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[Reprinted/translated in: Bataille 1970, p. 217; Bataille 1985, p. 217; Bois & Krauss 1996, p. 6.] Georges Bataille: Oeuvres Completes I. Paris: Gallimard, 1970. Georges Bataille: Visions of Excess. Selected Writings, 1927-1939. Minneapolis: University of Minnesota Press, 1985. Yve-Alain Bois & Rosalind Krauss: L'Informe.
English as 'the formless') formulated by Georges. Bataille in 1929, the curators defined their own project as a critical resistance and challenge to this. 'official' version oi the history of modern art and western metaphysics in general, especially its formal taxonomy.1. Resorting to Bataille's notion of the informe, which "n'est pas
Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the "formless" been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a
Using Georges Bataille's concept of 'formless', the authors reveal how these models function as constructed realities: hollowed out, sculpted and assembled; enabling the simultaneity of form and its sublimation. 083. 084 Retrieved from https://www.oasejournal.nl/en/Issues/91/FormFormless. Download PDF (1.12 MB).
different 'in the strongest possible terms' (Krauss, 1996, p. 90). This chapter shifts the focus from Kristevan abjection, which has been central to the book so far, to consider how Bataille's anti- aesthetic of the informe has been used to critique her project as well as to contemplate the ultimate destiny of abjection. The formless.
Georges Bataille. Edited and with an Introduction by Allan Stoekl. Translated by Allan Stoekl, with Carl R. Lovitt and Donald M. Leslie, Jr. Theory and History of Formless. 31. The "Old Mole" and the Prefix Sur in the Words. Surhomme [Superman] and Surrealist. 32. Base Materialism and Gnosticism. 45. The Deviations of
Tate glossary definition for formlessness: A concept, first introduced by French writer-philosopher Georges Bataille, who argued that art should be brought 'down in the world' from its elevated status to its base materialism.
to talk or to think is also to ejaculate. —Clifford, "On Ethnographic Surrealism" (1981), 133. Or can formlessness be produced as well by mechanical means, such as the turning of a camera or a body 180 degrees? Bataille's substitution of the idea of a dictionary as a giver of tasks rather than meanings heralds the active,
1980s, when it became clear to its authors that certain artistic practices with which Georges Bataille's name had never been asso- ciated - the sculpture of Alberto Giacometti from the late 1920s and early 1930s on the one hand and the repertory of surrealist pho- tography on the other - could only be characterized
30 Jun 2011 A dictionary begins when it no longer gives the meaning of words, but their tasks. What it designates has no rights in any sense and gets itself squashed everywhere, like a spider or an earthworm. This paper investigates the notion of informe, or ‘formless’, as described in
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