suicide but the round misfires. Pita manages to rouse feelings of compassion in Creasy and he develops a friendship with her, giving him a new found sense of life. When Pita is kidnapped and believed to be killed that is taken from him, and being a man with nothing to lose he is prepared to burn down the world till justice is served.
Upon the revelation that she is alive, Creasy must decide how valuable she is to him. Throughout the film, he shows he is prepared to do whatever is necessary for her (in getting justice), and for Creasy, to give up his own life for her is the ultimate sacrifice. Creasy would have likely never have done that for anyone in the past, and being a killer sees himself beyond redemption (if you recall his talk with Christopher Walken's character) and his sacrificing himself for Pita is his act of redemption and absolution. He was also critically wounded, and he probably didn't see himself making it past the day alive anyway, so he was more than happy to trade places with Pita, who was at the beginning of her life. November 12, 2017: Deleted the QA "Is Mexico City Really Like That?" because it was an opinion piece written in the first person. FAQ pages are compiled by many contributors; they are not the places for editorials and personal opinions. There is no 'I' on a FAQ page.
November 14, 2017: Re-worded and tightened up "Why did "The Voice" lead Pita's family to believe she was dead?" slightly. a5c7b9f00b
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