Free Download Hell Below Zero

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Duncan Craig signs on a whaling ship, partly because his own business deal has fallen through, partly to help Judie Nordhall find her father. Rumor has it that her father may have been murdered by Erik Bland, son of her father's partner and her one-time lover. Duncan and Erik find themselves on rival whaleboats and, ultimately, on an ice floe.
The captain of an Antarctic whaling ship falls overboard in mysterious circumstances and his daughter, aided by a sympathetic American, decides to investigate the accident.
Ladd plays one of the role model characters for Han Solo, as an adventurer who'll do anything to pick up a chick.

Except he's sort of a cross between Skwalker and Solo, thus making him more three dimensional than the character torn asunder into two characters.

Here, he goes into the South Seas near Antarctica, in a grand story of whaling. There is intrigue, as a woman believes her father, a whaling captain, was murdered by her fiancé.

The fiancé is evil incarnate, and it's very obvious early. Which make the scene where Ladd and MacGinnis ask him to save them, very ludicrous. It makes their characters look very stupid. Knowing they are witnesses against him in a murder, they divulge to the evil fiancé, Stanley Baker, that their ship is stuck in ice, and only Baker's icebreaker ship can free them. Knowing this, one would think that Ladd would be smart enough to tell the radio operator to send a message that Ladd and MacGinnis fell overboard, probably with some others, and are not among the survivors, in which case they would be rescued. However, they stupidly set themselves up, as well as the others, for a ramming job.

Along the way, revelations come a few at a time. And it woks well here.

What works even better is the use of the minor characters. MacGinnis and Bennett lead the way as some very interesting characters. Perhaps the least interesting are the "lackeys" who are willing to help Baker commit murder, knowing they are expendable witnesses. More and more revelations about Baker's evil persona come as the plot unfolds. He truly is evil incarnate.

The whaling scenes, and the scenes with the crews, along with the afore mentioned supporting characters, are what make this a top movie, as is usually what makes a top movie.

The action scenes are a bit of a cross between the old style realism of stumbling and shoving, and the modern ignorant comical choreography that probably works well in a Japanese kung fu movie, because the Japanese kung fu movie is based on personification, but looks stupid when dealing with dramatic characters in an action adventure. We see more "cause and effect" than the actual fighting, which really looks the best in adventure films, because it involves no "staged" look. The chips fall where they fall. In fact, at the end, when they are in the bitter cold, the two main characters probably shoot their guns "too well" for characters whose fingers are probably frozen, and whose guns have frozen mechanisms. It would be amazing if they did hit anything.

I have some nit picks with the movie. I'd like to have seen some of the characters survive, ones we know will die with pathos, but their deaths are not contrived. They are in one of the most dangerous occupations in one of the most dangerous areas of the world, even today.

This is a good film We care about the characters, and the adventure is great. If you don't enjoy this, then then there's no way you could enjoy 99% of the movies made since 1970, with characters we could care nothing about, and with dull, stupidly staged action sequences. This is a real film.
In all Alan Ladd films when Alan stood up everyone else immediately sat down. Why? Well, my son, he was more of a laddie in stature than even a lad. In those days there were Rules. If, heaven forbid, a leading man hadn't a hairy chest or was vertically challenged, the other male cast members were depilated [Clark Gable MOGAMBO] or either sat, or stood in holes [male & female in all Alan's pictures].

The Rules also stipulated that however macho [Rock Hudson], or articulate [James Dean] a leading man might appear, audiences regarded diminution as effeminate; this nancy distinction Hollywood felt firstly financially and secondly morally bound to cinematically correct. Regardless of history [Napoleon, Churchill] Hollywood knew best: A short man was short of something. At 5'6,' 'Tiny' Ladd seemed too short for a screen career.

A pot boiler like HELL BELOW ZERO is the best measure of an actor- where, as here, the producer was a crook [Cubby Broccoli, later owing Sean Connery a packet- one small talent robbing another], the name support non-existent, and the star makes or breaks. Ladd, a former radio actor, with screen presence and persona to die for, makes in this execrable Hammond Innes drivel.

Made in Britain [favourable currency exchange rates] ostensibly about whaling, it mutates to a British drawing room murder mystery with incomparable Britlish drabness- characters saying 'ken't' for 'can't' etc.

Promoted to skipper of a whaling hell-hole where every crewman is putatively vital, [Joseph Tomelty, ham and equally atrocious playwright, having been thankfully concussed], Ladd has time to go 'investigating,' predictably ending up on the only South Atlantic, Lillian Gish ice floe where breath is not emitted as steam.

But Ladd, on the inevitable downward spiral from SHANE, manages a coolness this refrigerated British turkey doesn't, and elucidates by example among Old Country antecedents that there is another way. One of the few great movie stars in the Hollywood firmament, no one noticed he was small at the time. Because, -Wallbridge - his middle name suggests and his talent confirms, he was a giant in 1950's Lilliput.

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