Tuesday 18 September 2018 photo 6/7
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Superman Full Movie In Hindi Free Download
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An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.
Unable to convince the ruling council of Krypton that their world will destroy itself soon, scientist Jor-El takes drastic measures to preserve the Kryptonian race: He sends his infant son Kal-El to Earth. There, gaining great powers under Earth's yellow sun, he will become a champion of truth and justice. Raised by the Kents, an elderly farm couple, Clark Kent learns that his abilities must be used for good. The adult Clark travels to Metropolis, where he becomes a mild-mannered reporter for the Daily Planet...and a caped wonder whose amazing feats stun the city: Superman! Meanwhile, Lex Luthor, the world's greatest criminal mind, is plotting the greatest real estate swindle of all time. Can't even the Man of Steel stop this nefarious scheme?
this is hands down the greatest super hero movie ever made. You follow Kal-El all the way from the destruction of Krypton to his rise as the iconic fame as the man of steel(superman).
No superhero film ever made before or since has even came remotely close to the standards set by this film. The acting is so superb in this film. Every actor gives a command performance.
I hold this film in my heart as not only the best superhero film ever made, but as one of the best films ever made in any genre.
at least once a year I have to drag out my old VHS copy of this movie and watch it again. and as I watch Jor-El, The Kents, Lois, Jimmy Olson, Perry White, Otis, Lex Luthor and of course Superman it almost feels like I am greeting an old friend.
Even the John Williams movie soundtrack is totally awesome! Fantastic Four, X-Men,HULK,DareDevil,Batman,Spiderman and Supergirl ...yes there have been other great superhero movies (and some of those weren't so great)...but none of those movies can hold a candle to the 1978 SUPERMAN:THE MOVIE.
Somehow I've gotten almost 30 years without having ever seen one of the original Superman movies. I'd seen bits and pieces of the first movie back when I was a kid/teenager but I was bored with the little bit I'd watched. I remember coming in at some point during the Smallville portion of the film, getting bored, and wandering off to find something more engaging. Due to my one and only poor encounter with the movie, it wouldn't be until many years later when my film tastes have changed and I had a new appreciation for decent movies and I'd realize, whoops, I've never seen SUPERMAN. So I've remedied that and my initial impression hadn't changed much at first, but I gave it another shot and I found that my appreciation for it grew a little more with subsequent viewings. I see now why the original SUPERMAN is a classic and there is a lot to love despite its many flaws. SUPERMAN is an origin tale, introducing the Man of Steel, the Last Son of Krypton to movie-going audiences. We see Jor-El's futile efforts to save their planet and his final effort to save his son, sending him off into space to live a new life on the planet Earth. The child is discovered by the Kents, who adopt the child as their own and raise him in the town of Smallville, USA. As he approaches adulthood, his human father dies and young Clark Kent realizes that the time has come to move on. He travels north to the Arctic, learns of his origins, and then moves to Metropolis where he makes a life as a mild-mannered reporter for the Daily Planet and eventually embraces his new role as Superman. You know, the usual Superman stuff.
I've seen both major versions of the movie, both the theatrical and Richard Donner director's cut, and I prefer the Donner cut that was released in 2001. SUPERMAN is a long movie, and the director's cut is even longer but I think the additional material adds a nice extra bit to the movie. Despite its intimidating running time, the movie never really feels overdone. It's slow to get moving, no doubt about that. The Krypton sequences drag a bit, and the Smallville portion is deliberately paced but it all works. SUPERMAN is an original story that's done incredibly well. It takes its time but the result is a movie where you're incredibly comfortable with the characters by the time the action kicks into gear and it's a little easier to suspend your disbelief for some of the more "out there" elements that come with a story about an alien being who acts as humanity's savior in a pair of tights. I was surprised at how well the special effects in the movie worked, as someone viewing them with a contemporary mindset. Some of the flying effects are a little weak and I almost laughed at the scene with young Clark outrunning a train. It wouldn't have been so hokey if you could tell he was suspended from wires
his feet were nowhere near the ground. Still, the rest of the effects are surprisingly good for late '70s.
