. Bags' Groove (from Bags' Groove by Miles Davis). • Sonnymoon for. (easy - but in Db minor - good for moving students to unfamiliar keys). Wynton Kelly and Herbie Hancock From Their Recordings With the Miles Davis Groups,. 1955-1968.. the lead sheet and the transcription of the solos, but the concept and inclusion of a third score is rather. 13 Recorded on Columbia Jazz by the jazz sextet comprised of Miles Davis (trumpet) "Cannonball". Adderly (alto. Jazz solo transcription of Sonny Rollins on tune Bye Bye Blackbird, recorded with Miles Davis Quintet on July 13, 1957. Learn how to play these great jazz piano chords on the classic Miles Davis song So What. Modal Chords in. These are the chords that Bill Evans played on the classic Miles Davis tune “So What". (video and tips below). You should also check out this lesson and tips sheet on the Miles Davis So What solo. It's a great place. Here is a transcription of Paul Chamber's bass line on Miles' recording. (courtesy of the Berklee College bass department) Most minor scales will work fine for bass solos. Comping can create some dissonance but I like that on this tune. It's modal & bluesy so Dorian or Aeolean minor work well for me,. In late 2014, the jazz combo Mostly Other People Do the Killing released. “Blue"— an album which is a note-for-note remake of Miles Davis' 1959 landmark album “Kind of Blue". MOPDtK (to abbreviate the band's cumbersome name) transcribed all of the solos and performed them with meticulous care so as to produce a. improvise is to transcribe and then memorize famous jazz solos. This may be effective but it is very time consuming and labor intensive. The goal of ImproViz is to create a. Illustrator and was based on a book of transcriptions [4]. Selection of All Blues for Analysis. All Blues, a 1959 Miles Davis composition from the classic. Miles Davis Quintet. Four (opening). (For Unit 6: Further Musical Understanding). Background Information and. Performance Circumstances. Biography. Like Stravinsky in the world of 20th Century classical music, Miles Davis constantly. The lead solo players often included at least one saxophone as well, forming a. Overview. This ten-week course is an online exploration of the more common styles and techniques used in jazz performance practice. Using videoconferencing, YouTube, recording devices, email, and live chat, the course aims to provide individualized instruction to participants. Transcriptions of each solo will be provided. professional as well as personal relationship between Johnson and Miles Davis. Johnson is mentioned on twenty three pages throughout the autobiography documenting their friendship and intersecting careers. 11. Niels Lan Doky's text entitled Jazz Transcription: Developing Jazz Improvisation. Preface. Solo Fluency. And the Language of Modern Jazz Improvisation for Trumpet. By Philip Tauber. Miles Davis' comment after John Coltrane takes a 30 minute solo: “Coltrane, you can't play everything at once!" Coltrane replied, "Miles, I just had so much to say. My music is the spiritual expression of what I am... my faith. clipped notes surrounded by empty spaces which open the trumpet playing, then. through the analysis of transcribed solos of noted jazz performers... Miles Davis states, “I was looking for a vehicle where I could solo more in the style that I was hearing."'" Davis continues, “My music was a little slower and not so intense. San Francisco native Paul Desmond forged a unique alto saxophone sound and style that can immediately be identified after one phrase by the studied jazz listener. He is one of the true innovator's on his instrument who does not display any influence of Charlie Parker in his work. Most influential alto saxophone players. Page 1 of 2. & c Ó œ. J. œ. w. D-7. Œ. œ. œ œ. j. œ. œ œ. Œ Ó ‰. œ œ œ œ œ. 6. œ œ œ œ œ œ. J. œ J. œ œ j. œ œ œ œ œ œ. œ œ Ó œ œ œ œ. 10. ∑ Œ œ œ. J. œ. œ œ œ œ Œ ∑. 14. Œ. j. œ œ œ œ #œ œ œ œ œ. J. œ œ œ œ. œ œ. Œ ∑. 18. Œ. bœ. bœ bœ œ bœ. E. b-7. bœ bœ œ bœ bœ œ œ ̇ bœ bœ Œ bœ œ bœ œ. (I think I even transcribed part of a Lew Soloff solo from Blood, Sweat, and Tears. But it had too many high notes and I couldn't play it.) So I'm going to go back to basics and learn this Miles Davis solo from "So What", probably one of the most classic solos. It's not technically difficult, but it's a great musical. on the Miles Davis Columbia recording Kind of Blue (1959)...... Miles Davis.. 5...... 9.. 3. 3. 37..... 3 transcribed by Jamie Breiwick for jamiebreiwick.net. transcribed by Jamie Breiwick for jamiebreiwick.net. Miles Davis' solo on "All Blues". 2. Note that this phrase traverses the first five chords of the standard “Someday My Prince Will Come," a long-time staple of Miles Davis's book. That “harmonic quote" was not.. I don't usually go to the trouble of formally transcribing solos, since there are so many fine transcriptions available on-line. But Jimmy's third chorus. Page 1 of 2. & #. #. # c Ó œ. j. œ. w. B-7. Œ. œ. œ œ. j. œ. œ œ. Œ Ó ‰. œ œ œ œ œ. #. #. #. 6 œ œ œ œ œ œ. j. œ j. œ œ j. œ œ œ œ œ œ. œ œ Ó œ œ œ œ. #. #. #. 10. ∑ Œ œ œ. J. œ. œ œ œ œ. Œ ∑. #. #. #. 14. Œ. j. œ œ œ œ #œ œ œ œ œ. J. œ œ œ œ. œ œ. Œ ∑. #. #. #. 18. Œ nœ nœ bœ œ œ. C-7. bœ nœ œ bœ nœ.

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