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Download X-Men: Apocalypse
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DOWNLOAD: http://urllio.com/qzwnd
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When the first mutant En Sabah Nur, who was worshiped as a god In Egypt, awakes in the present days, he learns how the world has been transformed in his absence. He decides to bring the Apocalypse to the world and recruits four powerful mutants to assist him in the destruction of the weak. Now the only chance to save the world depends on Professor Charles Xavier and a team of young mutants.
Since the beginning of time there has been a mutant named Apocalypse who has incredible powers. After being resurrected Apocalypse emerges and seeks out to destroy the world with the help of four evil followers. As students at Professor X's School for the Gifted Charles Xavier and his students must defeat Apocalypse before he rules the world. Can they defeat Apocalypse or will he take over the world?
Since 2000, Marvel and 20th Century Fox have created a number of movies with the X-Men, usually led by director Bryan Singer, who is also at the helm of their latest installment, X-Men: Apocalypse. There have been some great films like Days of Future Past, and some pretty bad ones like X-Men Origins, and this movie lies in between. Boasting a great cast, led by James McEvoy, Michael Fassbender and Jennifer Lawrence, and some great characters, this movie ends up being an underwhelming and slightly frustrating film as you reach the credits. But it also manages to spice up some memorable moments, in particular a scene involving Quicksilver.
The movie lacks in several areas, with one standing out the most being the plot. The plot is very simple yet bloated at the same time. You begin with the antagonist, Apocalypse, and introducing his origins. Then the protagonists, which are the X-Men, gather a force which can hopefully sustain itself against Apocalypse, who also gathers his own followers. It sounds very simple, yet when you see the movie, it starts to get confusing. As of late, superhero films such as Captain America: Civil and Deadpool have attempted to expand the genre, whilst this film continues with a very cliché story and archetypal villain. If it were a couple of years ago, I might not make the same case as these movies were only beginning to be a part of the movie industry. Another downside is the misuse of some of the cast, in particular Oscar Isaac as Apocalypse and Jennifer Lawrence as Mystique. Apocalypse doesn't seem the least menacing or frightening, which isn't entirely the fault of Oscar, but maybe the writers. Likewise with Jennifer, who feels much underused in the context of the story. Some of the other characters feel very forgettable, especially some members of Apocalypse's team (Angel, Psylocke). They aren't that interesting and are very one- dimensional.
The final battle was good, though a little underwhelming, which had the occasional wince of bad CGI. Magneto's transformation was by far the best of all the characters, and probably one of the only sides of the story you can get emotionally involved in. Fassbender did really well in his performance, especially given he had quite a change in character throughout the movie. McEvoy as usual was great as Professor X, and some of the young newcomers proved they are capable of being part of a massive blockbuster. Its movie worth watching as it is fun and enjoyable ride, but make sure you enter with low expectations.
"Why be different when you can look like everybody else?" Nightcrawler (the blue-hued teleporter) questions Mystique (the also naturally-blue-hued shapeshifter) in X2, to which she pointedly responds, "because we shouldn't have to".
In The Last Stand, Storm, at learning that non-mutants have developed a cure that permanently suppresses the Mutant X-gene, cries, "a cure for all mutants? But we don't need a cure. Since when have we become a disease?"
And yet, yet there are others who feel quite differently. Those who will give anything to feel 'normal' and are only too willing to give up that which makes them special. Because as there is no doubt that innate (and often intimidating) extraordinariness renders a mutant as formidable, so too it is certain that it makes one aberrant in the eyes of others, such power-possessors only just about managing to outpace vilification, then rejection, social ostracization and even the threat of extermination.
Which path then should the gifted choose for themselves? Should one live as a proud pariah or eternally condemn oneself to a fate of inert impotence? The question itself poses a seething paradox, because even if one were to pick the former things won't grow easy, the risks attendant with pacifism or aggression, the only two approaches available, then springing to life, accentuated further by the one immutable dimension to the mutant conundrum: the inability of humanity to rise above prejudices.
