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The company which engendered Strymon, the Damage Control Womanizer combines a tube preamp, recording preamp, and tube distortion in one unit. Features: pre/post EQ, two 12AX7 onboard vacuum tubes, optic compression circuit, 14dB clean boost,
*except* for the brief little bursts where the distorted signal completely degrades. Would something like an ISP Decimator fix this particular issue, or might this be a different problem? Eclipse>Damage Control Womanizer>Bad Horsie>one of several amps on clean (problem is the same regardless of amp).
On the strength of some of the previous forum posts I just ordered me a Damage control Womanizer (WMZ). - from the posts It seems that when you guys use the WMZ into the L1 you use the direct out- I assume that gives a full range to the L1. But I just downloaded the manual and it states that the "true
I got worried that maybe I was over hyping it, but I feel the same way about the Womanizer as you and your friend feel about the Demonizer. I paid $225 for it, downloaded the manual from DC's website, then contacted Damage Control and they sent me out a replacement power supply for $19.99 and I
12 Apr 2009
21 Sep 2005 3 devices in one: tube preamp, direct recording preamp, and tube distortion pedal. The Womanizer comes equipped with analog optical compression, Bionic EQ, and the best direct recording tones available. The Demonizer's and Womanizer's high voltage tube circuits are individually
21 Nov 2014 Damage Control TimeLine, Glass Nexus, Demonizer. With Lucian Tu designing the signature chassis and Gregg, Dave, and Pete improving upon the initial specs, Damage Control rolled out four tube-driven distortion units within their first two years–first, Demonizer and Womanizer and, later, Liquid Blues
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