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Tuesday 18 September 2018 photo 1/8
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Tamil Movie Spy Free Download
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DOWNLOAD: http://urllio.com/qy2ym
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Susan Cooper is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency's most dangerous missions. But when her partner falls off the grid and another top agent is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global crisis.
A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.
Melissa McCarthy is my favorite comedy actress (alongside Julia Louis-Dreyfus) and i'm in for everything she does, no matter what, but Spy is in another level because it was my most hyped comedy this year, and my expectations were very high, just like when The heat came out. And...
I just loved it, and i have a strong feeling this is going to be my favorite comedy of the year. This is that good. The film not only is super original, but it is one of the better conceived comedies of all time. Paul Feig and Melissa have now become the strongest pair in comedy, and they deliver, and deliver and continue to deliver throughout the entire film, and one of my most important things to love a comedy is being as funny in the first minute, as in the second, the third and so on until the last one, and this film will make you laugh all the time, and i really mean laugh like your belly is hurting. Melissa delivers her biggest character yet and also performance, and she further proves how brilliant she is, there isn't no one like her, she could be in a terrible movie and make you laugh.
But she doesn't only make you laugh, she also shows brilliant vulnerability to make a better than perfect character. The script is as solid as oak and while of course she is the biggest star by far, she is accompanied by brilliant performances and characters, the biggest one next to her, being Rose Byrne which delivers an incredible performance as one of the biggest villains of all time, she is just scene stealing. But Jason Statham is also amazing, and his character delivers many unforgettable scenes, and Jude Law and Miranda Hart also deliver great performances and laughs.
One of the things i liked more, was how fresh, original, creative the humor is, is different from everything you ever saw, downright brilliant. I wont spoil nothing, but the story is just perfect, and deconstructs the stereotypes we are used to, to deliver a twisted story, which shows how we should have a lot more films centered on female characters, tall, short, fat, skin, white, black, or whatever, that are this brilliant crafted. We need more if this, so people can realize that the better things are on going against the rules society created on what you should or shouldn't do or be.
There are a lot unforgettable scenes, including many action scenes that are better choreographed and crafted that most of the action scenes in many action films, but my favorite one has to be the fight in the kitchen (i cant say more for spoilers sake).
This is not only one of the best comedies of all time but a brilliant crafted film, with perfect storytelling, brilliant performances, in particular of course Melissa M, that delivers her better character and performance yet, showcasing once more that she is the reason for her films being so great; tridimensional characters, many, many, many surprises and overall is a film that not only wants to make you laugh all the time until your belly hurts, but one that wants to be more, that goes beyond what you expect, that goes for the new and fresh rather than being just lazy and whats been done tons of times, a film that has a lot to say and you should listen.
This will go down has a tipping point, and i cant wait for Melissa McCarthy's next film. Also, Spy will definitely be a huge franchise, so we wont stay long without the next one is announced. Just perfect, watch it as many times as you can because its impossible for you not to love it.
In addition to being hilariously funny, Paul Feig's Spy is a brilliant feminist response to the James Bond genre. The opening scene, the exotic locales, the plot, the music, the character types, all evoke the Bonds which spawned a cycle of international bed- hopping suave heroes saving the world and the hinge-heeled beauties who crave him. This female spy turns all those male clichés into fresh female successes.
The title works two ways. It obviously declares itself a spy film but more broadly addresses "the male gaze," the theory that films assume a masculine perspective and make the female the object of their vision, not their own subject. As watchers we are the espyers, the spy, safely ogling the characters from our privileged privacy. When we watch Spy we are spying from the traditional male perspective — but here the advantage is given woman. Susan's camera contact lens is an emblem of scopophilia.
Melissa McCarthy's Susan Cooper is not the genre's usual woman. But her bulk does not deter her from intelligence, stamina, energy, imagination, effectiveness in physical battle, and even winning the desire of all the macho men in the film. Her ample bosom is not maternal but sexy. The men by reflex find reasons to grab and ogle it. In Bond's world she'd be Boobs Galore. She's no Modesty Blaise. The lecherous Aldo's flirtatious routine expresses the emotional attraction both male spies discover for her. When she ends up in bed with the ridiculous Rick Ford, she confirms her right to the sexual liberty — even caprice — usually reserved for the male stars.
Susan was inhibited in her early CIA career by male authority. Now she has a chance to fulfil herself, as she steps from directing spy Bradley Fine by audio remote control to flying into the field herself. She fights through every possible restriction. She even ploughs her borrowed motorcycle through a furrow of freshly poured concrete — as tough as surviving the CIA's prejudice against women and the western culture's narrow prescription of feminine beauty. Susan saves the world, saves her beloved Bradley, wins the career she always craved — but even in her post-victory her new undercover characters remain consigned to boring cliché.
She's also a woman with a voice — as independent, aggressive, witty, profane, as any man in that world. In fact her rapid-fire coarse wit evokes the Veep TV series (and its clear advantage over the stodgy old-fashioned Tomlin-Fonda warhorse on Netflix). The substantial wit of the plot is deepened and enhanced by the dialogue, which is off-the- wall, inventive, and always funny. That extends into the case histories chronicled behind the end-credits (stay for them).
Susan's blossoming from clerk to action hero contrasts to the other three woman. The CIA unit director is the familiar woman administrator, brusque, officious, eager to subordinate her women charges to the men's needs. Susan's colleague and best friend Nancy (a brutally deglamorized Miranda Hart) is a plain-Jane Miss Moneypenny, who under Susan's example comes into her own, saving Susan's life, killing a villain, and even seducing rapper Fifty Cent. That's qualitatively more money than the money penny. The CIA's dazzling perfect beauty spy proves as false as the genre's feminine allure, proving herself a traitor. Our admiration and empathy are invested in the beauty that's conventionally denied.
The evil Rayna is as tough, heartless and dangerous as all the Bond master villains. She is as independent and foul-mouthed as Susan, as worthy an adversary as Dr. Noh and Goldfinger. Like the conventional heroine, Rayna runs for her life — tottering upon her silted heels. The CIA director, Nancy and Rayna have an image-consciousness that underscores Susan's deeply inculcated — and reductive — humility.
The male figures also undercut the genre convention. The Bond figure is suave Bradley Fine (Jude Law), a ladykiller brutally insensitive to Susan's ardor for him — except to exploit it. As Rick Ford action star Jason Statham caricatures his persona, a macho, strutting, mysogynous "hero" who goes rogue to solve the case. Here he proves absolutely incompetent. Here this male action star plays the usual female bimbo. Susan saves both macho heroes and in turn is saved by Nancy.
As Ford is a comic exposure of Fine, Susan exposes both. Thus the film exposes the traditional assumption that men command the proper authority and efficacy in solving the world's problems. That assumption is our cultural bias and weakness not a reality.
It's the sustained, full-bodied mania of Melissa McCarthy's performance that anchors the film's many winning blind-alley gags.
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