My only issues were the story issues and the fact that Superman seems to have any power that's convenient to the plot. Aside from the drama that arises from a last minute escape, why would Jor-El wait until the literal last minute to launch his son to Earth? And, for a massively advanced civilization, how could the people of Krypton not accept that their planet was about to explode? You'd think they see that coming, with or without Jor-El (a much respected member of their government) pushing them to action. How does Lex Luthor know that kryptonite is lethal to Superman? I am willing to accept that he might have deduced that that kryptonite fragments were on Earth and where they might be, but how could he magically know what effect they'd have on Superman? How exactly does Superman magically transform into his costume? I was under the impression that he wore it under his clothes but SUPERMAN shows him dissolving mid-flight out of his Clark Kent persona. And what government would run a test launch with not just one but two nuclear warheads? Whatever, whatever. This isn't the movie to nitpick the little details. It's a fantasy and it embraces it, regardless of whether some of the elements make sense or not.
The cast is every bit as great as I've heard. Christopher Reeve really is a perfect fit for the dual role of Clark Kent/Superman. He goes from a klutzy lovable loser to iconic hero effortlessly, and Margot Kidder is a great fit as his love interest Lois Lane. She's got an unconventional beauty to her and a feisty personality. And there's Gene Hackman as Lex Luthor. Hackman is so awesome as Luthor, I was more interested in anything he was doing in the movie than the hero. I wasn't keen on his stooges, Otis and Ms. Teschmacher, at first because I thought the comedy brought the movie down but I got used to them and now I love their chemistry with Luthor's egotism. I did think Marlon Brando was a little awkward as Jor- El. He infuses each line with his presence and weight but it doesn't sound all that natural coming from him.
Minor complaints aside, SUPERMAN was a better film than I'd given it credit for in the past. Reeve embodies one of the most legendary superheroes in an epic fantasy movie that brought an icon to life.
The film burdens itself with too many story lines and an overlong (though beautifully photographed) prologue, but things really get moving when Reeve takes the screen.
The movie Superman (1978) located the fictional U.S. town where the baby Kal-El was found and raised by Jonathan and Martha Kent in the state of Kansas. This tradition has carried through into subsequent Superman comic-book stories, animation, and television series. Earlier comics however placed Smallville in the north-eastern United States, somewhere near the eastern seaboard. Also, some comics-related sources in the 1970s and '80s placed Smallville in the state of Maryland. In the TV series Smallville, Smallville has been established as being located in the state of Kansas and also close enough to Metropolis that on clear days, one can view it in the distance. Metropolis is a fictional port city located somewhere on the eastern seaboard of the U.S. Where exactly varies depending on the source. The four superman movies made in 1978, 1980, 1983, and 1987 staring Christopher Reeve, do not specify its location, but based on the existence of various real-life landmarks such as the Statue of Liberty, it must be a stand-in for New York City. In the DC Universe, it is considered to be in New York State (which also is said to be geographically larger than its real-life counterpart). Some sources had previously placed Metropolis on the shore of Delaware Bay in the state of Delaware, across from Gotham City (from the Batman universe). However, this has been superseded by more recent continuity. In the latest Superman movie, Superman Returns, when Lex Luthor unveils his plan on a series of maps, Metropolis can be seen located on a Northeastern U.S. map exactly where New York City would be. (Also, on a side note, Long Island is not present at all.) In the TV series Smallville, Metropolis must be located either in Kansas, or close by in a neighboring state, as the show has established that (1) Smallville is in Kansas and that (2) Metropolis can be seen from town on clear days in the distance. At this point in Clark Kent's life, he has not yet fully developed, super-power wise. He has varying degrees of some of his powers, while others not at all, including the ability to fly. That is why he runs super fast home, instead of simply flying. The effect was achieved by dangling the actor just above the ground with wires, and having a fast moving rig pull him across the intended path. In some shots, it was clearly blue-screened though. Once he turned back time, he then had the time to stop Lex Luthor's guided missles, and in effect, prevented the earthquakes, etc. The controversy surrounding the time-reversal theme of the movie has been a discussion point since the film came out. Most viewers see it as a cheat, others see it as a ridiculous way