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Nicolas Bourriaud, Esthetique reidti'omieiie, 1998. Eric Troncy, Le Colonel Moutarde dans iii bibliothcque avec le chandelier, 1998. Dari Graham, Rock/Music Textes, 1999. Robert Nickas. l/lvre fibre ou mourir, 2000. Philippe Parreno, Speech Bubbles. 2001. Pricres americaines, 2002. Avalaible iti english: Robert Nickas
Nicolas Bourriaud. Excerpts from Relational Aesthetics, 1998. The work of art as social interstice. The possibility of a relational art (an art that takes as its theoretical horizon the sphere of human interactions and its social context, rather than the assertion of an autonomous and private symbolic space) is testimony to the
Bourriaud, Nicolas. Postproduccion. - la ed, la reimp. Buenos Aires : Adriana Hidalgo editora, 2007. 128 p.; 19x14 cm. — (Los sentidos/artes visuales). ISBN 978-987- 1 156-05-4 l. Arte-Ensayo. I. Silvio Mattoni, trad. II. Titulo. CDD A864 los sentidos / artes visuales. Titulo original: Postproduction Es sencillo, el ser humano
From Relational Aesthetics - Nicolas Bourriaud (1998). Relational form. Artistic activity is a game, whose forms, patterns and functions develop and evolve according to periods and social contexts; it is not an immutable essence. It is the critic's task to study this activity in the present. A certain aspect of the programme of
Roland Barthes//Joseph Beuys//Nicolas Bourriaud//. Peter Burger//Graciela Carnevale//Lygia Clark//. Collective Actions//Eda Cufer//Guy Debord//Jeremy. Deller//Umberto Eco//Hal Foster//Edouard Glissant//. Group Material//Felix Guattari//Thomas Hirschhorn//. Carsten Holler//Allan Kaprow//Lars Bang Larsen//. Jean-Luc
An Interview with Nicolas Bourriaud. BENNETT SIMPSON. For evidence of art's recent love affair with “interactivity" and “connectivity," one need look no further than the pair of digital art surveys currently playing at the. Whitney Museum of American Art and the San Francisco Museum of Modern Art. For less literal proof,
NIcolas EpUrriald. The Fla?jici?t. Publisher Lukas & Sternberg, New York. ? 2009 Nicolas Bourriaud, Lukas & Sternberg. All rights reserved, including the right of reproduction in whole or in part in any form,. TrErsatCn: JarTIES G.s?, L|| P?rt?n. Copy Editors: Tatjana Gunthrer, Jake Hooker, Karl Flttenbach. Design Miriam Rech
?De donde provienen los malentendidos que rodean el arte de los anos noventa sino de una ausencia de discurso teorico? La mayor parte de los criticos y filosofos se niegan a pensar las practicas contemporaneas en su totalidad, que permanecen entonces ilegibles, ya que no se puede percibir su originalidad.
Nicolas BOURRIAUD. A COLLECTIVE EXHIBITION, when based around a theoretical hypothesis, needs to establish a balance between the artworks and the narrative that acts as a form of subtitling. It needs to develop a space—time continuum where the cura- tor's voice-off, the statements of the artists, and the dialogues
2002 Nicolas Bourriaud, Lukas & Sternberg. All rights reserved, including the right of reproduction in whole or in part in any form. First published 2002 (0-9711193-0-9). Reprinted with new preface 2005. Editor: Caroline Schneider. Translation: Jeanine Herman. Copy Editors: Tatjana Giinthner, Radhika Jones, John Kelsey.
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