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Malayalam Movie Download She Gets Her Man
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DOWNLOAD: http://urllio.com/qzqd6
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Two people have been murdered in Clayton by a mysterious killer using a blow-gun. Socialite club-leader Phoebe Witherspoon comments that "the town needs another Ma Pilkington, the best police chief the town ever had", and the town's newspaper editor, Henry Wright sends reporter Breezy to find the late Ma Pilkington's daughter, Jane "Pilky" Pilkington. She is given the job of tracking down the killer and policeman Mulligan is assigned to assist her. But after two more unsolved murders, Wright buys "Pilky" a ticket back to Horsetrot, the town in which they found her, and summons a Chicago detective to take over the case. "Pilky" is depressed by this turn of events and more so when she learns that Breezy is engaged to Maybelle, an actress. Mulligan is also fired. The killer strikes again by killing stage producer Tommy-Gun Tucker and the Chicago detective decides to go back to the safe confines of the Windy City, leaving "Pilky" again in charge. She sees Maybelle take a note out of Tucker's pocket during the investigation. She filches the note and, through it, tracks down the killer as being town coroner Dr. Bleaker, who was mixed up in some shady deals with Tucker and Maybelle. Mulligan is re-instated and "Pilky" remains in Clayton as the police chief.
There were so many, MANY detective movie series during the '30s and '40s, and of such varying quality. One wonders, then, why Joan Davis, Leon Errol (both very popular in their day) and company weren't pushed for a series of their own. Granted we have only SHE GETS HER MAN to judge from, but it remains a real winner. Davis and Errol play beautifully off each other, and the denouement is actually a bit of a surprise! Too often in these comedy-thrillers, the hero or heroine are too brassy to elicit much sympathy from the audience; even comedy relief can get in the way, if the role is not properly written or cast - for instance, Lee Tracy, in DOCTOR X (1932) is so annoying, you almost hope the bogeyman will get him. On the other hand, in THE MAD GHOUL (1943) for instance, when Rbert Armstrong, as the wisecracking reporter, gets his, it's not only a surprise, but a real bummer! In SHE GETS HER MAN, a perfect balance of humor and thrills is maintained, much in the spirit (no pun intended) of HOLD THAT GHOST, and leave you wanting to see more of them doing what they do best. Bravo - well done!
Betty Hutton sang of "Murder She Said", and Angela Lansbury became internationally famous for "Murder She Wrote". For funny lady Joan Davis, solving murders really only happens through chance, giving her laughs as she goes out of her way who is crudely blowing needles into the victim's heart. Yes, these grizzly crimes get goggles, pairing Davis up with rubber legged cop Leon Errol. Now free of the dual roles in the "Mexican Spitfire", he goes from his recently deceased hot tempered partner Lupe Velez to dizzy Joan, finding just as much trouble with her as he did in that long running RKO series.
This is an amusing programmer with pure silliness taking over any resemblance to reality. The situations get more and more bizarre, but lead the way to TV sitcom style pairings with Davis and Errol a multi gender variation of Lucy and Ethel, Eve and Kay, Laverne and Shirley, to mention a few. Davis almost blows up visitor William Gargan when he cones to ask her (as the daughter of a famous female detective) to help solve the case. Later, Davis and Errol interrupt a live performance to warn a possible victim, only managing to destroy the performance. Davis has further confusion with a sound effects machine. Laughs come fast and furious, as several bizarre characters become involved, creating more unintentional mayhem.
It's nice to see Donald McBride cast against type, playing a newspaper editor rather than a dumb, slow burning cop. There's a beautiful version of the 1940's standard "For All We Know" for collectors of memorable war themes. Davis and Errol play nicely off each other, but this was their only appearance together. Davis remained on at Universal for another comedy, the even better "She Wrote the Book". Twists in the story give Joan some great material to react to, and some great pranks to be unintentionally responsible for, like a speeding piano we are told she was helping to move. Davis's brand of comedy is sweet music to me, not a sour note to be found.
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