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Rashomon (???, Rashomon) is a 1950 Japanese period film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo
The Rashomon effect occurs when the same event is given contradictory interpretations by different individuals involved. The effect is named after Akira
Subjectivity and power of narrative. There's four version of story and we don't know the what's really happening. All of them are very convincing. Despite of the
Rashomon: It seems fitting to use, or rather "mis-use," the term Rashomon as a reference to the postmodernist deconstruction of truth. When filmmaker
Discussion on "Rashomon as a response to postwar Japan" at the Akira Kurosawa community forums.
Crime · A heinous crime and its aftermath are recalled from differing points of view. Toshiro Mifune and Masayuki Mori in Rashomon (1950) Toshiro Mifune and Machiko Kyo in Rashomon (1950) Rashomon (1950) Toshiro Mifune and
A Rashomon-Style story is where the same event is recounted by several characters, and the stories differ in ways that are impossible to reconcile. It shows that

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February 2018