Tuesday 18 September 2018 photo 7/7
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Deep Rising Tamil Dubbed Movie Free Download
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A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
When a band of ruthless hijackers invade the world's most luxurious cruise ship, they're shocked to discover the passengers have mysteriously vanished! But that doesn't mean they are alone! Something terrifying is lurking just out of sight: a deadly force from the unexplored depths of the ocean that begins to snatch the horrified intruders one by one!
The cruellest thing in Deep Rising isn't that a woman dies on a toilet or that people are drunk alive by some giant sea monster, it's that Kevin J. O'Connor's character Joey survives. He's obviously meant to be a fun character, one that provides welcome comic relief for people with double digit IQs, but how can you take to someone who speaks like the squeaky teenage character in The Simpsons, who asks what he's looking at as he looks at a bunch of skeletons and who is so stupid that he gives one of his enemies a gun when the said individual pretends that he's going to kill himself? All the time I was hoping that he was going to die.
What made it even worse was that I knew he was going to survive. He's the wisecracking half-wit with a heart of gold. You can't kill him. But Sommers tries to give you hope. Near the end Joey goes missing. But because you don't see him die, you know he's going to miraculously turn up at the end. And so he does. Somehow he manages to escape a blood hungry sea beast and then navigate miles of stormy sea on a surfboard. Brilliant
Deep Rising is one of those movies that feels like it's been created by some computer programme. It's a bit of Aliens, a bit of Tremors and a bit Jaws
only with all the wit, all the excitement and all the scares removed. I think it should have been renamed 'The Unholy Smorgasbord of Formulaic B-Movie Claptrap'.
Out of all the obvious clichés, the hard-nosed, wisecracking pirates are the most hackneyed. You've got the horny one, the overly aggressive one, the cowardly one, the mental boss and the ones that are fodder for the monster. Out of these, the biggest idiot has to be the horny one. There's one bit where this guy sees a bunch of Playboy pictures. Now bear in mind that this guy is supposed to be robbing a cruise liner (there's 'loot' on board) and that he and his mates have stumbled upon a ship that is flooded and covered in blood. You might think that this bloke has more important things on his mind. But no, despite the fact that people are disappearing and he's up to his ankles in water, he decides to leer over these pictures like a 13-year old who is still getting to know his right hand. Idiot. Oh, and if you hadn't already guessed, he dies soon after.
Another stock character is the cowardly Brit. Now I don't have a problem with this character if it's done well there's nothing like a spineless Englishman but Jason Flemyng can't act. Plus even his native accent sounds fake although that could be down to the awful dire-logue he's forced to chew on. But what makes the character even more of an eye-roller is how blatantly it steals from the magnificent Hudson in Aliens. There you have a coward you can root for. Here you have a coward who you hope dies. And die he does naturally right after he finds his balls.
Seeing as I've just mentioned Aliens, I should also note that there's a character who, facing certain death, blows himself up to take his killer with him (this character, instead of being a cowardly Brit, is a cowardly black man. Geez. If you want to survive a horror film, it doesn't pay to be black or British
or even worse, a black Brit). Also stolen from Aliens is the evil corporate guy. This bloke's another half-wit. Apparently he built a huge ocean liner, found out that it was going to loose him money, so he concocted a plan to have it's 'loot' stolen by pirates and to have the ship sunk to take the insurance. Here's a plan for you: do your homework and build a ship that's profitable, you moron!
However, evil corporate guy does have some use; he can provide the audience with useful exposition. He even works out what the monster is and how its digestive system works after only taking a couple of looks at it. As well as being a terrible businessman, he's a marine biologist too.
Do I need to point out that the monster is rubbish? Well, it is. The CGI is of the same standard as Anaconda and the badly designed tentacles (twenty sets of teeth and overlapping mouths equal overkill, not terror) inspire about as much fear as a mute shouting 'Boo!'
Anaconda, though. There's another film where parallels can be drawn. In both films there's a scene where a half-digested person is released from the belly of a beast. But while both scenes in both films are stupid, Anaconda wins because Jon Voight winks. (There's a fine line between amusingly stupid and just stupid.)
Other stupid stuff include an Asian woman who can't act, an Australian who gets killed after going off on his own, a big monster that is a blatant rip-off of the Queen in Aliens, a jet ski escape that coincides with a huge explosion, massive guns that look like they've been designed by a visually impaired five-year old and scene after scene of people arguing with one another for no logical purpose other than to build up some half-assed idea of tension. Oh, and the film also contains an absurd amount of close-ups of people crying, screaming, shouting and swearing as they fire their guns at the pesky monster.
And another thing: the ending is abysmal. I've already mentioned Joey turning up, but not only does that happen, but two characters who don't really like each other kiss and the safe island they land on is revealed as having a monster of its own. Ooh, that's an original twist
Deep Rising is a good film. It is an example of a well made B movie. A group of mercenaries hijack a cruise ship that happens to host a giant sea creature- You can't make this up and it works. This is a cheesy blast and both Treat Wiliams and Famke Jannsen are good and one wonders why they never achieved more stardom. The direction is sublime and the pacing is excellent. The effects would have been a hindrance if the film tried to be a more serious straightforward drama but because it is so tongue in cheek they work in favor. This is a must watch.
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