August
Tuesday 18 September 2018 photo 3/8
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V For Vendetta Dubbed Hindi Movie Free Download Torrent
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DOWNLOAD: http://urllio.com/r03pr
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In the not too distant future, Britain is filled with torture cells, unfair punishments, prejudice against minorities. However in the midst of all this chaos, one man known only by the name V dares to stand up to the government and is labeled as a terrorist. One night V rescues a mild young woman called Evey Hammond and an unlikely bond between the two emerges which results with Evey becoming Vs ally. But though V may be charismatic and have a passion for justice he also is bitter and has his own personal hatred of the government for something they did to him long ago. As November the 5th, the day V says he and those who will follow him will stand up to the government once and for all approaches, Detective Finch becomes more and more determined to uncover the truth about V, however his search leads him to ask to question whether or not he is on the right side.
In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.
The only reason I gave it a "9" is that perfection (implied by a "10") is a physical impossibility. Otherwise, this film would rate it. It discards the plot-stopping padding elements of the comics while retaining the key points and character facets which made the comic such a successful, thought-provoking work. The sad part being, those who desperately need to see this - to set THEM thinking - probably won't.
One thing, however, in the "synopsis" section someone wrote that V's name is "Rockwood" or some such. It isn't. That was a cover name - belonging to a man long dead - used to draw Inspector Finch to him. One of the side effects of the treatment at Larkhill was to erase much of V's memory. He doesn't know who he was, nor do we, either in the film or in the comics. Just 'the man in room 5' or "V" in Roman numerals.
It has been explained much more explicitly by other reviewers, but in short: poor acting, dull script, lame implausible action scenes and in short a complete waste of time for all 6 of us who saw it. Many others have commented on the "message" and "symbolism", both were heavy handed, crude and over done to the extreme. Possibly there was meant to be a parody to modern US politics but this was simplistic at best.
Normally i would sit back and laugh at rubbish like this, if it were not for the irritation of the lack of research carried out by the makers. Being British, the stereotyping, generic settings and set pieces combined with the theory that saying "b*****ks" every 5 minutes makes you English/British -the two of which were freely interchanged, something the Scottish might object to. Accents were awful and even pronounciation was painfully American - most obvious in the word "lever" - a minor point, but by this point it was enough for me to wish that some effort could have been made. Clearly the amount of time i dwelled on this showed how bored i was of the same point being made over and over again.
In summary a good idea that was poorly executed on most levels leaving 2+hours of tired regurgitated poltical rubbish that didn't even tie in with the central story that well - Guy Fawkes was not a freedom fighter or zorro-esquire hero of the people. Basically "Matrix reloaded" all over again -a stupid film that thought it was a lot cleverer than it really was.
Rant over...
Viewers expecting a thrill ride might be disappointed. V engages in a couple of satisfying crime-fighting set pieces, but the story is more occupied with mystery and intrigue. Happily, it almost is entirely free of the hollow pomposity that marred the Wachowskis' last two "Matrix" films.
In the comic book, however, it mentions (in the Doctor's Diary), that he has eyes, and is not blind: "He looked at me today as if I were some sort of insect. He looked at me as if he felt sorry for me." This is the part where the Doctor is beginning to go into more detail about him. Also, when V explodes the facility, the Doctor again mentions him looking at her, and it describes the gaze, so you would assume he has eyes, and is not blind. This is explained in an expanded voiceover of the coroner's diary that exists in the original script but was cut shorter for the final product. In it, she explains that V was allowed to tend the garden at Larkhill, where he "grows roses. Beautiful roses." Therefore, she knew it was V when she saw the rose Finch handed to her. The scarlet carsons were grown by the lesbian lover of Valerie, the actress in The Salt Flats, who wrote the autobiography on toilet paper that she passed to V during their incarceration. That autobiography inspired V to live without fear, and he used those flowers as a signature for the killings he committed as retribution for Larkhill. The flowers in the movie are Scarlet Carsons, but the graphic novel claims them to be Violet Carsons, another connection to the letter "V". Violet Carson [1898-1983] was a British actress most famous for playing the role of Ena Sharples in the soap opera "Coronation Street". There really is a Violet Carson rose, created in 1963/'64 and named after the actress. It's hard to tell through the latex gloves whether or not the hands are scarred, but it is supposed to be V shaving her head; he just used makeup to disguise his hands. In reality, however, since they would only be able to shave Portman's head once, they had to get the shot in one take; therefore, they had one of the hair dressers do it. The person actually shaving Evey's head is Jeremy Woodhead (hair designer/stylist) for the film. No, V is a master of disguise and he's able to disguise his voice as well. In some shots, the "interrogator" moves briefly into the light and you can actually see that it is Hugo Weaving. In the dialogue where he tells Evey that all the men want is one piece of information and subsequently that she is free, it is clearly Hugo Weaving. The graphic novel explains that V wore masks to look like different people in the shadows. No digital effects were involved. The dominoes are corporeal props, and the effect is largely physically unmanipulated. Weijers Domino Productions proposed and designed the pattern including the falling sequences as well as the coloring effects. It took 4 professional domino assemblers 200 hours to set up 22,000 tiles. Each tile is 1⅞″ tall by ⅞″ wide and ¼″ thick (4.8 cm × 2.2 cm × 0.6 cm). According to Cinefex #106, the domino scene involved only minor finessing, such as slightly extending the photography in the top shot (leaving the dominoes themselves untouched), and a simple splitscreen effect in the final shot, when the dominoes come to rest in perfect symmetry with one domino still standing. The man visible in the mirror is Inspector Finch. This is the most controversial point in the interpretation of the movie, and the comments below show very different points of view. It contains the secret of the question, "Who is he?", and you will get very different answers depending on whether you take it for a return of the dead or an image for the film audience of the many people who make up V that is not "real" in Evey's and Finch's reality—they could not walk out and meet Valerie etc. The plain reading is that they were dead before but alive and real at the end. They are those he promised to vindicate in the V-monologue and the vigilant, that is, those who wait at midnight. In this reading, the death of V has raised the dead; consistent with a good deal of messianic images and the Paschal tone of the final scene. If so, it's grounded in a Gnostic or Arian Christology. The "new world" is not shown, but is more than a political change. Alternatively, they aren't there physically and it's not a film blooper. They're there in spirit, carried in the hearts and minds of those who really do stand there. It's also notable that this is the only scene in the film (apart from the flashbacks) where any black people are seen. The graphic novel was more explicit about the fact that the Norsefire party had performed extensive racial cleansing in England, whereas the film merely hinted at it, focusing more on the persecution of homosexuals.
