Tuesday 18 September 2018 photo 2/7
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The Pope Of Greenwich Village Full Movie Hd 1080p
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DOWNLOAD: http://urllio.com/qzmit
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Two cousins unknowingly rob the mob and face the dangerous consequences.
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.
SPOILER ALERT! Aside from COOL HAND Luke, this is the best film Stuart Rosenberg ever directed. Mickey Rourke and Eric Roberts are a couple of losers with big dreams (Rourke wants to open his own restaurant) who run afoul of both the mob and the law after committing a robbery in which crooked cop is accidentally killed. Rosenberg handles his actors very well with Rourke giving a particularly exceptional performance. His scenes with not only Roberts, but Daryl Hannah are terrific. Roberts, on the other hand, overacts a lot...taking his wacko role in STAR 80 and acting even creepier. He's not helped at all by the creepy perm he dons. You really can't ask for a better supporting cast: Kenneth MacMillan, Burt Young, and, best of all, Geraldine Page as the quintessential tough-as-nails, Irish/American mother. Her brief scenes are real showstoppers. She justly deserved her Oscar nomination!
Two smart-alec losers in the Village want to be big shots, and so get messed up with some obnoxious loudmouth local crime boss. All of the actors you'll see in this thing have done much better, and even seem to be approaching their roles here zealously. Problem is, the script really offers nothing and the director's approach exudes an air of self-important wanna-be artistry.
The soundtrack features some old Sinatra tunes, so if you like his music, you'll at least get a tidbit of entertainment value. Beyond that, though, there is little to see. The story trudges along as the two underdogs try to turn the tables on the crime lord guy. One has some brains, the other is a goof ball who spends his time mumbling or screaming, and the contrast is meant to be amusing--kind of a cross between the Abbott & Costello and and Bill & Ted approaches. The action is both metaphorical and improbable in the real world, meaning the director's intent apparently was for an offbeat allegory. It does not accomplish this, since there really is no ultimate point, even if the viewer tries to insert one on their own.
One scene, for example, which is meant to have deep inferences, makes a big deal out of a guy drinking coffee. Hitchcockian tecniques such as close-ups and numerous different camera shots are used. But this director is no Hitchcock: it's awkwardly done and drags on forever. Worst of all: no substance to it.
A movie that is noteworthy for its level of failure only.
There are some funny lines in The Pope of Greenwich Village. Once the eye knows the characters and the ear gets accustomed to the filthy (and somehow quaint) street slang, Rosenberg keeps the pace entertaining. [22 June 1984, p.D8]
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