Tuesday 18 September 2018 photo 6/6
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Eagle Eye 720p Movies
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Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Jerry Shaw is an amiable slacker with an over-achieving twin brother. After his twin dies in an accident, strange things happen to Jerry at a dizzying pace: a fortune shows up in his bank account, weapons are delivered to his flat, and a voice on his cell phone tells him the police are on their way. Jerry follows the voice's instructions, and soon he and a woman he's never met are racing through the city, on to a plane, and eventually to the Pentagon, chased by the FBI. She is Rachel Holloman, a single mom; the voice has threatened her son's death if she doesn't cooperate. The voice seems to know everything. Who is behind it, what is being planned, and why Jerry and Rachel?
There are many films that have explored variations on the big-brother-is-watching theme from George Orwell's classic novel, 1984. Live Free or Die Hard, Enemy of the State, and Conspiracy Theory are some recent examples. I'm sure Eagle Eye will fall in line as a commercial successful variant on this theme, as well, thanks to the casting of Billy Bob Thornton and box office wonder boy Shia LeBeouf. And that's a shame because this is the least original film that I've seen in a long time, regurgitating elements from all of its predecessors, including films from this past summer (2008). The godlike supercomputer in this movie, Ripley, is a lot like the computer Hal from 2001: A Space Odyssey, with its own mind, scheming agenda and sentient sense of righteousness. But aside from the thematic elements that lack originality, there are whole scenes that look like they've been lifted right out of other movies. The cell phone net reminded me of the cell phone sonar net from Batman: The Dark Knight. The traffic light control was straight out of Live Free or Die Hard. The climactic symphony scene, with the tonal-triggered bomb, should give the producers of Get Smart some pause.
Now, if you haven't seen any of these other movies that I've mentioned, you'll miss the glaring similarities and rip-offs and might think this movie was entertaining and creative. But for the rest of us, we're scratching our heads here wondering how the writers could get away with it. It's not surprising, as it turns out, that 3 of the 4 writers collaborating on this screenplay had no prior feature-film writing credits. That's right! This was their freshman effort! This was just a writing exercise in the art of crafting a blockbuster formula film! Favorite Scene: Actually the only scene I like from this movie was the UAV flying through the tunnel.
For every aspect of this movie that is well done, there is an equally poorly done aspect. The action scenes are fantastic, the character chemistry is horrendous. The acting is superb, the progression of plot non existent. The concept brilliant, the execution weak. And there lies the bottom line of this film.
The film was marketed as Shia Labeouf's alone, however this is not exactly the case. It's almost closer to an ensemble cast with Billy Bob Thornton, Michelle Monaghan and Rosario Dawson all playing an equally important part. Thornton was the pick for me with his usual laid back, slick style while still seeming to care very much about the going ons around him. But they were certainly strong across the board, with no noticeable weaknesses. Labeouf is out of his comfort zone for once, which is a good thing. He's unable to be the smart-ass character, throwing one-liners around left, right and center and actually having to perform some hard-hitting emotional scenes at times. Very impressive.
When I mentioned above about horrendous character chemistry I was referring to the characters themselves rather than the actors. I remember at one stage early on thinking, if these lead characters end up getting together (as these type of movies usually like to have happen) this movie automatically loses a point - something that audience members really should be thinking the opposite of, ideally. The relationship seemed more suited to a mother and son than anything else. I won't let on as to the result of this in the end, so as not to spoil anything. This problem could also be put largely down to poor casting.
One of the biggest flaws is that after wards we feel like we've seen the exact same thing for 2 hours. A plot twist or a slightly bigger revelation than we get would benefit this movie quite nicely. That being said there is certainly nothing to make this movie unwatchable. And if you're in an optimistic mood you might just get a nice surprise and enjoy the heck out of it. It really is a movie that could go either way.
The word preposterous is too moderate to describe Eagle Eye. This film contains not a single plausible moment after the opening sequence, and that's borderline. It's not an assault on intelligence. It's an assault on consciousness.
Screenwriter Dan McDermott wrote the original script for Eagle Eye based on an idea by American director Steven Spielberg. When Spielberg was replaced as director by D.J. Caruso, McDermott's script was rewritten by screenwriters Eli Attie, John Glenn, Travis Wright, and Hillary Seitz. It is four time Oscar nominee Julianne Moore. This was confirmed by Rosario Dawson. Moore chose to be uncredited. Nope, not this time. Just your standard end credits. While Ariia's 73% unsaved memory was destroyed by Perez, her 27% saved is probably nowhere near as powerful and is therefore useless, wherever it may be. Other theories could be that the saved memory will return in a possible though improbable sequel, or that the memory was never actually saved and all of Ariia was destroyed at the same time, or the saved memory was found and destroyed. The most likely theory would be the latter since a sequel will probably never be in the works. There is an alternate ending that set up a sequel in which Sam was contacted by Ariia through his Xbox. However, that ending was not used, and therefore no other possible continuity is being set up for later on. a5c7b9f00b
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