It is these emotionally resonant thematic threads that have since its inception set the X-Men series apart from other superhero productions, interwoven as they are through deftly layered and penetrating allegory: the omnipotent thesis being the trials and inner conflicts of social misfits, the discrimination and dilemmas faced by minorities, be they ethnic, sexual, religious or whatever.
Should a people assert the right to coexist under the umbrella of a proud and distinct identity or should they always aspire to blend in with the mainstream? Is society hardwired to fear those who look and behave differently? Is it really possible to convince people to think in a manner that runs counter to their primal instincts?
Apocalypse is a great spectacle, as are all the X-Men movies without exception. (OK, we can forget about X-Men Origins:Wolverine for the time-being). But let's be honest here. Really honest. It is certainly not the best film of the series, the thus far unsurpassed one being Days of Future Past followed closely by First Class and X2.
And this loss is chiefly down to the fact that this latest instalment, save for Magneto's backstory, which in retrospect appears tired and stale, fails to pose any searing questions or to explore the internal thought-processes and predicaments of the characters.
Instead we're served just another superhero movie populated with a galaxy of CGI-enhanced mutants, whose motivations despite the actors' tremendous performances (especially from the latest entrants), fall emotionally flat.
What's more, whilst the previous two instalments in the series draw on historical events of the time-periods in which they were set (The Cuban Missile Crisis and The Vietnam War), Apocalypse could well have occurred in any time frame. The film is none the richer for being set in the 80s.
The plot is straightforward enough. In 1983, the mutant Apocalypse, having amassed the powers of many other mutants over millennia, awakens from a slumber and vows to destroy mankind and take over the world. With the help of his Four Horsemen, Psylocke, Storm, Archangel and a broken Magneto, Apocalypse plans to create a new for mutants- only world order. As the earth convulses in doomsday throes, the X- Men, led by Professor Charles Xavier work together to prevent Apocalypse and his team from succeeding.
The performances are as usual all superb and the CGI eye-arresting. But the two performances that stand out are those of Jean Grey, whose perceptivity and latent vigour are brought alive to pitch-perfection by Sophie Turner, and of Quicksilver, played by Evan Peters, whose comic relief is so good that I will re-watch the film for just his scenes. The one disappointment however is Oscar Isaac from whom I had high expectations. It seemed like his talents have been 'overmasked' by CGI, so much so that he appears as generic a villain as any and his actions are the less menacing for it.
Nevertheless, the closing battle scene is as grand and edge-of-the- eat nerve-racking as one might expect of an X-Men movie despite the fact that its enjoyment, as that of the film's as a whole, will be somewhat compromised for those not familiar with the events and characters featured in the earlier films.
I give X-Men: Apocalypse a 7/10.
The issue with X-Men: Apocalypse is that Bryan Singer suggests so many possible directions to go in and still chooses the least interesting one.
One can say both. X-Men: Apocalypse is a reboot as it takes place in a reset timeline due to the events of the previous film X-Men: Days of Future Past. The timeline goes back to the origins of the mutants with younger versions of the X-Men. It is also a sequel due to taking place after the main events in Days of Future Past, which took place in the 1970s and most of the cast of First Class and Days of Future Past have returned. No. Shortly before the film movie was released, Bryan Singer announced that X-Men: Apocalypse and the then-upcoming third Wolverine film (Hugh Jackman's last role as Wolverine) would be the final chapters of his X-Men film franchise. However, the studio had a number of other films planned. Among them, It is rumoured that one is or would be titled "X-Force". It is uncertain if the film will be canon and will be apart of the cinematic X-Men universe. Though rumour has it the film after the next will be set in the 1990s, with the current cast. So, perhaps Bryan Singer will step down as director if the series continues. Yes, there is. He does indeed lose his hair near the end of the film, so the film's poster is truthful in a sense even if slightly misleading. Excluding ones that came out after Apocalypse, there are nine: X-Men (2000), X2 (2003), X-Men: The Last Stand (2006), X-Men Origins: Wolverwine (2009), X: First Class (2011), The Wolverine (2013), X-Men: Days of Future Past (2014), Deadpool (2016) and X-Men: Apocalypse (2016). a5c7b9f00b
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