Thursday 20 September 2018 photo 1/5
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The Angel Wore Red Tamil Dubbed Movie Download
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A clergyman leaves the priesthood over the church's indifferent position during the Spanish Civil War but finds himself attracted to a beautiful entertainer.
The Spanish priest played by Dirk Bogarde is troubled by his church's lack of concern for the poor; he decides to leave the church. By chance, the same day the Republicans call on the people to attack the churches and the priests, so though in plainclothes he is liable to arrest and execution. A beautiful cabaret singer (Ava Gardner) hides him for awhile but both are eventually made prisoner. The plot revolves around a relic taken from his erstwhile church by another priest that all sides are convinced would assure them victory...
It is certainly a change to find a Hollywood-sponsored film espousing the anti-Communist side in a Spanish Civil War film, though the edge is taken off one's initial surprise as the film progresses and the Fascists come in for some criticism too. As it turns out one is not supposed to be rooting for either side, but simply for Mr Bogarde and Miss Gardner who find themselves hunted by both.
Unfortunately, neither writing nor direction conspire to elicit audience identification or sympathy with these characters, and the performances are somewhat below the usual high standard of these two players. Miss Gardner seems particularly hampered by the necessity for post-dubbing and seems quite unable to match her words with her lip movements. Moreover, she reads her lines in a flat, listless voice. M-G-M have seen fit not to use Vittorio De Sica's voice although he can speak English as fluently as you or I. The voice they do use has a very odd accent and is disconcerting to say the least.
Nunnally Johnson's direction is pretty ordinary, though the film does have one outstanding scene with Aldo Fabrizi, lifted from Open City. The abrupt conclusion of the film is one of the most unconvincing I have ever seen.
Rotunno's photography is a considerable comedown after his fine work on On the Beach and Miss Gardner often is made to appear unflatteringly haggard. Some of the sets are impressive and the film has some lavish crowd scenes. The script retains a bit of the bite from Bruce Marshall's novel but not enough to add up to satisfying entertainment.
This is a fascinating story with many aspects and undertones of fathomless depth and a very different view of the Spanish civil war than what is usually represented. The drama grips you at once, as the young priest leaves the church demonstratively in protest, which immediately throws you into an interesting development of character and events, as the civil war breaks out. Joseph Cotten is an American journalist who gives the drama a form, but Ava Gardner is the central figure, 'the angel in red', a prostitute in a night club which the unfrocked priest finds himself at home in. Another character is Aldo Fabrizi, who here repeats his martyrdom from "Rome, open city" as the carrier of the one holy thing still remaining as a hope for the people, a relic with a drop of a saint's blood with apparently tremendous national meaning to both believers and non-believers. On top of it all there is Vittorio de Sica as the general who better than anyone else sees through the utter absurdity and madness of this civil war.
It is possibly the best film of the Spanish civil war that has been made, in spite of its foibles, as it presents a fairer and broader insight into the war than any other film I have seen on this bloody mess, which almost went on from 1936 until the year of the second world war, as an introduction. The love story is totally convincing and 'organic', as Polanski would have said, but the pathos of the film is tremendous, almost giving a documentary presentation of the war but from below, from the view of common people, a prostitute, a defrocked priest and innocent victims. It's like one of Graham Greene's best novels, but the music adds an extra dimension of beauty and infinite suffering and sorrow as well, like to the shocking war pictures of Goya. It's a great film, it can't be denied, and its lacks and wants are not enough to reduce anything of its deeply human and fascinating greatness.
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