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The Kill Reflex Full Movie Hindi Download
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Williamson plays a cop called 'Soda Cracker', whose partner was killed in a mysterious assassination. He is convinced that the murder was committed by his old enemy, Ivan Moss, played by Bo Svenson. Despite threats from the mob and from the police department, he vows to continue his mission to find the persons responsible for the assassination. Maud Adams plays his new police woman partner, who falls in love with him during their investigations. 'Soda Cracker' also has to deal with the fact that many of the police officers on the squad may be corrupt, and tries to break down the criminal network whilst finding evidence against Ivan Moss.
Why would I sit down to watch a movie with the unlikely title "Soda Cracker"? Because the description said it was about a Chicago cop, and I'm a sucker for movies with Chicago scenery (having moved away from there many years ago). The first few minutes were rewarding, with lots of downtown shots (a few rather poorly framed, I'll admit). Then the list of clichés begin.
Cool hip black cop...scruffy white partner with whiny wife: "You don't spend enough time with the kid." "OK, I promise to come home early." So of course you know who gets blown away, right? Black cop vows revenge on the assumed killer. Grumpy old boss cop (one of the worst acting jobs in the film) of course says, "You're off the case! Case closed! Don't touch the case!" So of course we know what Soda will do.
More clichés: Cool sexy new partner. Cops on the take. A sexy night club singer (who actually sings an ENTIRE LONG song...probably Phyllis Hyman's exchange for acting in this dud). A ripoff of THE DEAD POOL, but with a toy helicopter instead of a toy car. Cop widow vowing to keep her kid away from cops. AARGH! Will it never stop?
There are even DIRECTORIAL clichés, like after the interminable gun battle at the end. Gunplay stops, everyone looks dead. So we get "quiet scenery" shots of the farm where the battle took place. You know, the usual thing. But they go on and on...five shots, six shots, seven shots...haven't we seen the whole freakin' farm by this time? Then the gunfight starts up again.
The music score is a load of 80s synth-score clichés with blips and blurps and drum machines. But to wrap it up, we have the worst closing theme song of all time, with these classic lyrics: "Chicago cop, Chicago's finest. They call him Soda Cracker, but that's just a nickname." Wow, wonder how long they worked on THOSE lyrics! This is the kind of film you should watch when you're having some goofy friends over for a party. See who can guess the line before the characters say it, or predict the next plot twist. Worth watching only because it is the epitome of everything that can be done wrong in a cop film.
Who would have guessed that there was a Fred Williamson picture out there that is not worth watch? Worse yet, he produced and directed it, so he has no one else to blame.
It was a cop picture, and he is after the baddies that killed his partner, so you would expect plenty of action. You would be wrong. It just plods along with nothing special to excite you. Heck, even when Williamson and Maud Adams (the double Bond Girl) get in bed together with a smooth jazz background, the song ends and the scene changes just as they are getting started.
A little action at the end doesn't make up for slow pace for the first hour or so.
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