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Who do you love 2008 download torrent
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Is it any good? Take your breath away Vera. The portrait of the mother is particularly bitterly real -- her seemingly inexplicably outbursts and fits of violence a near-mirror of the unexplained violence she witnessed as a girl; her narcissism and coldness linked to her own abandonment as a girl.
We also follow her two sons, one who is unnaturally attached to his mother and won't leave home, and the other a man who works at a questionable modeling agency and sleeps with a good number of women. A light beyond the horrors of the world. Maybe the end is too twisted and hangs somewhat loosely to the rest of the film, but all in all this is a great romantic story.
Death in Love - Outstanding cinematography extends to using montage to juxtapose images, in a manner similar to poetry's juxtaposition of unrelated words to create further meaning.
Synopsis Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she want to - even if this means betraying Caitlin. When William is posted abroad, and a pregnant Vera returns to Wales with her married friends, the battle between her heart and head becomes more intense. William returns a changed man, but neither is Vera the carefree cabaret girl he married. Neighbourhood gossip fuels her husband's jealousy towards his rival. Enraged, William stages a violent attack on Dylan - an attack that forces Vera to choose between the men in her life and the friend that she loves. Desire and guilt are complicated by love and friendship in this real-life tale set in beautiful London and the majestic Welsh countryside. Despite the title and unlike some other stories about love and war, this film isn't too sticky and pink, because love is as a rose: With thorns, that is. The four leading actors set their characters realistic and with a good sense and balance between the tragic and the down-to-earth. Some people may find it too much a biopic, but it? London gets visualized from another angle for once, the bohemian life of Dylan during the bombings of the Germans is set in a floating atmosphere of small bedrooms, pubs and bars. The independent women, the soldier and the charismatic poet are constantly swept in both feelings of love and anger. Maybe the end is too twisted and hangs somewhat loosely to the rest of the film, but all in all this is a great romantic story. Can you capture the moment? When first you hear rain on a roof? Some things are beyond the sum of their parts, expressing the poetry of life. The things that matter. So why has it taken so long to make a film of the great Dylan Thomas? A simple biopic could have missed the point. Writer Sharman Macdonald has taken a different, better approach. In The Edge of Love, she creates the world of passions and complexities that fill the poems so we can swim in them. The lives of four friends. Dylan, who lusts and loves to the full. Wife Caitlin Sienna Miller , his feisty support. War-hero William Cillian Murphy , who saves him from a street brawl. And then there's his childhood sweetheart. Take your breath away Vera. She's Caitlin's closest friend. And, like a muse, the 'star' in Dylan's dark sky. It all kicks off in the 1940 London Blitz, with bomb shelters in the Underground. Enter Vera an impressive Keira Knightley under makeshift stage spotlights. She meets Dylan for the first time again in years, her heart is flushed. Their eyes shine through the smoke of the room. The purity of their former passion. Dylan native Welsh-speaker, Matthew Rhys is no sanctified, sanitised poet. Master of his vices he must experience them all fully. He introduces his beloved wife then continues to woo Vera. The Edge of Love is a visual treat. The soundtrack leaves you wanting for more. Performances are possibly the best by these actors in their careers. As a lush love story it's pretty good. As an insight into Dylan Thomas and the reality of poetry in all our lives, not bad at all. And as a tribute to a great man, inspiring. The production has been at pains to project the spirit of Dylan Thomas without compromising historical accuracy too much. Dramatic tension involves a pull between artistic freedom and conventional morality. Audiences looking for an experience based on the latter may be disappointed. And it will play less well to audiences whose boundaries are those of Albert Square. Sharman Macdonald seemed aware of the headstrong nature of artistic freedom and its limits when she spoke to producer Rebekah Gilbertson granddaughter of the real William and Vera. But for many artists, especially men, the limits are those which wife and family could set on them. A woman is not going to let lofty ideals interfere with practical common sense issues, and will even put her children's interests before her own This occasionally happens the other way round, as when towering genius Virginia Woolf refused to let loving Leonard bring her down to earth - in The Hours. In spite of the tension between Caitlin and Vera, these two women become closest buddies. It is one of the main and very beautiful themes of the film. The film's colours tell a story in themselves. In a drab, wartime Britain, Caitlin and Vera are vivid highlights in an ocean of grey. Shortly after meeting Vera's lit-up-in-lights stage persona, we encounter Caitlin through her searing blue eyes, sparkling in a darkened railway carriage. Her dramatic red coat cuts a dash through streets of colourless homogeneity, triumphing on a beautiful staircase as she reunites with Dylan. But Vera's lipstick red brightness is less enduring. For her, marriage is second-best, even when she has become possessed with genuine love for her husband. Outstanding cinematography extends to using montage to juxtapose images, in a manner similar to poetry's juxtaposition of unrelated words to create further meaning. Horrific war scenes in Thessaly are intercut with screams of Vera in pregnancy. Giving birth or is it abortion? We are not told immediately. Pain is universal and goes beyond time and place to our present day. Constant echoes of Dylan's poetry throughout the film lead us beyond earthly opposites. It reminds me of Marlon Brando reading TS Eliot in Apocalypse Now. A light beyond the horrors of the world. A different way of seeing things. There's a time to leave your knickers at home or share a universal cigarette. A time to be inspired. Enjoy what is possibly the best British film of the year. So keira knightly is in it... So automatically we compare this film to attonement. Aside rom the fact that this film is also wartime and her appearance is uncanning, these films are totally different. The Actors work well, i think one good thing is there is no memorable person, they are a team. If you want a film where things happen, then id advise another as the story of this film is about human interaction and their physche's damaged by their experiences and how their lives are intertwined. This film have genuine interaction, perfect pause moments that make you hold your breath. No its not exciting, but it is gripping if you can empathise with these characters. At moments i wondered if this film may have been better as a theatrical play rather than a movie. We expect a lot from movies as everything is possible, and yet with theatre we allow for interaction and rely on belief. There are things wrong with it if your looking for a blockbuster, if you look for nothing and allow the film to take you in, move you, allow yourself to forget these stars, and not to judge them as actors but let them become people, you will truly ind yourself moved.
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