August
Tuesday 18 September 2018 photo 7/7
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The Tombstone Full Movie In Hindi Free Download Hd
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DOWNLOAD: http://urllio.com/r2uiv
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Wyatt Earp along with his brothers and their wives move to Tombstone to start a new life putting his life as a lawman and gunslinger behind him. Also coming to Tombstone is Wyatt's good friend, Doc Holliday. However, it turns out that "The Cowboys", a group of men, among whose members include The Clantons, pretty much act as if they are above the law. Wyatt would be asked to be Marshall but rejects the offer but his brother, Virgil who can't stomach the violence around him accepts the job over Wyatt's objections. Eventually a confrontation between them and The Cowboys is going to happen. And who will survive?
A successful lawman's plans to retire anonymously in Tombstone, Arizona, are disrupted by the kind of outlaws he was famous for eliminating.
There are two main film versions based on the life of infamous outlaw Wyatt Earp: a serious, sombre one with Kevin Costner (and a whole lot of others), and a rolkicking circus sideshow starring Kurt Russell, bedazzled with a jaw dropping supporting cast that doesn't quit. Both films are great, but if you held a six shooter to my head and demanded a preference, I'd have to give Tombstone the edge. It's just too much fun, one wild screamer from start to finish, filled with swashbuckling deeds, evil outlaws and bawdy gunfights galore. It should have been called It's A Mad Mad Mad Mad World In The Wild West. Kurt Russell is in mustache mode again here, but looks younger and leaner than last year's western double feature his mutton chops starred in. Along with his brothers Virgil (Sam Elliott) and Norman (Bill Paxton) he arrives in Tombstone with a life of law enforcement in his dust and designs on retirement and relaxation. He gets pretty much the opposite though, when every lowlife bandit and villain in the area comes crawling out of the woodwork to give him trouble. Michael Biehn is the worst of them as crazy eyed Johnny Ringo, a deadly smart and ruthless killer, and Powers Boothe hams it up terrifically as drunken scoundrel Curly Bill Brocius. They are the two main causes of grief for the Earps, backed up by all sorts of goons including Michael Rooker, Billy Bob Thornton and a petulant Stephen Lang as Ike Clanton. Russell is joined by an off the wall Val Kilmer as Doc Holliday, the wheezy southern prince with a silver tongue that's constantly fuelled by booze. He gives the best work of the film, and it's fascinating to compare it to its counterpart, Dennis Quaid's turn in the other version. There's also great work from Billy Zane, Dana Delaney, Thomas Haden Church, Paula Malcomson, Tomas Arana, Johanna Pacula, Paul Ben Victor, Robert John Burke, John Corbett, Terry O Quinn, Robert Mitcham and even Charlton Heston good lawd what a cast. The standoffs, both verbal and physical, are a thing of beauty and the reason we go to the movies. Of all the westerns out there, this has just got to be the most fun. It's constantly alive, there's always something going on, a cheeky glint in its eye and a vitality in every corner of every frame, like a kid that won't sit still. Russell is a champ as Earp, a no nonsense killer, plain and simple, but a man of both style and charisma, two weapons that are equally as important as his side arms. Kilmer gets all the best lines and goes to town with his portrayal, creating electric tension whenever he faces off with Biehn, who is equally mesmerizing in a more intense way. The three of them kill it, and along with the howling mess hall of a supporting cast, make this simply the liveliest western I've ever seen in the genre.
Not sure how it happened but somehow I ended up reading about one of my favorite American anti-heroes, Doc Holliday, the other weekend and by golly I was inspired to dig out my tape of TOMBSTONE. And gosh darnit this is still a very enjoyable modern day western, with a fabulous cast, some great laugh out loud moments and a sly sense of humor that sets it apart from some of it's more lead-footed contemporaries.
It's far from a perfect film. Kurt Russell isn't quite larger-than-life enough for Wyatt Earp (he's still the COMPUTER WORE TENNIS SHOES guy, even thirty five years later), the screenplay & cinematography is hit or miss in spots. The music is stirring at the right moments but doesn't have the resonance of something like Walter Hill's THE LONG RIDERS -- still my personal favorite of the modern era westerns -- nor the novelty of a good old spaghetti western score.
The comparison to spaghetti westerns is inevitable, as far as I can see, mostly because TOMBSTONE is a cartoon of sorts. A graphic novel for grown-ups that just happens to use the legend of the Gunfight at O.K. Corral as it's departure point. It's colorful, bloody, bombastic, funny, pop oriented, and yet it has some very memorable moments that are perhaps more important than the work as a whole. Westerns in general are usually more about their individual moments than their story arcs, an attribute that directors like Sergio Leone or Sergio Corbucci understood very well. I think both of them would have enjoyed TOMBSTONE & gotten a kick out of how some of their own ideas were recycled by the very industry they themselves were recycling.
The standout attribute of the film is still Val Kilmer's delightful interpretation of Doc Holliday. With his southern drawl, cultured mannerisms, sly quick wits ("I've got two guns, one for each of ya.") and still quotable one-liners he created a role that was uniquely his. Whether or not it was as historically accurate as Kirk Douglas or Jason Robards or Dennis Quaid's versions isn't important. And like him or not as a person, the moments where Doc gets to shine are the movie's high points. The best part of his role is that Kilmer seems to have been aware that TOMBSTONE was a cartoon, and caricatured himself accordingly. As did many of the supporting players, particularly Powers Booth, Michael Biehn and Stephen Lang's delightfully scummy Ike Clanton.
Part of what makes the film so remarkable is what a star crossed production it was in the first place. Originally a Kevin Costner envisioned project, he departed quickly to make his own Wyatt Earp movie upon creative disagreements with writer + original director Kevin Jarre, who was promptly fired when Kurt Russell came into the project and changed it's focus. Robert Mitchum was injured before he could play his role, a sitting director could not be secured until the late George P. Cosmatos agreed to helm. Kurt Russell apparently directed the bulk of the project himself just to keep the production alive, which perhaps explains some of the more awkward moments.
The most awkward being Dana DeLaney's role as Josephine Marcus, Wyatt Earp's love interest. Her part was either inflicted on the script hastily or is sadly under-written, a conclusion borne out by stories about an original three hour version that might have explored her character in a bit more interesting of a manner. I also can't get around Bill Paxton as Morgan Earp, who makes bizarre facial expressions through the whole film that aren't helped much by that cookie duster mustache he grew. Then again one of the historical accuracy traits the film boasts is that all of the mustaches and period costumes are real, which explains why Val Kilmer is sweating there in a wool suit for the entire movie. No air conditioning in the old west.
So while it may not have the poignancy of UNFORGIVEN or the breadth of THE GOOD THE BAD & THE UGLY or even the macho swagger of an EL DORADO John Wayne film, TOMBSTONE is one of the great American westerns and a marvelous entertainment & deserves to be seen again. Here's a movie that's worth owning your own copy of.
7/10
Doesn't really cut it in the Western genre.
John Henry "Doc" Holliday received a Degree of Dental Surgery from the Pennsylvania College of Dental Surgery (now part of the University of Pennsylvania) in 1872 at the age of 20. Doc Holliday had dental offices in Atlanta, Dallas, and often practiced less formally on the side in his travels, most notably in Dodge City where he began his association with Wyatt Earp.
He stopped practicing dentistry after his tuberculosis and resultant coughing worsened. Also it would not have been practical for a man suffering from tuberculosis to be in such close contact with people, whos mouths were wide open only inches from his, a sure way of enabling the disease to spread. a5c7b9f00b
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