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PedersenxMaster.pdf (715.7Kb) This thesis discusses Mikel Dufrenne's view presented in The Phenomenology of Aesthetic Experience (1953) that the aesthetic experience is a fundamental aspect of First, if the aesthetic experience is a bodily comprehension of sensuous expression, what separates it from empathy?
THE PHENOMENOLOGY OF. AESTHETIC PEAK EXPERIENCES. 1. ROBERT PANZARELLA teaches at John Jay College of. Criminal Justice in New York City. He is a former f~~~ of the Peace Research Group of the Max Planck Institute in Mu- n~h. His teaching and research are concentrated mainly on ap- plying social
Contents. Translator's Foreword by Edward S. Casey I xv. Introduction: Aesthetic Experience and Aesthetic Object 1 xlv. PART J: PHENOMENOLOGY OF THE AESTHETIC OBJECT. I j Aesthetic Object and Work of Art I 3. 2 I The Work and Its Performance I 19. [I] The Arts in which the Performer Is Not the Creator. 1 20.
The Phenomenology of Aesthetic Experience (Fr. Phenomenologie de l'experience esthetique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section
Mar 16, 2015 File:Dufrenne Mikel Phenomenology of Aesthetic Experience 1953 1973.pdf. From Monoskop. Jump to: navigation, search. File; File history; File usage. Dufrenne_Mikel_Phenomenology_of_Aesthetic_Experience_1953_1973.pdf (file size: 28.43 MB, MIME type: application/pdf). Expand view
of consciousness, the aesthetic object. The material quality of the work of art is the agent evoking the aesthetic object. Sartre has to be praised for having introduced sensuality into the discussion of aesthetic experience. The other great figure in French phenomenology is, of course, Maurice Merleau. Ponty. His fundamental.
The Phenomenology of Aesthetic Experience (Fr. Phenomenologie de l'experience esthetique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section
version so diligently prepared by the team of four for North. Western University Studies in Phenomenology and existential philosophy led by Prof. Edward S. Casey of Oxford, who also writes a very useful foreword to the translation. He volunteers. 1. The Phenomenology of Aesthetic Experience—Mikel Duf- rcnne, English
On The Phenomenology of Aesthetic Experience by Mikel Dufrenne. Gustav Jorgen Pedersen. Supervised by Professor Bente Larsen and Professor Arnfinn Bo-Rygg. Master thesis presented at. The Department of Philosophy, Classics, History of Art and Ideas,. The Faculty of Humanities. University of Oslo. May 2013
T h e Phenomenology of Aesthetic Experience. Mike1 Dufrenne. Trans. from French by Edward S. Casey, et 41. Northwestern Univ. Press, Evanston, Ill., 1973. 578 pp. $17.50. Reviewed by Cerhnrd Charles Rump* This edition of Dufrenne's work is the first translation from the French into another language. The original
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