Tuesday 18 September 2018 photo 7/7
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The Road Warrior Tamil Dubbed Movie Free Download
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A former Australian policeman now living in the post-apocalyptic Australian outback as a warrior agrees to help a community of survivors living in a gasoline refinery to defend them and their gasoline supplies from evil barbarian warriors.
Roaming the highways of post-apocalyptic Australia, years after he avenged his wife and son and his partner who were murdered by the motorcycle gang led by the evil Toecutter. Burnt out former Australian policeman Max Rockatansky, now known as "The Road Warrior" searching for sources of fuel, stumbles upon a gasoline refinery home to a community of survivors who are struggling for survival and finds the community is being terrorized by a band of brutal motorcyclists led by The Humangus and his finest warrior, Wez, who bid to loot all the gasoline from the refinery for themselves. The community hires Max, as Max agrees to help the community transport the gasoline across the highway and fight for freedom, as they are pursued by the Humangus and his warriors.
"Oil depletion and climate change will create an entirely new context in which political struggles will be played out. Within that context, it is not just freedom, democracy, and equality that are at stake, but the survival of billions of humans and of whole ecosystems." - Richard Heinberg
"Mad Max 2" is a post-apocalyptic action movie by director George Miller. It stars Mel Gibson as Max, a tight-lipped loner who navigates a hellish landscape rife with marauding gangs and armed scoundrels. The film remains noteworthy for its stylised "low-tech future", in which crossbow wielding mercenaries, souped up vehicles, armour-plated trucks and junkyard forts dot Australia's barren deserts.
Other films had envisioned "used" or "wasteland" futures ("Solaris", "Star Wars", "Planet of the Apes", "Clockwork Orange", "Soylent Green", "A Boy and His Dog", "Omega Man" etc), but none were as playful as "Mad Max 2". Miller's production designers create giant fortresses cordoned off by stacks of tyres and rolling fleets of customised war-vehicles. Fittingly, his villainous tribes are all kitted out in homo-erotic biker leather and S and M bondage gear, like a dying race of impotent, gas guzzlers, literally unable to reproduce and so unsustainable. Miller's "good tribes", meanwhile, are family loving dirt nurturers, dressed in earth tones and cool whites. Max bounces between these two warring factions, a shotgun strapped to his hip, a loyal dog at his side.
"Mad Max 2" is mercifully free of dialogue and unnecessary "plot". Essentially a silent film, it is comprised almost entirely of car chases and action sequences. Miller's direction is kinetic and muscular throughout, all image, power, speed and motion. Elsewhere his compositions alternate between John Fordian landscape shots and clever comic book panels. The film was released the same year as "Raiders of the Lost Ark", a film which today feels dull in comparison.
"Mad Max 2's" plot is thin, but nevertheless works well on an archetypal level. Miller's created his own "wandering hero" myth, akin to the samurai flicks of Kurosawa and the westerns of Leone. Like the heroes of those films, Max travels from place to place, helping good guys dispatch bad guys before drifting heroically off into the sunset.
Today, "Max's" mad future almost seems prophetic. Since the beginning of the Industrial Revolution, global capitalism has expanded its use of energy at a rate of about 2.9 percent a year. Such an exponential increase is a systemic requirement: capitalism pretends infinite growth is possible, because it collapses if it admits that no amount of production/consumption can outpace aggregate debts. Exponential growth thus become, not only a systemic necessity, but ecologically suicidal. If continued, such energy rates not only boil the planet within a few hundred years, but would require us to produce as much energy as the sun within about 1400 years.
8.5/10 - Some kind of wacky masterpiece.
No-holds-barred look at post-apocalyptic Australia. Loner Gibson, a former cop/driver armed with an awesome muscle car, links up with kindly folks desperately hanging onto an oil refinery. The bad guys holding the refinery under siege are as bad as they get in the movies, and I mean REALLY bad (led by the infamous Great Humongous). A little too unpleasant at times, but the finale is a barn-burner. The best of the Mad Max bunch.
Miller suggests violence; he does not exploit it. He throws the viewer off-balance by mixing the ricochet rhythms of his chase scenes with tableaux of Walpurgisnacht grandeur.
All DVD releases worldwide only contained the R-Rated versions, however, the Blu-ray surprisingly featured the two violence scenes (despite the US release's R-Rated sticker on the back). Papagallo's speech is still cut and the VHS releases are still the only ones featuring the complete movie. No, but seeing as how the gang tended to pillage, rape and kill everyone they came across, not too many women would be left by the end of each raid. We see that there were at least a few women in the gang who were likely just as vicious and brutal as the men in the gang. The rest of the crew probably looked at it as a free-range prison; You'd take what you could get, such as Wez and his submissive partner named "Golden Boy". Whether Golden Boy was a sex slave or a willing participant or both is up to the viewer to decide. Right after the Feral Kidkills Golden Boy with his boomerang, Humungus tells Wez, as he has him in a headlock and subdues him, "I understand your pain! We all lost someone we love." Despite his rather sociopathic, marauding nature, Humungus still understands what loss is. Also, being in the post-apocalyptic world, the religious/social stigma about homosexuality would likely all but vanish. a5c7b9f00b
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