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Grindhouse Dubbed Hindi Movie Free Download Torrent
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DOWNLOAD: http://urllio.com/qzjo7
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An homage to exploitation B-movie thrillers that combines two feature-length segments into one double-bill designed to replicate the grind house theatergoing experience of the 70s and 80s. In "Death Proof," a psycho named Stuntman Mike stalks and kills beautiful women with his car. In "Planet Terror," a small-town sheriffs' department has to deal with an outbreak of murderous, infected people called "sickos." A gun-legged woman named Cherry and her martial arts-wielding partner take on the zombie army. The two films will be fused together by fake movie trailers.
A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics.
I have been waiting for Grindhouse for forever and I was so excited to go see it. Upon watching Planet Terror, I was so ready for what I thought was going to be the better of the two, considering it was QT but alas I was proved extremely wrong. All it was was dialog, and one scene of action of what I saw. Planet Terror was brilliantly funny and a perfect parody of all the slasher films. Granted, I know Death Proof is QT's normal style, but if anything, this movie should have come first. I could have handled all of the dull pointless conversation at the beginning but after sitting there for almost 2 hours before Death Proof began, there was no way. My friend and I walked out halfway through Death Proof, we couldn't stand the, like I said, pointless and irrevocably dull characters.
If you go into the movie expecting anything serious (Especially along the lines of Pulp Fiction / Kill Bill) you'll be sadly disappointed. But for the growing number of cinema viewers perfectly content just having fun, letting a movie be stupid/entertaining you'll love it. (The same kind of vibe I get from Kevin Smith's work for the most part, aside from Chasing Amy/Dogma none of his work is really all that classy, however it's quite good).
Also, see it in theaters. I don't think this will work as well on DVD, the audience effect along with some editing techniques they used make this a much more live audience theater-favorable movie. If you let someone else's pessimism seep into you it'll ruin the film.
Grindhouse raises the bar for a certain kind of movie lollapalooza (and also for the kind of filmmaker who is also a showman, along the lines of a William Castle or Cecil B. De Mille). It's this injection of playfulness and fun and attention to the entire movie-going gestalt that will probably become Grindhouse's lasting contribution to movie history rather than any on-the-screen content of the movie itself.
A "Grindhouse" was a type of inner city theatre that would play all night marathons of low-budget exploitation films in the 1960s, '70s and early '80s. These down 'n' dirty theatres would often show offbeat ultraviolent and sexually charged films under the categories of Kung Fu (Shaw Brothers films), Hixploitation (White Lightning, Gator Bait), Blaxploitation (Shaft, Coffy, Superfly, Dolemite, The Mack), Sexploitation (Supervixens, The Swinging Cheerleaders), Zombie and Cannibal films (Dawn of the Dead, Zombi 2, Cannibal Holocaust), Biker films (The Wild Angels, The Glory Stompers, The Savage Seven, The Losers) among hundreds of other subgenres. In the suburbs during the 1960s and '70s, Drive-ins were the equivalent to the inner city Grindhouses. You could see many of the same kinds of films from the convenience of your car. The title of Robert Rodriguez and Quentin Tarantino's first collaboration From Dusk Till Dawn (1996) was named after the catch phrase for the all night Drive-in movie marathons. Both Robert Rodriguez and Quentin Tarantino grew up watching these kinds of films in Grindhouse theatres and drive-ins in the 1970s and early 1980s. When they became friends in the early 1990s they often held Exploitation film double features in their own home theaters (and also at QT's Film Fests in Austin, Texas). Flash forward to 2006, the two moviemaking pals decided to recreate these wild nights for movie audiences around the world by making their own traditional Grindhouse-Drive-In double feature extravaganza complete with two raunchy horror films, fake exploitation film trailers, ads and other cool treats. First: Robert Rodriguez brings us "Planet Terror" in which a town is overrun by disease infected sickos. Then comes Quentin Tarantino's "Death Proof", in which a serial killer named Stuntman Mike murders people by the use of his stuntcar instead of a knife or machete. "Robert's film is Horror, it couldn't happen, but mine is Terror because it could."