for Superman to save Lois. Either way, Richard Donner has commented very little on his choice to include it. We have to assume that, although he turned back time to a point before the dam really breaking through (as is clearly seen being reversed), he did not take it back further than that, to before the explosion (crucially, we do not see that being reversed). Presumably, he is only prepared to defy Jor-El's warnings to a certain extent, otherwise why not reverse the whole thing and save all those killed in the nuclear blast and quake, messing seriously with "Earth history"? So, he simply had a little bit more time, which he used to save Jimmy a bit earlier (it is clear that he still did so and deposited him on the road, because Jimmy says so when he arrives at the car at the end) and also to deal with the damaged dam, perhaps not needing to stop the deluge because this time he has enough time to repair the damage before it bursts completely. He also somehow prevents the crack that reaches Lois' car, though she has still experienced the quake/aftershocks and the exploding gas station (she says as much). And of course, Luthor's huge crime has still taken place and so he must go to jail and for trial. She asks him about this during their interview: "Is it true that you can see through anything?" He then states specifically that he can see through anything but lead (when she steps out from behind the lead plant box she has on her terrace, he says "pink", giving an answer to her question about what color underwear she'd had on). Lois is primed with a lot of questions, though we are not privy as to how she knows to ask this one. Also, the printed article Lex Luthor et al. read the next day, "I spent the night with Superman", contains details about him that we do not see Lois and Superman discussing. So, we must simply assume that various rumors and facts had leaked out prior to the interview, during Superman's first few appearances, somehow (we do see him talking to Jor-El about his having been "showing off" and now being "revealed to the world") and a lot more putting the record straight must have taken place off-camera, while Lois is interviewing (flying with) Superman. In the original Superman comic book universe, it is safe to assume some, if not all, characters have trouble coming to this conclusion. In real life, although it is possible for a person to recognize Clark Kent, or Superman vice versa, there are numerous people who found they could conceal their identity from at least strangers with a single facial detail like Harold Lloyd (who was an inspiration for Clark Kent) with his glasses or Charlie Chaplin and Groucho Marx with their artificial mustaches. This was probably left out for plot reasons, and to allow a longer running series.
If the comic book series bordered too close to real life, with rational and smart characters, Superman would never have survived this long. His identity would have been deduced very early, and his closest friends and relatives would have been systematically killed. In the modern comics, the disguise has been supported by the fact that the public does not know that Superman have a secret identity since he does not wear a mask, suggesting he has nothing to hide. Furthermore, he has had the help of shapeshifters like the Martian Manhunter who have posed as Clark Kent with Superman in public appearances to make it seem obvious they are two separate people.
More than the glasses, the Clark Kent disguise consists of a completely different personality. Christopher Reeve was chosen, in part, because of his ability to play two completely different characters. Kal-el takes Jor-el's advice that his secret identity is absolutely necessary to heart and develops the Clark Kent persona in order to keep humans from over-relying on Superman and to protect those he loves. Clark Kent is a bumbling, "mild-mannered reporter", easily dismissed by Lois and everyone else; Superman is confident and charismatic with a witty sense of humor. Lois even considers the possibility that they are one and the same and then, considering Clark's personality, dismisses the notion as ridiculous. The skill of Reeve in portraying the identities is demonstrated in this film when Clark is tempted to confess in Lois' apartment; the sight of him simply taking off his glasses, straightening his back and speaking with unexpected timbre has a convincing effect of suggesting another person. In the year 2000, the Director's Cut of Superman was released. Most of the new material are smaller sequences with plot extensions, but there are two bigger sequences added as well. The first one shows Superman in the Fortress of Solitude, talking to his father Jor-El about the advantage of his supernatural powers. The second one shows Luthor trying to stop Superman by the use of heavy arms, fire and ice. The 4-Disc Special Edition is a Must Have for each fan of this film because it's the only DVD release including the Director's Cut and the theatrical cut as well. a5c7b9f00b
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