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Tuesday 18 September 2018 photo 6/7
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The Do-Over Full Movie Hindi Download
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DOWNLOAD: http://urllio.com/r1hja
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Two down-on-their-luck guys decide to fake their own deaths and start over with new identities, only to find the people they're pretending to be are in even deeper trouble.
Max (Adam Sandler) and Charlie (David Spade) old school friends who reunite at their 25th high school reunion are tired of their mundane lives: they decide to wipe the slate clean for a do-over. After faking their deaths and assuming new identities, could their lives be better the second time around?
A high school reunion brings two friends back together. Max (Sandler) is an FBI agent and Charlie (Spade) a bank manager. They realize at the end of the night, that they both are disappointed about the way their life turned out. When Sandler decides to drastically take matters in his own hands, he drags his newly re-found friend with him kicking and screaming.
Truth be told, most Adam Sandler movies don't excel in subtle comedy. They are harsh, immature and over the top. This movie is not an exception. The plot is full of holes, logic and common sense are not pillars of this particular story.
Does this make it a bad movie? Yes! Did I enjoy watching it? I did! Sandler is one of my guilty pleasures though. There is something about his screen presence and charisma that keeps me glued to the screen. Most of the characters Sandler plays are effortlessly interchangeable. When he plays a serious character for a change, the quality of work improves (Funny People, Reign Over Me, Punch Drunk Love for example). Hopefully Netflix will steer in another direction for the remaining Sandler title.
"The Do-Over" takes a promising premise and subverts it with an overly complicated plot and nonlinear timeline. Several of the characters aren't what they initially claim to be. This trope is overused to the point of tedium. The protagonist should be a very sympathetic character, but pretends to be so unsympathetic and driven by shady motives that it is difficult to identify with him or to empathize. The sidekick is a cuckolded milquetoast underachiever, so it is also difficult to care about him either. When the actual identities of the characters are revealed we realize the characters we've disliked for behaving like jerks are the ones we should have rooted for and the ones we liked are villains. Concurrently, we meet several characters cast against type, compounding our confusion and uncertain allegiances.
Movies are about people who must overcome extraordinary challenges. One of the basic elements that determines the plot is whether or not the character has the requisite skills. In "Commando," Schwarzenegger's John Matrix already possesses all the skills he needs, as demonstrated at the climax, when he confronts the most difficult challenge alone and unarmed. In "The Karate Kid," the protagonist has none of the requisite skills and much of the film is about acquiring those skills. Another basic element is whether the hero is thrust into the situation ("U Turn," "Cast Away") or sets out looking for trouble ("Batman Begins"). "The Do-Over" plays fast and easy with these and other structural elements. At one point, Sandler's Max claims to be a character who might have the necessary skills, but later we learn he didn't have the training or skills to do the things he did. In the final confrontation, the battle is fought by other characters while Max stands by as an observer. (The scene is visually satisfying, but structurally disappointing.) The moment when all seems lost occurs after the final confrontation, not before. The structure of the movie is chaotic, which weakens the emotional response. The promising premise is not developed as well as might have been hoped.
The plot stretches credulity way beyond limits, even for a comedy. A corporation is willing to hire a remorseless assassin to engage in what might loosely be termed unfair competition in restraint of trade concerning human drug trials that seem to have occurred without any prior tests on animals or FDA oversight. A small team accomplished incredible results in a brief period that much larger companies couldn't match. Characters have information one wouldn't expect them to posses, but lack information they should have. The obligatory Sandler excursion to an exotic location doesn't make much sense.
The film offers some wacky and unusual characters, exotic locations, a few exotic vehicles and above average production values. It has some genuinely funny moments, but the laughs are not frequent or as big enough to make the film consistently enjoyable.
The plot threads can be a little hard to follow, especially since most of them revolve around two unseen characters who are dead before the story even begins, but Sandler and Spade’s partnership gives the whole enterprise enough emotional grounding to make up for it.
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