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Women In The Night In Hindi Free Download
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DOWNLOAD: http://urllio.com/r4tku
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As World War II nears its end, beautiful women forced to serve as sex slaves in a German officer's club, do what they can to destroy the plans of a cosmic death ray.
Six women from the main Allied Nations battling the German-Japanese Axis in WW2 are arrested by the Germans in Shanghai University, under the false accusation they are accomplices of the killing of a German officer in the Hospital. Two Asian women will join the group, and eventually it is revealed that there are at least three underground spies amongst the small group. Some will survive, others will die heroic deaths for their religious beliefs, nationalist ideals, or the sake of humankind.
As some of the other reviews point out, this is an exploitation flick of sorts, with captive women prisoners and stereotypical German and Japanese antagonists. The production values are generally low with some clunky direction, and the film was obviously filmed on a shoestring budget. But...
Reviews that want to write this off as a sleazy proto-70s women-in-bondage cheapie about a "cosmic death ray" miss, I think, several points. First, the film's apparent mulligan, the death ray, is not the point of the film. Is it real? Does it work? Do we ever get to see it? Maybe, maybe and no. It is a total red herring and, obviously intentionally, has virtually nothing to do with the plot.
Historical note: In the final days of the war, the German Armaments Minister Albert Speer actually named Robert Ley (the rather foolish head of the Nazi Labor Front) as "Commissioner for Death Rays." Ley took it seriously but it was a joke to Speer, who mentioned it in his book "Inside the Third Reich."
The negative reviews that disliked the set-up to this film, in which a group of attractive women are forced to be "charming" to their German and Japanese captors, miss the point. Any supposed salaciousness in the film's premise are outweighed by the film's concentration on showing the women as intelligent protagonists who work together, even if their motives are at cross-purposes, for reasons of survival and solidarity.
Overall the film does feel like it was written very much within the style of wartime propaganda films, even though it was released in 1948. All this said, the film is more layered and has more interesting characterization than some of the other reviews here might lead one to believe.
Everything is lousy about this production except the story. The direction is despicable, the actors can't act, the result of the editing is a mutilation, and the happy ending is a joke. However, most of the ladies are quite good and convincing enough, and it's their film. It's their story this film is here to tell, and it's a great story involving many stories. Not only are several of these girls brave freedom fighters who don't hesitate to wage their lives when there is no other choice, but there are a number of great tragedies hinted by their stories, the most important of which is the mother who finds her daughter.
Forget about the Japanese and German officers, they are all caricatures, and you can see that the actors themselves don't believe in the almost ludicrous roles they are playing. This is a women's drama, and that's all that matters.
Also the music is very well made and gives at least a gilded frame to something that could have been an engaging masterpiece, if the direction and the male actors had been better.
The fact is, that there were rests of German officer cliques stranded in China (here Shanghai) and elsewhere after the surrender of Germany and before the Japanese final surrender who still believed in their absurd Reich, many escaped alive out of Germany and immediately started planning for the next Reich, - of course, they did not succeed, as they also fail in this film, but their plans and visions were enough alive to keep cliques like this active to the last.
Pity that such a good story should be made such a bad film of, but then at least you can take care of and mind what's memorable in it, and it is never wrong to point out the women's cause.
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