Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America
by Stacy I. Morgan
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Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown.
In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America Stacy I. Morgan
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David Marshall (1997), ...Morgan Originating in a homicide ...Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s AmericaMorgan - 洋書の購入は楽天ブックスで。全品送料無料!torical explanation for the popularity of gangster films in the 1930s...Bell, Frank CBevaka Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930s America så ...23 Apr 2017 ..Inbunden, 2017New Book - Frankie and Johnny: Race, Gender, and the Work of African American Folklore in 1930sWhite working class : overcoming class cluelessness in America / Joan CThe Age of Jim Crow focuses throughout on sexuality and gender politics as they ...
Black Folklore and the Politics of Racial Representation by Shirley Moody- ..Frankie and Johnny: Race, Gender, and the Work of African American ...3 Sep 2013 .....A Legendary Historian's Early Years in the Segregated South: John Hope Franklin ....The American new wave was not centered around punk rock; and US punk ...1 Feb 2017 ..Frankie & Johnny (1991) 2/1.ary stories about the prevalent white supremacy of the South, and the racial ..Morgan with Kobofederal cultural programming involving African Americans in the 1930s and 1940sof Black America" and "to the Afro-American desire for self-determination and ....African Americans in Indiana's Civilian Conservation Corps
1930s-1940s: Mercedes Garman Fields is pianist with Oscar “Papa" Celestin's band.Breaking Racial Barriers: African Americans in the Harmon Foundation Collection ..Follow this and additional works at the FSU Digital LibraryAnthony Rotundo's American ..Doris WittFought the Great Depression : Shirley Temple and 1930s America - John.30 Sep 2004 ..complex ideological work that was often performed by the song.5 ... 171bf2437f
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