This is a physical representation of one of V's guiding principles: that you can't kill an idea; each of them represents part of the idea of freedom and self-expression. An idea, literally, is a form or archetype—so this is physically shown in the people's being antitypes of V. The obvious symbolism here, coupled with that present from the beginning of the movie with regards to a Guy Fawkes comparison and the constant mention of "ideas" suggests that it was an intentionally symbolic scene. This "idea" being the most important element of the movie, it makes sense that it would be steadily expanded upon and culminate in its most visceral representation during the movie's climactic final scene. V leads into it himself, during Creedy's death, by suggesting that he is still alive due to the fact that he is not just a man: "Beneath this mask there is more than just flesh... Beneath this mask, there is an idea," despite the fact that we have alternative and deliberately presented reasons as to why he is alive, if only briefly. With the explosion of the Parliament building, the "idea" culminates in the visual depiction of various individuals who fought for this idea—people we know to already be dead. The people are still dead, but the idea is alive, the idea has triumphed. This scene can also be interpreted to illustrate what Evey said to Inspector Finch at the finale: "He [V] was Edmond Dantés [the hero of The Count of Monte Cristo]... and he was my father. And my mother... my brother... my friend. He was you... and me. He was all of us, " meaning that V did it all for them (Gordon, the little girl with glasses, Evey's parents, etc). In this sense, V symbolized the victims, both living and dead, of the government's atrocities, especially those who had questioned or fought against the oppression of the government.
The most literal explanation would be that none of them actually did die; we never see any of these characters die on-screen. Gordon is black-bagged, the girl is only shot once, and the two lesbians are killed/black-bagged in a possibly subjective flashback. However, this explanation stretches plausibility for a number of reasons: While we never see Gordon die, he is arrested and beaten, and it seems highly unlikely he would have simply been released, in light of his collection of forbidden items as well as his mockery of Sutler. We do see Valerie's body in a mass grave in an earlier flashback, one not based on the contents of her letter, and she and Ruth appear in the crowd without having aged at all in the twenty years since their arrest. Finally, we would also have to believe that the parents of a child suffering a gunshot wound to the chest would take her out of the hospital and involve her in a potentially violent conflict with armed soldiers. Moreover, judging by the view on the little girl's body right after she is shot (immobility, non-living eyes), it's very fair to assume she is dead. While the girl did not die (and was not shot) in the graphic novel, Ruth, Valerie, and Gordon definitely did. An alternative literal explanation would be that the people in the crowd are lookalikes of the dead people (signifying how much human beings are alike), and that the proximity among the relevant/familiar faces is only an amazing coincidence.
This is a theme along the lines of, "an idea never dies." For instance, from Evey's first lines: ...We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still change the world. I've witnessed first hand the power of ideas, I've seen people kill in the name of them, and die defending them... but you cannot kiss an idea, cannot touch it, or hold it... ideas do not bleed, they do not feel pain, they do not love... And it is not an idea that I miss, it is a man... A man that made me remember the Fifth of November. A man that I will never forget. And then the scene with Creedy emptying his pistol trying to kill V : "Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy, and ideas are bulletproof." By showing the people that have been slain, it shows that their idea, the idea, lives on. It's the finale of the 1812 Overture by Pyotr Ilyich Tchaikovsky. It is a programmatic piece celebrating the victory of Russia over Napoleon, and the big theme is the old Russian anthem: "God Save the Czar". "Yakety Sax" by Boots Randolph. Also regularly used in the old British comedy series The Benny Hill Show. There are several songs that play during the end credits. In order, they are (1) "Street Fighting Man" by the Rolling Stones, (2) "BKAB" by Ethan Stoller [with excerpts from Malcolm X and Gloria Steinem], and (3) "Out of Sight" by Spiritualized. The remainder is original score from the film composed by Dario Marianelli. The song most folks seem to be interested in is "BKAB" by Ethan Stoller. For more information, please see his Q&A. Specifically, it is a bit of both the 7th and 8th tracks from the sound track. a5c7b9f00b
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