–Quentin Tarantino Before or in between the movies, there will be a series of fake movie trailers (as it was customary in old grindhouse theatres to show coming attractions in the double features). Robert Rodriguez presents a Mexploitation trailer starring the hard boiled actor Danny Trejo in the title role of "Machete". Edgar Wright (director of Shaun of the Dead) presents "Don't", a "70s style British horror film". Rob Zombie presents a Nazisploitation-sci-fi-horror flick "Werewolf Women of the S.S.", starring Sherri Moon Zombie, Sybill Danning, Udo Kier, Bill Mosely and Nicolas Cage as the legendary Asian mastermind Dr. Fu Manchu. Eli Roth's (Hostel) fake trailer is an ultraviolent homage to 1970s/'80s holiday themed slasher films called "Thanksgiving". An additional fake trailer called "Hobo with a Shotgun", created by Dartmouth, Nova Scotia filmmakers Jason Eisener, Rob Cotterill, and John Davies for Robert Rodriguez's SXSW Grindhouse Trailers contest, has been included in Canadian theaters. "Hobo with a Shotgun" is attached to the other regular trailers played before the main feature presentation which begins with "Machete". (1) Jason Eisener's, Rob Cotterill's and John Davies' "Hobo with a Shotgun" trailer [Canada only?], (2) Robert Rodriguez's "Machete" trailer, (3) Robert Rodriguez's "Planet Terror", (4) Rob Zombie's "Werewolf Women of the SS" trailer, (5) Edgar Wright's "Don't" trailer, (6) Eli Roth's "Thanksgiving" trailer, and (7) Quentin Tarantino's "Death Proof". Contrary to popular rumor, the missing reels idea in "Death Proof" and "Planet Terror" were not true staples of Grindhouse moviegoing. While many Grindhouse films would be missing frames, they were never missing entire 20-30-minute reels. The concept for this came from a film Quentin owns ("The Sell Out" starring Oliver Reed) which had a missing reel. He found he enjoyed watching the film with a chunk of the film's plot missing because it created an interesting mystery about what actually happened in that part of the film. This idea was then transferred to the two Grindhouse features. It also helped cut down the runtime for the movie's theatrical run. There was some controversy in the distribution overseas for Grindhouse. Because most non-English speaking territories might not understand the tradition behind a double feature, the underlying concept might be lost. There were decisions being made as to which countries will get Grindhouse, and which will get "Grindhouse: Planet Terror" and "Grindhouse: Death Proof" After the Boxoffice flop in the North America, Weinstein decided to split up the movie in all other countries, including earlier announced double feature countries like the UK and Australia. Although some people have criticized, sometimes harshly, the look of the film because of its manual "aging" process, it is actually a good thing. First of all, they helped in the rating procedure of the Motion Picture Association of America (MPAA). There had been a concern about the nudity and violence during one of the deaths in Roth's segment "Thanksgiving". Before the final submission to the MPAA, "age" spots were strategically placed on the area of frame where it showed the nudity and violence, where it suddenly became implied instead of being visual. Secondly, it keeps with the presentation as Tarantino and Rodriguez intended the film to look like, as if you got a well worn print of a film that had been making the distribution rounds for a good while and decided to show it one day. Since the theatrical version of the film is what they strived for to presented to the public, it would be considered their "director's cut". The DVDs will have two versions of each film: the theatrical version and a "restored and remastered" version of the film which is basically the films before undergoing the "aging" process. Also, take into account there are versions of both films pushing 2 hours, due to the fact they are being split up in other countries. So, the DVD may incorporate these versions as well, making a 250-minute version. Only 18 seconds is supposedly deleted from the original cut from an interview on G4TV. a5c7b9f00b
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