August
Tuesday 18 September 2018 photo 5/8
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Ghajini Full Movie Torrent
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DOWNLOAD: http://urllio.com/r1wi5
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Sanjay Singhania is well known city businessman.But currently his memory last only for 15 minutes.Sunita a medical student and Inspector Arjun comes across his diary and find that.Sanjay was in love with a model Kalpana but he never disclosed about his wealth to her.They both were to get married.But Kalpana got killed by Ghajini Dharmatma another businessman as she found about his human trafficking racket.Sanjay to was attacked in the mishap leaving him badly injured leading to his memory loss.Sanjay's only motive is to find Ghajini and kill him.
One of the wealthiest business tycoon Sanjay Singhania (Owner of Singhania group of Industries) who was a very nice businessman and fell in love with a beautiful girl Kalpana who was an ad film actress. His life is ruined by a man called Ghajini who killed his love and also damaged his brain and two years later he is suffering from a mental disease called short-term memory lost he is living his life by writing notes, clicking pictures and sketching tattoos on his body just to take avenge from the man ghajini.
Sanjay Singhania (Aamir Khan) is a wealthy business man who falls in love with Kalpana (Asin Thottumkal), an up-and-coming model who's popularity is due to her relationship with Sanjay. But during their courtship disaster strikes when Asin is killed and Sanjay is left with serious brain damage which results in him having short term memory loss, and this makes his revenge a difficult task.
Regardless of what Aamir Khan might profess there is no denying that Ghajini is a remake of Memento, though it is more accurately a remake of a Tamil film by the same name which itself is a remake. The similarities are obvious, from the protagonist's condition of short term memory loss, him searching for his lover's killer, the use of photographs and tattoos to help him remember, amongst others. That said it does attempt to tell its story in a different, more logical, way and this works exceptionally well. The film is divided between the modern day and past, both representing the stories of revenge and romance respectively, and for the majority of the film both do work in unison.
The revenge story is presented well enough but is marred in ways. Firstly there are elements which are used to deepen the story but are actually unneeded in the greater scheme of things. Then there are the few questionable dialogue choices which come off as out of place. Lastly the film seems to lose track of its own internal logic. In the final arc of the story, Sanjay's short term memory loss, which occurs every fifteen minutes, is thrown out the window for a good period of time until its needed for a very contrived introduction into the final duel. Sanjay also develops superhuman-like strength out of completely nowhere resulting in him mowing down man after man with no injury becoming him in any form. It's a strange arc indeed for the film, and for a short while catapults the film out of its reality to some fantasy. That said, the love story is truly excellent. It starts off childish and ruins the mature storytelling of the revenge storyline but once in full swing, the romance becomes more interesting and exciting to watch than any other aspect of the film. Thankfully it is the romance section which ends off the film and it is an amazing ending and truly cements the story's example of undying love, and allows the odd lapse of logic which occurs mere minutes before, to appear as a distant memory.
But as a remake it becomes disheartening to see Aamir Khan use his method acting skills because they ultimately develop into nothing out of the ordinary. This is mainly due to the fact that his skills of method acting are not being used to allow himself to become an original character to make the film more poignant, but because he is developing himself into a persona which has been used before. Nonetheless, Aamir is a wonder to watch and he becomes the perfect example as to why the romance story is superior to that of the revenge. When Aamir's character falls in love with Asin's, it is quite evident. The chemistry they share is a highpoint with both complimenting one another. Asin's Bollywood debut is helped by her work in the Tamil movie industry and she is delightful to watch. Her portrayal as the bubbly, happy-go-lucky Kaplana mimics Kajol's Angali in Kabhi Khushi Kabhie Gham. Though when Khan portrays his present self, he tends to overact and makes his character far more untamed then he ought to be, even making animal growls at one point. Pradeep Rawat continues his experience at playing villains with a character who truly is without a heart. However he does not receive enough screen time and this is partly to do with the average portrayal of Jiah Khan's character Sunita. She is completely irrelevant to the main storyline but her character is forced with integral scenes nonetheless, at some points mimicking Kalpana. While this is a good way to create symbolism, Sunita is far too irritating, and distorts what should be a story about fated lovers and a villain.
Other disappointing avenues of the film are the musical and action sequences. The music is not exactly the most memorable but does a decent enough job. However there is one too many sequences and they go to flaw the film. Action sequences are sadly misfit at times. This is not because they are bad, but because the director, A.R Murugadoss, makes the scenes and the film as a whole, feel far too much like a Tamil film. Tamil films have their own unique feel to them but it is arguable whether this feel is worthwhile. The action sequences in Ghajini are actually very good if it were not for the constant need to slow the fights down by a few frames. This artistic design does not make the fights any better but in fact make them less dynamic, less aggressive, and ultimately less fun to watch.
There is no sex or nudity and language is virtually unheard. Violence is not particularly bloody but is quite intense at times.
Ghajini is a film of many things but it fails to reach its potential of being a truly excellent title. The story has some inconsistencies even though it tells an amazing story of love and revenge. The acting is likewise very good, but some performances damper the whole affair. Sadly the music lets the film down and the questionable action sequences don't help either. Ghajini will not be the best Aamir Khan film you'll ever see and is definitely not the best Bollywood film for the year, but it is a treat to watch even if only for the romance.
The highly anticipated, mega budget 'Ghajini', first of all, proves to be very surprising. No one might have ever seen Aamir in an image even near to which he is seen in this film. The 3 hour-plus movie is full of violent and senseless goon-bashing, which has a trademark south Indian look, apart from a couple of flashbacks, which narrate an exhaustingly long romantic tale. The plot is simple, and anyone expecting a twist would be utterly disappointed. Clearly inspired by Hollywood cult classic 'Memento', Ghajini fails to hit the bull's eye. It can neither attain a cult status, nor can it be remembered as a psychological thriller. Director A.R. Murugadoss seems to have taken the unique and innovative part of the plot from 'Memento', such as the concepts of short-term memory loss, Polaroid images, and tattoo printing, and adding the rather stale and tried and tested part, that is the romance angle, and the sheer violence. The movie uses the flashback form of telling its story, which I personally like very much. But even the flashbacks stretch on for too long, and become highly predictable and boring after a certain limit. Apart from this, the plot has major loopholes, which have been tried to cover up by swift camera movements, and a fast moving storyline. Songs have been badly placed, and don't lubricate the flow of the plot. Only Kaise Mujhe and Gujarish are songs worth listening. Others, sadly, fall short of songs of A.R Rehman's standard. Logical errors in the storyline is one thing which you must be accustomed to, if you are planning to watch this film. If you leave out that little snag, then you might even be able to enjoy the film. As for the acting department, Asin acts decently and gives a promising debut. She has a bright future, a far as her career in Bollywood is concerned. Aamir has his usual charm as the rich businessman Sanjay Singhania. But he disappoints in the later, transformed avatar, and acts as if he not only has short-term memory loss, but also paranoia and anger related mental problems. This I say because he has been shown shrieking with anger, and pain (or both!) without any evident reason, for about hundreds of times throughout the length of the film. Nevertheless, the way he has carved his body to perfection is appreciable. Aamir's fine cut body is one of the only plus points of the film. Maybe its not an error in Aamir's acting, but in the director's way of portraying his character on the screen. As for Jiah Khan, though she has a pivotal role in the plot, she is forgettable and fails to leave an impression on the audience's mind. All-in-all, watch 'Ghajini' if you have 3 hours nothing else to do, and if you prefer brainless fighting and south-Indian flicks. Its also recommended for die-hard fans of Aamir Khan.
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