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The Yakuza Apocalypse Full Movie In Hindi Free Download Hd
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In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among Kamiura's gang is Kageyama, his most loyal underling. However, the others in the gang view Kageyama with disdain and ridicule him for his inability to get tattooed due to sensitive skin. One day, assassins aware of boss Kamiura's secret arrive from abroad and deliver him an ultimatum: Return to the international syndicate he left years ago, or die. Kamiura refuses and, during a fierce battle with anime-otaku martial-arts expert Kyoken, is torn limb from limb. With his dying breath, Kamiura bites Kageyama, passing on his vampire powers to the unsuspecting yakuza. As he begins to awaken to his newfound abilities, Kageyama's desire to avenge the murder of boss Kamiura sets him on a course for a violent confrontation with Kaeru-kun, the foreign syndicate's mysterious and seemingly unstoppable leader!
Takashi Miike isn't quite as prolific as he used to be at his height around fifteen years ago. Now, he works to a casual two or three films a year, rather than his exhausting six or seven on the early Naughties. But, has the drop in quantity resulted in a upturn in quality?
Miike films have always been up and down in terms of quality, switching from bigger budget films, like 'Audition' and 'Ichi the Killer' to low-rent, low quality dross, such as 'Silver' or 'Family'. But this was always Miike's charm. The switching of budget, writers, cast, styles and genres resulted in a lot of experimenting, with ideas from the bad benefiting the good.
Now established and of international renown, his films come with anticipation and expectation - maybe to his films' detriment. He could make a bad film before, and no one would realise. Now if he does we'll all hear about it. Recent films, such as '13 Assassins', 'For Love's Sake, 'Hara-kiri' and 'Lessons of Evil' show a more established director, trusted with bigger budgets and international film festival screenings. And while these have their moments, they are not quite as fun and inventive as his earlier works.
'Yakuza Apocalypse' is his latest film to come with a hint of anticipation as to what might be. With his need to cover each and every genre, we now see him take on the vampire film, set among the yakuza. Kamiura is a local yakuza boss, with the respect of those around him. But he has a secret: he's a yakuza vampire, if there is such a thing. This, however, attracts some unwanted attention, and he is destroyed by his rivals. Though before his demise, he bites his loyal lieutenant, Kageyama, transferring his powers unto him. Seen as a Matrix-style 'The One' , he sets about getting revenge, though by this point, ordinary civilians have turned into yakuza vampires themselves, creating a world of chaos where the old, everyday yakuza have no place.
Being a vampire film, this is of course very silly, with moments that make me largely avoid ever watching films of this ilk, actors tested in their ability to give the most stupid of performances with a straight face. This does add a sense of fun to the film and comparisons to his Nineties films 'Fudoh' and 'Full metal Yakuza' can be made, taking a more zany and comic-book approach to the yakuza genre. Indeed, 'Yakuza Apocalypse' very much feels like it could have been a manga, and I'm surprised one hasn't yet been made - to the best of my knowledge, anyway.
However, the aforementioned films had a bit more edge to them than 'Yakuza Apocalypse'. There's something about the hand-held camera- work and straight-to-video feel of these films that suits the more outlandish style, rather than the big sets and production values of his more recent films. The kappa and costumed characters are fun, but feel a bit weird for the sake of being weird, perhaps over-used to the point where it can become a bit farcical. The final fight scene between Kageyama and 'The Raid 2's' Yayan Ruhian is unnecessarily overdrawn, with little real action and suits as a disappointing end, a far cry from the unexpected and instant conclusion of 'Dead or Alive'.
But if you take away any serious attempts at analysis, this is a fun film, with a little bit of everything thrown in. The cast is full of known people, with Hayato Ichihara looking suitably half alive as Kageyama throughout and appearing-everywhere-now Kiyohiko Shibukawa expressing his full range of bemused faces.
At his best, Miike's films are easily watchable over and over. His more recent films, while enjoyable on first viewing, are less repeatable, and so it will remain to be seen whether 'Yakuza Apocalypse' sits nicely alongside his extensive catalogue of experiments that, while varying in quality, always create curiosity.
politic1983.blogspot.co.uk
Sometimes viewers like to read all kinds of meanings and metaphors into what is essentially just a hodge-podge mess of ideas that a director stitched together with the flimsiest of story-lines. Yakuza Apocalypse is one of such films. Having watched 13 Assassins, I came into this movie with high expectations. And it started off...rather well.
A yakuza boss who also happens to be a vampire is killed but he manages to transfer(?) his powers to his underling who then is out for revenge. Unfortunately it is not as simple and straightforward as it seems. Throw in a couple of twists and soon this movie becomes weirder than a lizard wearing a sombrero and dancing the flamengo with a stuffed teddy wearing an eye-patch and smoking a Cuban.
A severed head that bites, a woman whose brains literally leak out from her ears, a bi-polar, psychotic, axe-wielding kid, a man in a frog mask wearing a frog party costume, vampires who don't seem to be affected by sunlight, a priest with a mini-coffin on his back...
There were some genuinely ridiculous and funny moments but in the end, this movie is just a mess. And the ending doesn't tie up anything, nor does it answer any questions you might have.
In the end, some will like it, and try to justify their fascination with unintended metaphors and meanings which I am sure the director never really intended in the first place.
Others, like me, will wonder why they didn't stop at 13 Assassins, and try to find mental soap to wash away the cluttered images that are going to stick around in our minds for a while.
My goodness this movie is weird.
For all its berserk energy, you will need a very particular sense of humour not to lose patience with the prolific Takashi Miike’s latest.
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